An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more...
When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice.
Director:
Christopher Nolan
Stars:
Christian Bale,
Heath Ledger,
Aaron Eckhart
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner's vengeful plans for the same.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion. Written by
Anonymous
David Fincher took 12 takes of the stuntman rolling down the stairs for the fight between The Narrator and Tyler at the end of the film. The take used in the movie is the very first one. See more »
Goofs
In the scene depicting Tyler cutting out various news clippings about the exploits of Fight Club/Project Mayhem none of the articles relate in any way to the headlines. See more »
Quotes
[last lines]
Narrator:
You met me at a very strange time in my life.
See more »
Crazy Credits
The three police officers that try to cut off the narrator's testicles are credited as Officer Andrew, Officer Kevin and Officer Walker. Andrew Kevin Walker is the screenwriter who wrote Se7en (1995) and 8MM (1999). He also worked uncredited on David Fincher's The Game (1997) and on one of the drafts of Fight Club (1999). However, his contribution to the Fight Club script was not enough to warrant a credit by current WGA rules. Director David Fincher named the officers Andrew, Kevin and Walker, as a way of surreptitiously giving Walker a credit. See more »
Similar in idea to 'American Beauty' but certainly not in style or content this bleak look at underground culture and the spiritual redemption it brings is easily one of the most intelligent films I've ever seen. Directed by the same man who brought us the superb 'The Game' this is another film which you'll have to see more than once to truly understand. Focusing on sad white-collar, middle-class Norton whose only real dream in life is to own all the contents of an IKEA catalogue it follows him through a chance meeting with charismatic stranger Pitt and the unfortunate events which conspire to draw them together. After a nights hard drinking they start a friendly-ish scrap which is viewed by a couple of others and from that small acorn a mighty oak called Fight Club grows. This is the point around which the whole film revolves with Norton and Pitt forming an underground club which draws more and more disillusioned young men to join it. Based on firm 'Queensbury Rules' it is a cathartic if bloody way to spend your night. Eventually as it becomes a huge operation Pitt, the de facto leader, moves it up a gear and creates his own cult from this secret society. This is where the film becomes brilliant and the twist near the end is magnificent, better even than the much talked about 'The Sixth Sense'. It just has so much to say about things: the emasculation of an entire generation of young men ("No great war to fight, no great depression"), the growing isolation we all feel from one another and the need to find something to draw us back together and most importantly, the power of an exciting, challenging idea and it's fermentation into cultism. However, where many films would just say 'This is a bad thing' 'Fight Club' doesn't. It is more a condemnation of a materialistic society which has forgotten about a large section of itself. You can empathise with these men completely, even when they band together against this uncaring society that has reared them to be something their instincts don't understand. It's as close to genius as you'll get and one film you'll talk about and think about for days.
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Similar in idea to 'American Beauty' but certainly not in style or content this bleak look at underground culture and the spiritual redemption it brings is easily one of the most intelligent films I've ever seen. Directed by the same man who brought us the superb 'The Game' this is another film which you'll have to see more than once to truly understand. Focusing on sad white-collar, middle-class Norton whose only real dream in life is to own all the contents of an IKEA catalogue it follows him through a chance meeting with charismatic stranger Pitt and the unfortunate events which conspire to draw them together. After a nights hard drinking they start a friendly-ish scrap which is viewed by a couple of others and from that small acorn a mighty oak called Fight Club grows. This is the point around which the whole film revolves with Norton and Pitt forming an underground club which draws more and more disillusioned young men to join it. Based on firm 'Queensbury Rules' it is a cathartic if bloody way to spend your night. Eventually as it becomes a huge operation Pitt, the de facto leader, moves it up a gear and creates his own cult from this secret society. This is where the film becomes brilliant and the twist near the end is magnificent, better even than the much talked about 'The Sixth Sense'. It just has so much to say about things: the emasculation of an entire generation of young men ("No great war to fight, no great depression"), the growing isolation we all feel from one another and the need to find something to draw us back together and most importantly, the power of an exciting, challenging idea and it's fermentation into cultism. However, where many films would just say 'This is a bad thing' 'Fight Club' doesn't. It is more a condemnation of a materialistic society which has forgotten about a large section of itself. You can empathise with these men completely, even when they band together against this uncaring society that has reared them to be something their instincts don't understand. It's as close to genius as you'll get and one film you'll talk about and think about for days.