A young programmer is selected to participate in a ground-breaking experiment in artificial intelligence by evaluating the human qualities of a breath-taking female A.I.
In the near future, crime is patrolled by a mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.
A spy organization recruits an unrefined, but promising street kid into the agency's ultra-competitive training program, just as a global threat emerges from a twisted tech genius.
Director:
Matthew Vaughn
Stars:
Colin Firth,
Taron Egerton,
Samuel L. Jackson
A woman rebels against a tyrannical ruler in post apocalyptic Australia in search for her homeland with the help of a group of female prisoners, a psychotic worshiper, and a drifter named Max.
In the midst of veteran con man Nicky's latest scheme, a woman from his past - now an accomplished femme fatale - shows up and throws his plans for a loop.
Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart with the help from others on her side.
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's Mightiest Heroes to stop the villainous Ultron from enacting his terrible plans.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
A young woman discovers her destiny as an heiress of intergalactic nobility and must fight to protect the inhabitants of Earth from an ancient and destructive industry.
Caleb, a 26 year old coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. Written by
DNA FILMS
The title "Ex Machina" comes from the phrase "Deus Ex Machina". On Nathan's computer, a folder on the desktop screen is named Deus Ex Machina. That's the only use of the movie's title within the movie itself. See more »
Goofs
When Caleb and Nathan are at the glacier waterfall, you can see the shadow of a cameraman on the rocky ground in the background. A square shadow is also visible which is probably from a large bounce umbrella used for the scene lighting. See more »
Quotes
[first lines]
Caleb:
How long until we get to his estate?
Pilot:
[laughs]
We've been flying over his estate for the past 2 hours.
See more »
Get Down Saturday Night
Written by Oliver Cheatham (as Cheatham) & McCord
Performed by Oliver Cheatham
Published by Universal/MCA Music Ltd
Courtesy of Geffen
Under license from Universal Music Operations Limited See more »
A reclusive CEO of a leading technology company hires a young whiz kid who works for him to test his latest development, a highly advanced android called Ava. Specifically he is tasked with using the Turing test on her to establish if her AI is sufficiently convincing to pass as human.
Despite contributing several scripts for the screen, this is writer Alex Garland's first directorial effort. It's a hard sci-fi movie which examines concepts and ideas above everything else. That's not to say it isn't dramatic or even thrilling because it is both of those things as well but the focus is squarely on the science fiction speculation, and this is a very welcome thing. The central concept that it examines is artificial intelligence. How we interact with AI as humans, as well as how a seductive machine could in turn manipulate us. The very well written script poses philosophical questions such as is there moral or immoral ways to treat AI. It also considers if sometimes part of being human is that we sometimes subconsciously want to be fooled by an illusion, if it is attractive enough.
In many ways Ex Machina resembles last years Under the Skin. Both feature highly advanced female non-humans. In the earlier film Scarlett Johansson played an alien, here Alicia Vikander plays an android. While the very small cast all acquit themselves very well, it is Vikander who stands out in the film's most challenging role. It's a nuanced performance that captures the fine balance between the human-like and machine. Not only this but the marvellous special effects compliment this performance to create a very distinctive character. Aside from the effects, this is probably quite a modestly budgeted film, as the small little-known cast and limited sets suggest. But these restrictions have been used to the films advantage, as the unknown cast surprise more given little is known of them and the restricted setting gives off a claustrophobic feel which works well, while forcing us to focus in even more on the ideas being put in front of us. A scene setting ambient soundtrack additionally creates just the right off-kilter mood to accentuate the events. But it's ultimately the very good writing that underpins the success of this film. All-in-all, very impressive science fiction for those who appreciate the genre's more cerebral side.
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A reclusive CEO of a leading technology company hires a young whiz kid who works for him to test his latest development, a highly advanced android called Ava. Specifically he is tasked with using the Turing test on her to establish if her AI is sufficiently convincing to pass as human.
Despite contributing several scripts for the screen, this is writer Alex Garland's first directorial effort. It's a hard sci-fi movie which examines concepts and ideas above everything else. That's not to say it isn't dramatic or even thrilling because it is both of those things as well but the focus is squarely on the science fiction speculation, and this is a very welcome thing. The central concept that it examines is artificial intelligence. How we interact with AI as humans, as well as how a seductive machine could in turn manipulate us. The very well written script poses philosophical questions such as is there moral or immoral ways to treat AI. It also considers if sometimes part of being human is that we sometimes subconsciously want to be fooled by an illusion, if it is attractive enough.
In many ways Ex Machina resembles last years Under the Skin. Both feature highly advanced female non-humans. In the earlier film Scarlett Johansson played an alien, here Alicia Vikander plays an android. While the very small cast all acquit themselves very well, it is Vikander who stands out in the film's most challenging role. It's a nuanced performance that captures the fine balance between the human-like and machine. Not only this but the marvellous special effects compliment this performance to create a very distinctive character. Aside from the effects, this is probably quite a modestly budgeted film, as the small little-known cast and limited sets suggest. But these restrictions have been used to the films advantage, as the unknown cast surprise more given little is known of them and the restricted setting gives off a claustrophobic feel which works well, while forcing us to focus in even more on the ideas being put in front of us. A scene setting ambient soundtrack additionally creates just the right off-kilter mood to accentuate the events. But it's ultimately the very good writing that underpins the success of this film. All-in-all, very impressive science fiction for those who appreciate the genre's more cerebral side.