During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.
An idealistic FBI agent is enlisted by an elected government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.
In 1974, high-wire artist Philippe Petit recruits a team of people to help him realize his dream: to walk the immense void between the World Trade Center towers.
Director:
Robert Zemeckis
Stars:
Joseph Gordon-Levitt,
Charlotte Le Bon,
Guillaume Baillargeon
70-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
After having escaped the Maze, the Gladers now face a new set of challenges on the open roads of a desolate landscape filled with unimaginable obstacles.
Director:
Wes Ball
Stars:
Dylan O'Brien,
Kaya Scodelario,
Thomas Brodie-Sangster
The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
Director:
Scott Cooper
Stars:
Johnny Depp,
Benedict Cumberbatch,
Dakota Johnson
Macbeth, a Thane of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
Director:
Justin Kurzel
Stars:
Marion Cotillard,
Michael Fassbender,
Elizabeth Debicki
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Director:
Guy Ritchie
Stars:
Henry Cavill,
Armie Hammer,
Alicia Vikander
Set during the Cold War, American chess prodigy Bobby Fischer finds himself caught between two superpowers and his own struggles as he challenges the Soviet Empire.
Director:
Edward Zwick
Stars:
Tobey Maguire,
Liev Schreiber,
Peter Sarsgaard
During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring "the Martian" home, while his crewmates concurrently plot a daring, if not impossible, rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney's safe return. Written by
20th Century Fox
The movie starts on Sol 18 but the book starts on Sol 6. See more »
Goofs
In the shot in which Mark Watney regains consciousness after being stranded on Mars the cameraman is visible in the reflection of his space helmet. See more »
Quotes
Mark Watney:
They say once you grow crops somewhere, you have officially colonized it. So, technically, I colonized Mars. In your face, Neil Armstrong!
See more »
Crazy Credits
During the first half of the ending credits, the names of the cast members (with the exception of Matt Damon) corresponds with their character in the film. See more »
TURN THE BEAT AROUND (LOVE TO HEAR PERCUSSION)
Written by Peter Jackson Jr. and Gerald Jackson
Performed by Vicki Sue Robinson
Courtesy of RCA Records
By arrangement with Sony Music Licensing See more »
Every good story has 3 major components: A beginning, a duration and an end, somethings many Hollywood writers are afraid to do anymore. Studios have their fingers in so much of the creative/artistic development of a project, it certainly explains why so many movies are considered critical flops. However, the public speaks, and box offices like making money.
This being said, The Martian certainly seems to please most people, even the critical. I don't think I'd be spoiling anything by saying the plot of the movie is about an astronaut left for dead as the crew evacuates from the planet surface of Mars only to find out the crew member didn't die. You have the story from a bureaucratic side, a scientific side, a social media side and engineering side all interwoven around the subject's story; the guy they left behind.
I personally don't think many people outside the enthusiast would know the difference between Mars and Wadi Rum in Jordan where the principal filming took place, and seeing even my understanding of the terrain is limited it was quite convincing. You get comfortable with the associations pretty quickly when you add all the environmental supplements that add to location that dispel the earth atmospheric conditions. I think most people have accepted the way Hollywood deals with space and give it a great deal of flexibility, so space travel is somewhat forgiving, but mixing the tech that got the various crafts into the air and the ship its self "Hermes" (Check your Greek mythology very appropriate name) builds this story into one congruous epic. Obviously, the whole story revolves around Mark Whatney, a botanist who is left for dead and between his skills and ego are able to survive the elements until he is rescued. One of the nicer things about the story is that unlike other Ridley films, is that it isn't one emergency after another. The strong point to the screen play is that it breathes so well when mixed with the various sub-stories that the movie never gets tedious or overly long.
Using the word "Mix" is a very appropriate term to describe this epic scifi movie. An experienced recording engineer know when to emphasize a specific instrument when doing the final edit to enhance the focus and listeners experience. Harry Gregson-Williams score is not intrusive but well integrated (Credits include Shrek, Man on Fire and Cowboys and Aliens); Dariusz Wolski cinematography translates Ridleys vision to screen, and all the various departments all seem to come together to culminate in a perfect "Mix" for this compelling story. This movie has a great beginning, an absorbing duration, and satisfying ending.
So, I give this a full 10 our of 10 for experience. The audience was totally engrossed in the film, fully responding to the humor and horrors, empathetically sensing the singularity of being stranded but ultimately making the best of a bad situation. As the alien in John Carpenters "Starman" quote on being human: "You are at your best when you are at your worst". -B
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Every good story has 3 major components: A beginning, a duration and an end, somethings many Hollywood writers are afraid to do anymore. Studios have their fingers in so much of the creative/artistic development of a project, it certainly explains why so many movies are considered critical flops. However, the public speaks, and box offices like making money.
This being said, The Martian certainly seems to please most people, even the critical. I don't think I'd be spoiling anything by saying the plot of the movie is about an astronaut left for dead as the crew evacuates from the planet surface of Mars only to find out the crew member didn't die. You have the story from a bureaucratic side, a scientific side, a social media side and engineering side all interwoven around the subject's story; the guy they left behind.
I personally don't think many people outside the enthusiast would know the difference between Mars and Wadi Rum in Jordan where the principal filming took place, and seeing even my understanding of the terrain is limited it was quite convincing. You get comfortable with the associations pretty quickly when you add all the environmental supplements that add to location that dispel the earth atmospheric conditions. I think most people have accepted the way Hollywood deals with space and give it a great deal of flexibility, so space travel is somewhat forgiving, but mixing the tech that got the various crafts into the air and the ship its self "Hermes" (Check your Greek mythology very appropriate name) builds this story into one congruous epic. Obviously, the whole story revolves around Mark Whatney, a botanist who is left for dead and between his skills and ego are able to survive the elements until he is rescued. One of the nicer things about the story is that unlike other Ridley films, is that it isn't one emergency after another. The strong point to the screen play is that it breathes so well when mixed with the various sub-stories that the movie never gets tedious or overly long.
Using the word "Mix" is a very appropriate term to describe this epic scifi movie. An experienced recording engineer know when to emphasize a specific instrument when doing the final edit to enhance the focus and listeners experience. Harry Gregson-Williams score is not intrusive but well integrated (Credits include Shrek, Man on Fire and Cowboys and Aliens); Dariusz Wolski cinematography translates Ridleys vision to screen, and all the various departments all seem to come together to culminate in a perfect "Mix" for this compelling story. This movie has a great beginning, an absorbing duration, and satisfying ending.
So, I give this a full 10 our of 10 for experience. The audience was totally engrossed in the film, fully responding to the humor and horrors, empathetically sensing the singularity of being stranded but ultimately making the best of a bad situation. As the alien in John Carpenters "Starman" quote on being human: "You are at your best when you are at your worst". -B