On a US nuclear missile sub, a young first officer stages a mutiny to prevent his trigger happy captain from launching his missiles before confirming his orders to do so.
Director:
Tony Scott
Stars:
Gene Hackman,
Denzel Washington,
Matt Craven
Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor being hounded by a ruthless dictator.
Director:
Breck Eisner
Stars:
Matthew McConaughey,
Penélope Cruz,
Steve Zahn
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
A Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.
In the midst of World War II, the battle below the seas rages. The Nazi's have the upper edge as the Allies are unable to crack their war codes. That is, until a wrecked U-boat sends out an SOS signal, and the Allies realise this is their chance to seize the 'enigma coding machine'. But masquerading as Nazi's and taking over the U-boat is the smallest of their problems. The action really begins when they get stranded on the U-boat. Written by
Filmtwob <webmaster@filmfreak.co.za>
This movie represents one of a select group of a few World War II submarine movies which have won the one single Academy Award in a technical category, that's just only the one Oscar in either special effects or sound editing. These movies include Crash Dive (1943); The Enemy Below (1957); Torpedo Run (1958) and U-571 (2000). The non-WW II sub-movie, The Hunt for Red October (1990) also won just the one Oscar as did the WW 2 part sub-movie 49th Parallel (1941), but for Best Original Story. See more »
Goofs
During the capture of U-571, although there is a modest storm, interior shots of both submarines show no rolling or other movement caused by wave action. Exterior shots show very little movement. See more »
This movie is another one in a long line of pro-U.S. war films. You know the kind. Those are the films where north american soldiers are the only ones capable of any wit, wisdom, intelligence and courage.
Unfortunately, by now the rest of the world is a bit brighter, and we know that, really, Ben Affleck didn't save Great Britain from the Germans. There is an undeniable and deep love and respect for all veterans and U.S. soldiers that lost their lives in Europe during both World Wars from the rest of the world, the kind of respect that only comes from defending an ideal with their lives. It's Hollywood who is keen on destroying those heroes' reputation by making them seem so superior as to be ridiculous.
In summary, this film is a parody of the amazing "Das Boot". It's quite obvious that the same things will happen in any submarine: depth charges, marine battles, etc. But U-571 makes everything seem sweet: there is no claustrophobia, the crew gets along pretty well, they kill every german in sight, and even a destroyer. Das Boot shows a destroyed boat, terribly strained relationships, a sense of quiet desperation and resignation. Where U-571 plays glorious fanfare, Das Boot counters with powerful silence. Where Das Boot puts grime, U-571 substitutes pretty faces. Where Das Boot has realism, U-571 doesn't.
But most insulting of all, where englishmen should have been, U-571 cleverly substitutes them with U.S. soldiers. Oh, the nerve.
Bottom line: this movie makes for a great surround sound demo disc, or a nice coaster. Hollywood is still clueless when it comes to making war movies. If a future historian only had U.S. war movies to base history upon, he would decidedly declare the rest of the world sub-human idiots, and the U.S. civilization as a more evolved race.
A theory Hollywood debunks quite nicely.
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This movie is another one in a long line of pro-U.S. war films. You know the kind. Those are the films where north american soldiers are the only ones capable of any wit, wisdom, intelligence and courage.
Unfortunately, by now the rest of the world is a bit brighter, and we know that, really, Ben Affleck didn't save Great Britain from the Germans. There is an undeniable and deep love and respect for all veterans and U.S. soldiers that lost their lives in Europe during both World Wars from the rest of the world, the kind of respect that only comes from defending an ideal with their lives. It's Hollywood who is keen on destroying those heroes' reputation by making them seem so superior as to be ridiculous.
In summary, this film is a parody of the amazing "Das Boot". It's quite obvious that the same things will happen in any submarine: depth charges, marine battles, etc. But U-571 makes everything seem sweet: there is no claustrophobia, the crew gets along pretty well, they kill every german in sight, and even a destroyer. Das Boot shows a destroyed boat, terribly strained relationships, a sense of quiet desperation and resignation. Where U-571 plays glorious fanfare, Das Boot counters with powerful silence. Where Das Boot puts grime, U-571 substitutes pretty faces. Where Das Boot has realism, U-571 doesn't.
But most insulting of all, where englishmen should have been, U-571 cleverly substitutes them with U.S. soldiers. Oh, the nerve.
Bottom line: this movie makes for a great surround sound demo disc, or a nice coaster. Hollywood is still clueless when it comes to making war movies. If a future historian only had U.S. war movies to base history upon, he would decidedly declare the rest of the world sub-human idiots, and the U.S. civilization as a more evolved race.
A theory Hollywood debunks quite nicely.