The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
Director:
Wes Anderson
Stars:
Ralph Fiennes,
F. Murray Abraham,
Mathieu Amalric
A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.
Director:
Damien Chazelle
Stars:
Miles Teller,
J.K. Simmons,
Melissa Benoist
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
Director:
David Fincher
Stars:
Ben Affleck,
Rosamund Pike,
Neil Patrick Harris
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A Mumbai teen, who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
Director:
Martin Scorsese
Stars:
Leonardo DiCaprio,
Jonah Hill,
Margot Robbie
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ... Written by
Huggo
Like his on-screen character, Michael Keaton is well known for his portrayal of a superhero (DC's Batman). See more »
Goofs
When Riggan goes back to the theater after a drunk night out, right after he's touching ground beneath his feet again, there can a couple be seen walking from the left side of the frame to the right, away from the camera (we can only see them from behind). When Riggan passes the couple the right man can be seen making a very sudden quick (and very unnatural looking) hand-movement in direction to Riggan's back. This movement might have been necessary to detach the cables from Michael Keaton's back that he needed to be attached to for the flying scene. See more »
Quotes
[first lines]
Young Birdman:
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
See more »
Symphony No. 4 in F minor Op. 36.2 in Andantino in Modo Di Canzone
Composed by Pyotr Ilyich Tchaikovsky
Performed by RSO Ljubijana Anton Nanut
Courtesy of The Savoy Label Group/Selectracks See more »
I felt so blah about the movie that I gave it a 5/10 star rating and was going to click away. Then I got to thinking: I heard this film referred to as a masterpiece (which I don't dispute; to some people, it is). I just wish there'd been a review that answered the question: What kind of person likes Birdman?
So if you're on the fence about watching it, maybe this review can help.
Firstly, I love the actors in the film, so I was predisposed to like it. I saw Keaton get his due during the award season and my heart swelled for him...he came across as humble, and grateful, and moved. "I want to watch that film," I said to myself. I missed it in theaters, so I waited for it to come back around.
Secondly, if you love Iñárritu flicks, you should stop reading and just watch the film. I have seen two of his previous films...loved one, hated the other. (Best if I don't get into that here.)
Whether or not you'll like Birdman may depend on what genres you typically favor:
I like fantasy, sci fi, action, adventure, romance, documentaries, pretty much anything that either makes me forget the world's troubles or makes me think, or inspires me...art that touches you, cinematography that makes viewing an experience, dialogue that keeps you glued to the set (or, in the absence of copious dialogue, writing that makes you look up the screenplay writer because man, that was a good premise and it was executed flawlessly).
I rarely choose straight up drama (though some of my favorite movies are dramas). I usually hate dramedies and about 50% of the artsy films I watch (art-house, film noire, you name it), because most of them come across as mere artifice.
And so did Birdman.
This movie had some serious hype:
"Oh cool. This film was shot in a totally different way!
"Oh man...it took two years to write. It MUST be good!"
"Michael Keaton can act! He is great, therefore the film is great!"
None of that jives with me. Yes, Keaton can act. Everyone did their job in this film. But I just didn't care. The writing didn't take me anywhere. I am a huge movie fan and I can't imagine ever not finishing a film once I start watching. But with this one I struggled. It was painfully boring. Going nowhere. Devoid of emotion or true connections. Piles of nothing heaped upon nothing.
I kept pausing and making up little tasks for myself...paint the armoire (not kidding, I actually did paint a chest of drawers), feed the monsters (our pets), do the dishes (ok that last one, I didn't actually do, I just stared at them and sighed and went to finish the movie).
There was one moment, toward the end, that made me tear up, but the rest felt contrived. Trying so hard to be artsy, to be different, to rouse the (yawning) viewer with an unusual angle or a surprise action scene or a long lingering shot of a hallway. All at the expense of story, of giving the viewer an experience in exchange for her 95 minutes.
So let me be the one to say it: The Emperor has no clothes.
At best, Birdman is a great (very true) portrayal of an "all about me" type. The delusional man in your life--father, lover, whoever--that isn't a bad person, but will never change. Trying to talk to him is insane (argh! And yet sometimes you forget, and you try, and you always end up disappointed). Even if he shows signs of progress--teeny tiny ones, now and again--he always goes back to his selfish behavior. He will never be anything more than a martyr/big man. Keaton plays this man amazingly well.
14 of 25 people found this review helpful.
Was this review helpful to you?
I felt so blah about the movie that I gave it a 5/10 star rating and was going to click away. Then I got to thinking: I heard this film referred to as a masterpiece (which I don't dispute; to some people, it is). I just wish there'd been a review that answered the question: What kind of person likes Birdman?
So if you're on the fence about watching it, maybe this review can help.
Firstly, I love the actors in the film, so I was predisposed to like it. I saw Keaton get his due during the award season and my heart swelled for him...he came across as humble, and grateful, and moved. "I want to watch that film," I said to myself. I missed it in theaters, so I waited for it to come back around.
Secondly, if you love Iñárritu flicks, you should stop reading and just watch the film. I have seen two of his previous films...loved one, hated the other. (Best if I don't get into that here.)
Whether or not you'll like Birdman may depend on what genres you typically favor:
I like fantasy, sci fi, action, adventure, romance, documentaries, pretty much anything that either makes me forget the world's troubles or makes me think, or inspires me...art that touches you, cinematography that makes viewing an experience, dialogue that keeps you glued to the set (or, in the absence of copious dialogue, writing that makes you look up the screenplay writer because man, that was a good premise and it was executed flawlessly).
I rarely choose straight up drama (though some of my favorite movies are dramas). I usually hate dramedies and about 50% of the artsy films I watch (art-house, film noire, you name it), because most of them come across as mere artifice.
And so did Birdman.
This movie had some serious hype:
"Oh cool. This film was shot in a totally different way!
"Oh man...it took two years to write. It MUST be good!"
"Michael Keaton can act! He is great, therefore the film is great!"
None of that jives with me. Yes, Keaton can act. Everyone did their job in this film. But I just didn't care. The writing didn't take me anywhere. I am a huge movie fan and I can't imagine ever not finishing a film once I start watching. But with this one I struggled. It was painfully boring. Going nowhere. Devoid of emotion or true connections. Piles of nothing heaped upon nothing.
I kept pausing and making up little tasks for myself...paint the armoire (not kidding, I actually did paint a chest of drawers), feed the monsters (our pets), do the dishes (ok that last one, I didn't actually do, I just stared at them and sighed and went to finish the movie).
There was one moment, toward the end, that made me tear up, but the rest felt contrived. Trying so hard to be artsy, to be different, to rouse the (yawning) viewer with an unusual angle or a surprise action scene or a long lingering shot of a hallway. All at the expense of story, of giving the viewer an experience in exchange for her 95 minutes.
So let me be the one to say it: The Emperor has no clothes.
At best, Birdman is a great (very true) portrayal of an "all about me" type. The delusional man in your life--father, lover, whoever--that isn't a bad person, but will never change. Trying to talk to him is insane (argh! And yet sometimes you forget, and you try, and you always end up disappointed). Even if he shows signs of progress--teeny tiny ones, now and again--he always goes back to his selfish behavior. He will never be anything more than a martyr/big man. Keaton plays this man amazingly well.