A policeman takes his twin brother's place and inherits his problems and a beautiful girlfriend. He is forced to kickbox his way from France to the U.S. and back while playing footsie with ... See full summary »
Director:
Ringo Lam
Stars:
Jean-Claude Van Damme,
Natasha Henstridge,
Jean-Hugues Anglade
Counter-terrorist Jack Quinn misses his target, Stavros, on the eve of his final mission. From there, he is sent to "The Colony", a rebirth for presumed-dead assassins. He breaks free from ... See full summary »
Director:
Hark Tsui
Stars:
Jean-Claude Van Damme,
Dennis Rodman,
Mickey Rourke
A disgraced former fireman takes on a group of terrorists holding the Vice President and others hostage during the seventh game of the NHL Stanley Cup finals.
Director:
Peter Hyams
Stars:
Jean-Claude Van Damme,
Powers Boothe,
Raymond J. Barry
Escaped convict Sam Gillen single handedly takes on ruthless developers determined to evict Clydie - a widow with two young children. Nobody knows who Sam is.
Director:
Robert Harmon
Stars:
Jean-Claude Van Damme,
Rosanna Arquette,
Kieran Culkin
Chris embarks on an odyssey of self-discovery that spans the globe. Kidnapped and enslaved by gun smugglers, sold by pirates and thrust into the murky underworld of gambling and kickboxing,... See full summary »
Director:
Jean-Claude Van Damme
Stars:
Jean-Claude Van Damme,
Roger Moore,
James Remar
Alain Lefevre is a boxer paid by a Marseille mobster to take a dive. When he wins the fight he attempts to flee to America with the mobster's girlfriend Katrina. This plan fails and he ... See full summary »
Director:
Peter MacDonald
Stars:
Jean-Claude Van Damme,
Adewale Akinnuoye-Agbaje,
Steven Berkoff
In the spring, the full moon shines for the warrior who has lost his way. Coyote is the spirit that leads back to life. If he follows the coyote when the moon is full, the warrior will see the path once more...
Director:
John G. Avildsen
Stars:
Jean-Claude Van Damme,
Pat Morita,
Danny Trejo
The Canadian policeman Louis Burke is assigned in a jail to investigate in some murders of prisoners and jailors. When in jail, Lois, using his outstandings martial arts is able to save his... See full summary »
Director:
Deran Sarafian
Stars:
Jean-Claude Van Damme,
Robert Guillaume,
Cynthia Gibb
A woman hires a drifter as her guide through New Orleans in search of her father, who has gone missing. They discover a deadly game of cat and mouse behind his disappearance in the process.
Director:
John Woo
Stars:
Jean-Claude Van Damme,
Lance Henriksen,
Yancy Butler
Jean Claude Van Damme plays a dual role as Alex and Chad, twins separated at the death of their parents. Chad is raised by a family retainer in Paris, Alex becomes a petty crook in Hong ... See full summary »
Director:
Sheldon Lettich
Stars:
Jean-Claude Van Damme,
Geoffrey Lewis,
Alonna Shaw
On an out of control train holding hostages and high-tech bio-weapons agent Kristoff (Van Damme) becomes a one man army to derail the terrorists and save the lives of everyone on board!
Director:
Bob Misiorowski
Stars:
Jean-Claude Van Damme,
Tomas Arana,
Laura Harring
A Hong Kong fashion designer (Jean Claude Van Damme, if you can believe that billing) who had previously been involved in knock offs of major label merchandise, such as "Pumma" running shoes, attempts to go straight with the help of his new partner (Rob Schneider), who is secretly an undercover CIA agent involved in an investigation of the black market. Their main product, jeans, is involved in the knock offs, which brings a representative (Lela Rochon) of the American company to investigate. Paul Sorvino also appears as the head of the CIA operation in Hong Kong. However, just as Schneider is not as he initially seems, everyone in the film switches roles by film's end. Written by
John Sacksteder <jsackste@bellsouth.net>
Hong Kong superstar and director Sammo Hung served as the film's 2nd unit director. The release print of "Knock Off" suffers from the removal of a lot of the martial arts action shot for the film, with a couple of sequences being very heavily edited. The final battle between Jean-Claude Van Damme's character and Australian actor/stuntman Michael Miller is less than half of the action shot for their fight, and upon careful viewing you can pick up the fact that the fight has raged across several different sections on the boat, while the fight between Jeff Wolfe's character Scar and Jean-Claude's is the most heavily edited with more of the action being shown in the "Making Of" featured on several of the DVD editions than in the finished film. See more »
Goofs
(at around 47 mins) The camera for Rob Schneider's scene is visible on the building at the top left of the screen. See more »
I didn't expect Knock Off to be the film it was. I thought it would be another lame bit of Van Dammage, just like all the others, but wow! This is in a league of it's own. First of all, let me say this: it's not a good film: of course, it isn't! The script's diabolical, the acting is dreadful and the plot has got to be one of the silliest ever written.
Oh yes, but Knock Off works because it is truly bonkers. Truly out of its mind. Tsui Hark is a great director (check out the insane Zu: Warriors of the Magic Mountain, as well as the Hark produced A Chinese ghost Story, which is truly wonderful) and his irreverent approach works wonders here. Some of the camerawork here has to be seen to be believed: here, we have a shot from the inside of a shoe, the camera moving through a wall and through a computer...while, the action is wildly OTT and hilariously preposterous. Rough around the edges it may be, but the action is genuinely imaginative stuff. Like Van Damme's Hard Target, Knock Off has been blessed with a director who can stage great action, but unlike the irritatingly melodramatic john woo, Hark directs as though he's having a great time: even the dramatic (!) scenes border on intentional parody.
And then there's Jean Claude Van Damme, easily the funniest out of all the Schwarzenegger/Stallone/Seagal crowd. Funniest? Why? Cos he really looks like he's trying, bless 'im! The scenes where he gets all emotional (check out the bit when he confronts Hendricks on the roof top: 'YOU LIED TO ME!') are painfully funny because he just can't act at all. And because of his accent, lines like 'Don't you understand what you do....i-fax me?' (the 'i-fax' is supposed to be 'affects') sound highly amusing. Unlike that dullard Steven Seagal, van Damme's limitations as an actor are precisely what makes him watchable. Then there's the deeply stupid Rob Schneider, who plays EXACTLY the same role in everything he's ever done, and Paul Sorvino, who continues to destroy whatever credibilty he gained starring as Pauly Cicero in GoodFellas.
Plus, what's with the green explosions? The walkie-talkie dropping into the gangster's hand from nowhere? The bullet-shot that goes through the can of beans? Rob Schneider whipping Van Damme with a fish? The song at the end of the film? It's a complete mess!
Knock Off is easily Van Damme's best film, without a shadow of a doubt. It's utter rubbish, yet it's one of the funniest films I've ever seen. Of course, you need plenty of irony and an appreciation for stupid action movies to really get the most out of this. there are some people who will think that Knock Off is absolutely atrocious. And you know what, they're probably right too. But what's also correct is that in some deeply disturbing, dangerously perverse way, it is a work of genius.
39 of 51 people found this review helpful.
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I didn't expect Knock Off to be the film it was. I thought it would be another lame bit of Van Dammage, just like all the others, but wow! This is in a league of it's own. First of all, let me say this: it's not a good film: of course, it isn't! The script's diabolical, the acting is dreadful and the plot has got to be one of the silliest ever written.
Oh yes, but Knock Off works because it is truly bonkers. Truly out of its mind. Tsui Hark is a great director (check out the insane Zu: Warriors of the Magic Mountain, as well as the Hark produced A Chinese ghost Story, which is truly wonderful) and his irreverent approach works wonders here. Some of the camerawork here has to be seen to be believed: here, we have a shot from the inside of a shoe, the camera moving through a wall and through a computer...while, the action is wildly OTT and hilariously preposterous. Rough around the edges it may be, but the action is genuinely imaginative stuff. Like Van Damme's Hard Target, Knock Off has been blessed with a director who can stage great action, but unlike the irritatingly melodramatic john woo, Hark directs as though he's having a great time: even the dramatic (!) scenes border on intentional parody.
And then there's Jean Claude Van Damme, easily the funniest out of all the Schwarzenegger/Stallone/Seagal crowd. Funniest? Why? Cos he really looks like he's trying, bless 'im! The scenes where he gets all emotional (check out the bit when he confronts Hendricks on the roof top: 'YOU LIED TO ME!') are painfully funny because he just can't act at all. And because of his accent, lines like 'Don't you understand what you do....i-fax me?' (the 'i-fax' is supposed to be 'affects') sound highly amusing. Unlike that dullard Steven Seagal, van Damme's limitations as an actor are precisely what makes him watchable. Then there's the deeply stupid Rob Schneider, who plays EXACTLY the same role in everything he's ever done, and Paul Sorvino, who continues to destroy whatever credibilty he gained starring as Pauly Cicero in GoodFellas.
Plus, what's with the green explosions? The walkie-talkie dropping into the gangster's hand from nowhere? The bullet-shot that goes through the can of beans? Rob Schneider whipping Van Damme with a fish? The song at the end of the film? It's a complete mess!
Knock Off is easily Van Damme's best film, without a shadow of a doubt. It's utter rubbish, yet it's one of the funniest films I've ever seen. Of course, you need plenty of irony and an appreciation for stupid action movies to really get the most out of this. there are some people who will think that Knock Off is absolutely atrocious. And you know what, they're probably right too. But what's also correct is that in some deeply disturbing, dangerously perverse way, it is a work of genius.