We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
Two separate sets of voluptuous women are stalked at different times by a scarred stuntman who uses his "death proof" cars to execute his murderous plans.
Quentin Tarantino and Robert Rodriguez's homage to drive-in double features in the 60s and 70s with two back-to-back cult films that include previews of coming attractions between them.
After an experimental bio-weapon is released, turning thousands into zombie-like creatures, it's up to a rag-tag group of survivors to stop the infected and those behind its release.
Director:
Robert Rodriguez
Stars:
Rose McGowan,
Freddy Rodríguez,
Josh Brolin
A Puerto Rican former convict, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of N.Y.C.
In Detroit, Clarence Worley goes to the movie theater alone on the day of his birthday to watch some movies. The gorgeous Alabama Whitman accidentally drops her popcorn on Clarence and they watch the movie together. Then they eat pieces of pie and they have one night stand, so Clarence eats more pie of another kind. In the morning, Alabama confesses that she is a call-girl hired to spend the night with him, but she has fallen in love with him. In the morning they get married and Clarence goes to the club where she worked to bring her some clothes. However, her pimp Drexl Spivey and his partner beat up Clarence and he reacts by killing them both. Clarence asks for Alabama's suitcase with her clothes and the other girls mistakenly give another one with cocaine. When Clarence discovers the mistake, he decides to travel with Alabama to the house of his friend, the aspiring actor Dick Ritchie, to sell the drug and travel to Mexico. He visits his father Clifford Worley and gives his address... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Robert De Niro had been going to play Blue Lou Boyle in this film (directed by Tony Scott) but he wasn't cast in the end. Three years later De Niro and Scott worked together on The Fan (1996). See more »
Goofs
When Clarence shoots Drexl and Marty, he fires seven times without reloading. The gun he uses however, is a six shot Smith & Wesson Model 66 revolver. See more »
Quotes
[first lines]
Clarence Worley:
In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and leaving a good-looking corpse.
See more »
True Romance is the work of two men, known for making movies (as TBS would say) for guys who like movies, and have one of the pick of the litter in the genre from the early to mid nineties. Quentin Tarantino sold his script to fund Reservoir Dogs, and Tony Scott (Top Gun) got picked up to direct. Some have complained that Tarantino should've directed this film, that it's so much his (which I agree with considering the story of the film was taken from his 1987 experimental film My Best Friend's Birthday, which refers to Clarence in this film going to the Sonny Chiba movies) that his own style as a director would've complimented it. It's a nice thought, though that's not what we as the audience are left with, and so with the final product there is much to admire about the style that Scott uses in the film. He films Tarantino's script (from a Roger Avary script originally) very much like he's shooting a Hollywood movie (as he knows how to with DP Jeffrey Kimball), with all the cut-aways and editing timing that is expected in a conventional crime-drama-thriller, then by hearing the snapping dialog from the script, and the cast performing them, Scott does become an important piece of making True Romance a success.
The story is a throwback to the old 'lovers on the run' formula, among others- Clarence (Christian Slater in one of his finest) is an employee in a comic book store in Detroit, loves kung-fu movies and big guns and such, who gets set up unwittingly with a call girl named Alabama (Patricia Arquette). The two fall in love, and Clarence feels confident enough by a certain voice in the back of his head (provided by Val Kilmer) to go and free Alabama for good from her vile pimp and drug dealer Drexl (Gary Oldman in one of the better villain roles of the time). He does, and through a couple of accidents Clarence and Alabama wind up with millions worth in cocaine, and high-tail it to LA to sell it, as the original (mob) owners of the coke follow after, with explosive results.
For fans of the actors, in particular the supporting cast, True Romance is one of the treats of treats in modern movies, on par with Pulp Fiction's roster of know-ables: Christopher Walken as a gangster (who would've thought?), Brad Pitt as a stoner roommate, Tom Sizemore and Chris Penn as cops, a few good lines for Samuel L. Jackson, an early plum for James Gandolfini, and my personal favorite of the lot, Dennis Hopper as Clarence's ex-cop father. Another thing that makes True Romance one of the (dare I say) most accessible of Tarantino's works is that a viewer who might not know this is his work on first viewing (this was me a few years ago, sad to say) will stay tuned through the whole thing if it's on TV just because of the star power; indeed, before Oldman's Detrix is introduced into the film, TR seems to flow like it'll be a romantic drama with light overtones. All I can say is by the end of this film, you will see that good taste can prevail no matter how much bloodshed gets on the screen, or how many obstacles get in the way of love (and Elvis!).
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True Romance is the work of two men, known for making movies (as TBS would say) for guys who like movies, and have one of the pick of the litter in the genre from the early to mid nineties. Quentin Tarantino sold his script to fund Reservoir Dogs, and Tony Scott (Top Gun) got picked up to direct. Some have complained that Tarantino should've directed this film, that it's so much his (which I agree with considering the story of the film was taken from his 1987 experimental film My Best Friend's Birthday, which refers to Clarence in this film going to the Sonny Chiba movies) that his own style as a director would've complimented it. It's a nice thought, though that's not what we as the audience are left with, and so with the final product there is much to admire about the style that Scott uses in the film. He films Tarantino's script (from a Roger Avary script originally) very much like he's shooting a Hollywood movie (as he knows how to with DP Jeffrey Kimball), with all the cut-aways and editing timing that is expected in a conventional crime-drama-thriller, then by hearing the snapping dialog from the script, and the cast performing them, Scott does become an important piece of making True Romance a success.
The story is a throwback to the old 'lovers on the run' formula, among others- Clarence (Christian Slater in one of his finest) is an employee in a comic book store in Detroit, loves kung-fu movies and big guns and such, who gets set up unwittingly with a call girl named Alabama (Patricia Arquette). The two fall in love, and Clarence feels confident enough by a certain voice in the back of his head (provided by Val Kilmer) to go and free Alabama for good from her vile pimp and drug dealer Drexl (Gary Oldman in one of the better villain roles of the time). He does, and through a couple of accidents Clarence and Alabama wind up with millions worth in cocaine, and high-tail it to LA to sell it, as the original (mob) owners of the coke follow after, with explosive results.
For fans of the actors, in particular the supporting cast, True Romance is one of the treats of treats in modern movies, on par with Pulp Fiction's roster of know-ables: Christopher Walken as a gangster (who would've thought?), Brad Pitt as a stoner roommate, Tom Sizemore and Chris Penn as cops, a few good lines for Samuel L. Jackson, an early plum for James Gandolfini, and my personal favorite of the lot, Dennis Hopper as Clarence's ex-cop father. Another thing that makes True Romance one of the (dare I say) most accessible of Tarantino's works is that a viewer who might not know this is his work on first viewing (this was me a few years ago, sad to say) will stay tuned through the whole thing if it's on TV just because of the star power; indeed, before Oldman's Detrix is introduced into the film, TR seems to flow like it'll be a romantic drama with light overtones. All I can say is by the end of this film, you will see that good taste can prevail no matter how much bloodshed gets on the screen, or how many obstacles get in the way of love (and Elvis!).