When a massive fire kills their parents, three children are delivered to the custody of cousin and stage actor Count Olaf, who is secretly plotting to steal their parents' vast fortune.
An animated retelling of Charles Dickens' classic novel about a Victorian-era miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.
A young boy embarks on a magical adventure to the North Pole on the Polar Express. During his adventure he learns about friendship, bravery, and the spirit of Christmas.
In a parallel universe, young Lyra Belacqua journeys to the far North to save her best friend and other kidnapped children from terrible experiments by a mysterious organization.
Director:
Chris Weitz
Stars:
Nicole Kidman,
Daniel Craig,
Dakota Blue Richards
The life of a businessman begins to change after he inherits six penguins, and as he transforms his apartment into a winter wonderland, his professional side starts to unravel.
Nineteen-year-old Alice returns to the magical world from her childhood adventure, where she reunites with her old friends and learns of her true destiny: to end the Red Queen's reign of terror.
Director:
Tim Burton
Stars:
Mia Wasikowska,
Johnny Depp,
Helena Bonham Carter
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Director:
Mark Waters
Stars:
Freddie Highmore,
Sarah Bolger,
David Strathairn
With their warning about Lord Voldemort's return scoffed at, Harry and Dumbledore are targeted by the Wizard authorities as an authoritarian bureaucrat slowly seizes power at Hogwarts.
Director:
David Yates
Stars:
Daniel Radcliffe,
Emma Watson,
Rupert Grint
As Harry races against time and evil to destroy the Horcruxes, he uncovers the existence of three most powerful objects in the wizarding world: the Deathly Hallows.
Director:
David Yates
Stars:
Daniel Radcliffe,
Emma Watson,
Rupert Grint
Violet, Klaus and Sunny Baudelaire are three intelligent young children who receive terrible news that their parents have died in a fire and have left them an enormous fortune not to be used until the eldest child is of age. When they are sent to live with Count Olaf, a greedy distant relative, they soon learn he is trying to steal their fortune for himself. Written by
jackwhiteyouremyhero
Director Brad Silberling admitted on the director's commentary that in some scenes the stand-ins for Kara Hoffman and Shelby Hoffman, the Knight babies, often appeared on camera instead of the original twins (but with their faces covered slightly). See more »
Goofs
When Aunt Josphein's house is falling apart, the stove falls through the floor and down to a dock apparently below the house. However, when the camera pulls back to show the orphans stranded, the dock isn't below the house but instead located a good distance away nowhere near under it. See more »
Quotes
[first lines]
Lemony Snicket:
[the Littlest Elf has just come to an abrupt halt]
I'm sorry to say that this is not the movie you will be watching. The movie you are about to see is extremely unpleasant. If you wish to see a film about a happy little elf, I'm sure there is still plenty of seating in theatre number two. However, if you like stories about clever and reasonably attractive orphans, suspicious fires, carnivorous leeches, Italian food and secret organizations, then stay, as I retrace each and every one...
See more »
Crazy Credits
The title of the film isn't displayed until 1 minute into the end credits. See more »
First, let it be declared that in the media of movie, it is a downright shock that Nickelodeon's monicker appears in this film. It is by far, the best film they have ever made. Second, it is probably the only movie you will see made for children (supposedly) and containing a claymation elf holding a rifle.
Second, let it be known that this movie is the most visually pleasing children's (live-action) film any of us will see for years. The costume design is amazing, from the strap-laden sunny to the neo-Gothic formality of Violet, and especially in the under-appreciated and subtle '60s formal-casual of Klaus, who looks like a miniature Harold from "Harold and Maude". The sets are equally beautiful, a spree of Burtonesque Gothic-Modern Post-Industrial Asymmetry, from the half formed carnage of The burnt Baudelaire Mansion to the perfectly executed closing credits, animated to perfection. Cinematography also plays an amazing roll on the parts of Violet and Klaus, where ingenious images are used to insert the audience into the minds of the genius Baudelaires.
Last, the performances, only two that everyone has't heard; Jude Law's perfect narration, and The Hoffman Twins astonishing performance as Sunny. Law's performance is so on target that it never occurs that this voice is not the elusive and enigmatic pseudonym himself. He is the perfect compliment to the often exciting or disturbing actions being inflicted upon the accurately charming and intelligent Baudelaires. as for Sunny, they have performed the impossible in giving a perfect performance to an infant from an infant, in both the physical acting and the ingenious form of translation. The sequels are sure to be the greatest of series, even if the events be unfortunate as they have been.
As an artist, this reviewer cannot help but give this movie a 10/10. It is his deep desire that you appreciate it as much as he, if not, well... ... that is rather... ... unfortunate.
120 of 164 people found this review helpful.
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First, let it be declared that in the media of movie, it is a downright shock that Nickelodeon's monicker appears in this film. It is by far, the best film they have ever made. Second, it is probably the only movie you will see made for children (supposedly) and containing a claymation elf holding a rifle.
Second, let it be known that this movie is the most visually pleasing children's (live-action) film any of us will see for years. The costume design is amazing, from the strap-laden sunny to the neo-Gothic formality of Violet, and especially in the under-appreciated and subtle '60s formal-casual of Klaus, who looks like a miniature Harold from "Harold and Maude". The sets are equally beautiful, a spree of Burtonesque Gothic-Modern Post-Industrial Asymmetry, from the half formed carnage of The burnt Baudelaire Mansion to the perfectly executed closing credits, animated to perfection. Cinematography also plays an amazing roll on the parts of Violet and Klaus, where ingenious images are used to insert the audience into the minds of the genius Baudelaires.
Last, the performances, only two that everyone has't heard; Jude Law's perfect narration, and The Hoffman Twins astonishing performance as Sunny. Law's performance is so on target that it never occurs that this voice is not the elusive and enigmatic pseudonym himself. He is the perfect compliment to the often exciting or disturbing actions being inflicted upon the accurately charming and intelligent Baudelaires. as for Sunny, they have performed the impossible in giving a perfect performance to an infant from an infant, in both the physical acting and the ingenious form of translation. The sequels are sure to be the greatest of series, even if the events be unfortunate as they have been.
As an artist, this reviewer cannot help but give this movie a 10/10. It is his deep desire that you appreciate it as much as he, if not, well... ... that is rather... ... unfortunate.