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Storyline
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila. Written by
Jeremy Perkins <jwp@aber.ac.uk>
Plot Summary
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Plot Synopsis
Taglines:
Trust him... he's a cop.
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Did You Know?
Trivia
In
Black Rain (1989), Andy Garcia's partner played by
Michael Douglas is accused by Internal Affairs for stealing drug money. In this film he plays an internal affairs cop.
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Goofs
About halfway through the movie, Dennis is waiting for Raymond outside his office. They have a conversation. Dennis crosses his arms, and keeps them crossed for the wide shot. When the camera cuts back to the two-shot, Dennis is now just holding his hands together.
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Quotes
Dennis Peck:
[
after decking Raymond in an elevator]
Hi, Raymond!
[
referring to Raymond's wife]
Dennis Peck:
You know what she really wanted? You know? Yeah, I should have guessed. She liked it in the ass, Raymond. That's right. Right in the fucking ass! Drove her crazy. She came so much, for a second I thought she was going to pass out on me.
[
decks Raymond again]
Dennis Peck:
You know what they say about Latin fighters, Raymond? You know what they say? Too fucking MACHO! That's right. *Too fucking macho!* They don't backpedal when ...
[...]
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Soundtracks
ANAZIA'S DANCE
Written and Performed by Ray Obiedo
Courtesy of Windham Hill Productions, Inc.
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A pretty good, early feature from Figgis. It's a thriller but with a unique strain already showing - it's more a war of character and attrition between Garcia and Gere than a straight chase number and broken up with a notable dream sequence (in fact, with this shot in a monochromatic blue and the nature of the film leaning towards existential examination of the leads I can't help but think of the Michael Mann of Manhunter and Heat respectively).
Garcia gives a good performance, if perhaps a touch excessively 'Latin' in its swinging between inscrutable and violent. He's well supported by Nancy Travis and particularly Lauire Metcalf - playing a unfussy, unostentatious but unequivocal lesbian. The treat of the show though is Gere. A true A-list performance here, powerfully masculine in its self-assurance, sexual charisma and violence in various states of disguise.
A stock film lifted by the agenda of a developing director and a matinée idol. Unsurprising, occasionally laboured but always watchable. 6/10