Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Matthew Macfadyen,
Brenda Blethyn
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Director:
Joe Wright
Stars:
Keira Knightley,
James McAvoy,
Brenda Blethyn
In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Director:
Patricia Rozema
Stars:
Frances O'Connor,
Jonny Lee Miller,
Alessandro Nivola
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever? Written by
Mel Bellis in the U.K.
The location used for the Reed's home, Gateshead, is the same house where Gosford Park (2001) was filmed. See more »
Goofs
When Jane comes back from visiting her aunt, Mr. Rochester is sitting on the corner of the stone stairs writing in his journal. He puts the journal down next to him, and hops down to greet Jane. As she climbs the steps, the camera view shows the journal, but when the view of the camera turns to face him the journal has disappeared. Then reappearing when the camera is back on her. See more »
Quotes
[last lines]
Rochester:
[sightless]
Who's there?
Jane Eyre:
[takes his hand]
Rochester:
This hand.
[touching her face]
Rochester:
Jane Eyre. Jane Eyre.
Jane Eyre:
Edward, I am come back to you... Fairfax Rochester with nothing to say?
Rochester:
You're altogether a human being Jane.
Jane Eyre:
I conscientiously believe so.
Rochester:
[passionate kiss]
I dream.
[...] See more »
Don't get me wrong--I've read the novel hundreds of times, and I've endeavored to see as many film and TV adaptations of Jane Eyre as I can. Jane Eyre is and always will be my favorite novel. But I'm very surprised by the glowing reviews on IMDb.com for this version of Jane Eyre. This movie wasn't bad, but it falls way short of 10 stars.
No re-hashing of the plot is necessary since everyone knows the story, so here's what I found unsatisfying about this version: * Michael Fassbender and Mia Wasikowska's chemistry is not that great--not the caliber you would expect from a movie version of Rochester and Jane. I didn't feel like they truly longed and desired for each other. The actors in the 2006 BBC miniseries version, Toby Stephens and Ruth Wilson, left me breathless. But Fassbender and Wasikowska felt flat.
I don't think Michael Fassbender was particularly a strong Rochester either. Rochester is suppose to be eccentric, dark, brooding, and prone to sudden mood changes--charming one minute, angry the next. Fassbender got the brooding part down, but didn't really display the range of emotions you would expect from a Byronic character like Rochester.
* Too much had to be cut in order to cram the story in, and the pace of the plot doesn't flow well. I'm convinced that a good adaptation of the novel can never be done in a 2-hour movie because the novel is just too darn long.
* Judi Dench as Mrs. Fairfax? Serious miscasting and a waste of Dench's talent. You hire Dench to kick ass and take names, not be the mild-mannered simpleton housekeeper.
* Rochester is suppose to be ugly and Jane's suppose to be PLAIN. Fassbender's too handsome and Wasikowska's too pretty. But this seems to be a crucial point many movie and TV adaptations botch, so I can't hold it against them too much.
Again, it wasn't a bad movie, but not the best adaptation. My personal favorite remains the 2006 version.
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Don't get me wrong--I've read the novel hundreds of times, and I've endeavored to see as many film and TV adaptations of Jane Eyre as I can. Jane Eyre is and always will be my favorite novel. But I'm very surprised by the glowing reviews on IMDb.com for this version of Jane Eyre. This movie wasn't bad, but it falls way short of 10 stars.
No re-hashing of the plot is necessary since everyone knows the story, so here's what I found unsatisfying about this version: * Michael Fassbender and Mia Wasikowska's chemistry is not that great--not the caliber you would expect from a movie version of Rochester and Jane. I didn't feel like they truly longed and desired for each other. The actors in the 2006 BBC miniseries version, Toby Stephens and Ruth Wilson, left me breathless. But Fassbender and Wasikowska felt flat.
I don't think Michael Fassbender was particularly a strong Rochester either. Rochester is suppose to be eccentric, dark, brooding, and prone to sudden mood changes--charming one minute, angry the next. Fassbender got the brooding part down, but didn't really display the range of emotions you would expect from a Byronic character like Rochester.
* Too much had to be cut in order to cram the story in, and the pace of the plot doesn't flow well. I'm convinced that a good adaptation of the novel can never be done in a 2-hour movie because the novel is just too darn long.
* Judi Dench as Mrs. Fairfax? Serious miscasting and a waste of Dench's talent. You hire Dench to kick ass and take names, not be the mild-mannered simpleton housekeeper.
* Rochester is suppose to be ugly and Jane's suppose to be PLAIN. Fassbender's too handsome and Wasikowska's too pretty. But this seems to be a crucial point many movie and TV adaptations botch, so I can't hold it against them too much.
Again, it wasn't a bad movie, but not the best adaptation. My personal favorite remains the 2006 version.