Mild mannered businessman Sandy Patterson travels from Denver to Florida to confront the deceptively harmless looking woman who has been living it up after stealing Sandy's identity.
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Competition between the maid of honor and a bridesmaid, over who is the bride's best friend, threatens to upend the life of an out-of-work pastry chef.
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
A lazy, incompetent middle school teacher who hates her job and her students is forced to return to her job to make enough money for a boob job after her rich fiancé dumps her.
Director:
Jake Kasdan
Stars:
Cameron Diaz,
Jason Segel,
Justin Timberlake
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Sandy Patterson (Jason Bateman) gets a nice call confirming his name and other identifying information. The next thing he knows, a spa in Florida is reminding him of his appointment and his credit cards are maxed out. With his identity stolen, Sandy leaves his wife, kids and job to literally bring the thief to justice in Colorado. Keeping tabs on the other Sandy (Melissa McCarthy) and run-ins with bounty hunters is harder than he was expecting, and ultimately the cross-country trip is going to find both Sandys learning life tips from one another. Written by
napierslogs
After Sandy and Diane purchase the $200 car, the scene showing their arrival to St. Louis as they cross a bridge is actually downtown Chattanooga. The tallest buildings and St. Louis Arch were digitally added. See more »
Goofs
As Sandy arrives in Winter Park, Florida, a flying shot of a beach in front of the town with an unknown skyline is shown. Winter Park is a small bedroom community just north of Orlando and it's completely landlocked with the exception of a few local lakes. The closest beach to Winter Park are approximately fifty minutes away. See more »
Quotes
Diana:
Dawn Budgie... That's a terrible fucking name.
See more »
Crazy Credits
After the end credits, we hear two lines of dialog from earlier in the movie. The Skiptracer Robert Patrick saying "No, Sandy's a girl's name!" And Sandy Jason Bateman replying "It's not, it's unisex!" See more »
The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.
Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.
In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.
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The cast is too talented to have let something like this happen. But here they are. The film has good intentions, but it doesn't seem to know what it wants to be as the tone of the film shifts quite frequently. And this shift in plot and narrative work their way back to the characters, forcing us to always remain at arms length and never really become attached or concerned with them. There were plot points that could have been exploited, and others that could have been omitted in order to remedy this situation.
Often throughout the film I was on the cusp of laughing at the jokes or being pulled along by the characters, but then would be immediately cut loose. It feels like the film went to production one script revision too soon.
In the end it feels like a modern retelling of De Sica's 1948 Neorealist film The Bicycle Thieves. Just with a traditional Hollywood ending and little to no exploration of the human condition.