Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Director:
Jim Gillespie
Stars:
Sylvester Stallone,
Charles S. Dutton,
Polly Walker
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Director:
Martyn Burke
Stars:
Sylvester Stallone,
Madeleine Stowe,
Anthony Quinn
Professional hit-man Robert Rath wants to fulfill a few more contracts before retiring but unscrupulous ambitious newcomer hit-man Miguel Bain keeps killing Rath's targets.
Director:
Richard Donner
Stars:
Sylvester Stallone,
Antonio Banderas,
Julianne Moore
The sheriff of a suburban New Jersey community populated by New York City policemen slowly discovers the town is a front for mob connections and corruption.
Director:
James Mangold
Stars:
Sylvester Stallone,
Harvey Keitel,
Ray Liotta
A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.
Director:
Renny Harlin
Stars:
Sylvester Stallone,
Kip Pardue,
Til Schweiger
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
KGF Vissers
For the flashback scenes that show Richie's murder, Stephen Kay wanted the film to look grainy and damaged, so he asked Deluxe, the film processor, to think outside the box. Happy to oblige, the techs at Deluxe tied the film to the back of a car and drove it around their parking lot - creating the scratched look. The experiment was short-lived when a Deluxe executive saw it, and ordered them to stop - fearing it would give the company a bad name. See more »
Goofs
On the elevator, Con says to Jack "Say Jack, when I said you take care of the business or the business will take care of you, did we have a bad connection on the cell? Maybe you weren't listening?" Only, Con never said this to Jack "on the cell" or during a phone conversation. Con said his "business will take care of you" line to Jack in person, when the two were together at the beginning, before Jack left Vegas. See more »
Quotes
[first lines]
Jack Carter:
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
See more »
Crazy Credits
Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
A mob enforcer goes back to his native Seattle to sort out the suspicious death of his brother.
The original film is one of the best English thrillers of all time and despite being made nearly thirty years ago still packs a punch. Sadly this film is not really in its league, despite a bigger budget and more ground coverage.
The main problem is that the authors clearly love the original and this leaves so much of what happens as a question mark to the new viewer. Characters are thrown in from nowhere and Carters involvement with his bosses' girl is almost in another movie. Micheal Caine's small role (as a barman) is funny in that he was the original Jack Carter, here reprised by Sly Stallone.
While quick to admit this is mediocre stuff you have to say that you get your share of car chases (well done too), fights, creeps, sleaze, family bonding, shoot outs and even the odd bit of light humour. The fight between Stallone and Mickey Rouke (here playing a buisnessman-stroke-creep) for example.
This film features interesting cinematography, with strange forward jump cuts (ripped off from The Limey), odd angles and the use of colour filters. In short, the producers trying to make more out of the material than is in the script. The choice of a wet Seattle is also curious and different. Presumably the nearest to Newcastle-Upon-Tyne (the setting of the original) that the producers could think of.
So it is only an average product, but will see much worse than this in our lifetime and it does move along at a fair and steady clip. People are getting to knock Stallone for being Stallone, but he doesn't do bad a job here, a stonefaced enforcer that is prepared to shed a tear when needs be! Not great acting, but he looks the part.
Don't be put off by the low IMDB ratings, plenty of worthy films are two or three points higher but are far more boring. Popcorn fodder it may be, but I thought it was worth seeing through and even declared myself modestly entertained at the end of it. Not as good as the original but not a lot is.
Footnote: This is actually not the first remake of Get Carter. A blackspolitation version was made in the 1970's called "Hitman."
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A mob enforcer goes back to his native Seattle to sort out the suspicious death of his brother.
The original film is one of the best English thrillers of all time and despite being made nearly thirty years ago still packs a punch. Sadly this film is not really in its league, despite a bigger budget and more ground coverage.
The main problem is that the authors clearly love the original and this leaves so much of what happens as a question mark to the new viewer. Characters are thrown in from nowhere and Carters involvement with his bosses' girl is almost in another movie. Micheal Caine's small role (as a barman) is funny in that he was the original Jack Carter, here reprised by Sly Stallone.
While quick to admit this is mediocre stuff you have to say that you get your share of car chases (well done too), fights, creeps, sleaze, family bonding, shoot outs and even the odd bit of light humour. The fight between Stallone and Mickey Rouke (here playing a buisnessman-stroke-creep) for example.
This film features interesting cinematography, with strange forward jump cuts (ripped off from The Limey), odd angles and the use of colour filters. In short, the producers trying to make more out of the material than is in the script. The choice of a wet Seattle is also curious and different. Presumably the nearest to Newcastle-Upon-Tyne (the setting of the original) that the producers could think of.
So it is only an average product, but will see much worse than this in our lifetime and it does move along at a fair and steady clip. People are getting to knock Stallone for being Stallone, but he doesn't do bad a job here, a stonefaced enforcer that is prepared to shed a tear when needs be! Not great acting, but he looks the part.
Don't be put off by the low IMDB ratings, plenty of worthy films are two or three points higher but are far more boring. Popcorn fodder it may be, but I thought it was worth seeing through and even declared myself modestly entertained at the end of it. Not as good as the original but not a lot is.
Footnote: This is actually not the first remake of Get Carter. A blackspolitation version was made in the 1970's called "Hitman."