A down-on-his-luck inventor turns a broken-down Grand Prix car into a fancy vehicle for his children, and then they go off on a magical fantasy adventure to save their grandfather in a far-off land.
Director:
Ken Hughes
Stars:
Dick Van Dyke,
Sally Ann Howes,
Lionel Jeffries
When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement.
The movie combines songs, color and sequences of live action blended with the movements of animated figures. Mary Poppins is a kind of Super-nanny who flies in with her umbrella in response to the request of the Banks children and proceeds to put things right with the aid of her rather extraordinary magical powers. Written by
alfiehitchie
David Tomlinson was nervous about not being good enough for the part of Mr. Banks, as he had never sung professionally before. See more »
Goofs
After Mary Poppins powders her nose black, her face in the next scene is clean again. See more »
Quotes
[first lines]
Bert:
All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
[sings]
Bert:
Room 'ere for everyone. Gather around.
[speaks]
Bert:
The constable - responstable! Now 'ow does that sound?
[no response]
Bert:
Hm.
[dashes over to Miss Lark, sings]
Bert:
'Ello, Miss Lark, I've got one for you.
[...] See more »
Crazy Credits
The opening credits stop for a brief moment to show Mary Poppins seated on a cloud and applying makeup to her face, then the camera pans away and the credits resume. See more »
Despite the technical achievements and the outstanding musical score, it is the performances that keep the film alive for me. Julie Andrews was right on target when she received her academy award and thanked Jack Warner for turning her down in the film version of My Fair Lady. She conveys both dignity and warmth as Mary. Dick van Dyke had the chance of a lifetime to demonstrate the breadth of his talents, especially his dancing, which could not be fully exploited on his TV series. Disney gave real depth to the film through his use of Elsa Lanchester, Arthur Treacher, Reginald Owen, Ed Wynn and (especially) Jane Darwell (who is cited in the IMDb biography as best known for her cameo portrayal of the Bird Lady, despite her 1940 Academy Award for one of the great all-time performances in Grapes of Wrath). I computed the ages of the five as reaching 418 years when the film was released; their film careers covered 193 combined years, with stage careers going back as far as 1905. Disney's casting of these, as well as a group of accomplished British actors of stage and film demonstrated what should be meant by "supporting cast": it gave strong support against which Andrews and Van Dyke could perform without being under to carry the entire film. Finally: If someone wants to appreciate the care that went into the film, s/he should purchase the new 40th anniversary DVD. Viewing the interviews and other documents enabled me to increase my already great enjoyment. They do not "murder to dissect"; quite the contrary.
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Despite the technical achievements and the outstanding musical score, it is the performances that keep the film alive for me. Julie Andrews was right on target when she received her academy award and thanked Jack Warner for turning her down in the film version of My Fair Lady. She conveys both dignity and warmth as Mary. Dick van Dyke had the chance of a lifetime to demonstrate the breadth of his talents, especially his dancing, which could not be fully exploited on his TV series. Disney gave real depth to the film through his use of Elsa Lanchester, Arthur Treacher, Reginald Owen, Ed Wynn and (especially) Jane Darwell (who is cited in the IMDb biography as best known for her cameo portrayal of the Bird Lady, despite her 1940 Academy Award for one of the great all-time performances in Grapes of Wrath). I computed the ages of the five as reaching 418 years when the film was released; their film careers covered 193 combined years, with stage careers going back as far as 1905. Disney's casting of these, as well as a group of accomplished British actors of stage and film demonstrated what should be meant by "supporting cast": it gave strong support against which Andrews and Van Dyke could perform without being under to carry the entire film. Finally: If someone wants to appreciate the care that went into the film, s/he should purchase the new 40th anniversary DVD. Viewing the interviews and other documents enabled me to increase my already great enjoyment. They do not "murder to dissect"; quite the contrary.