Goofs
While the rock climbing scenes in this movie are technically an order of magnitude better than most Hollywood attempts, when Juno follows across the first chasm, she wouldn't have bothered to re-rack the cams she was collecting to the gear loops on her harness. Completely unclipping them from the rope is both unnecessarily energy expending and dangerous, since she could easily drop a free cam into the abyss below. Most climbers faced with following a leader on a roof like that would simply disengage the cam from the rock and let it slide safely down the rope where it would collect by the climber's harness for later racking.
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Quotes
Beth:
[
trapped after a cave-in]
You put in a flight-plan, right? If we don't report in they'll come looking for us.
Rebecca:
That's how it's supposed to work, except I put in a flight-plan for Boreham Caverns and this isn't Boreham Caverns, is it Juno?
Beth:
We're in the wrong fucking cave!
Juno:
Holly was right! Boreham Caverns was a tourist trap!
Holly:
Don't try and pin this fucking shit on me!
Rebecca:
This is not caving, this is an ego-trip.
Sam:
Where are we?
Juno:
It hasn't got a name. It's a new system. I wanted us all to discover it! No ...
[...]
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After watching "The Descent", my bud Robert and I decided that spelunking would now come off both our "To Do" listsfor good. Writer and Director Neil Marshall's "The Descent" crafts and sustains an unrelenting tension throughout, once you get past the suspended disbelief. As I watched the women one by one crawl through the tiny water filled crevice to enter the caverns somewhere in the Appalachian Mountains, I thought, "How are they going to get back? They've got to be nuts!" Well, you just have to go with it. Well, kind of. Fortunately, director Marshall effectively pretexts the story. The prior thrill-seeking jaunt for the group was a white water rafting trip. Following that trip, Sarah (Shauna MacDonald) suffers a life altering tragedy. A year later, Sarah and her close friend Beth (Alex Reid) join up with the gang at a cabin in the Appalachians. The 6 women are gearing up for a cave exploration trip headed by Juno (Natalie Mendoza). Apparently, Juno regrets not being there for Sarah following her personal tragedy and recovery. Juno sees this trip as an opportunity to empower Sarah. Those along for the ride include Becca (Saskia Mulder), Sam (MyAnna Buring), and Holly (Nora-Jane No one).
The trip starts out curious enough when Juno (Mendoza) discards her map of the caves. The women proceed, and are undeterred by the telltale signs of mysterious animal carcasses. Not surprisingly, the cave exploration goes horribly wrong. They are lost without a clue how to get out, and they are being hunted by terrifying fleshing eating creatures. So the women are literally in the fight for their lives. Marshall masterfully orchestrates the mood and tension. My bud Robert keenly pointed out that what really works in "The Descent" is that it never evolves into a trite action movie. No one screams, "Take that you, Mother F-----!" Granted Marshall may have intended his story as an empowerment allegory. The women are authentically terrified, and fight with all their courage and heart amidst their overwhelming fear. Somehow while they are thrashing and being thrashed by the fierce creatures, it is all strangely believablestrangely. Rather it gets you thinking: "Would I do the same?" Sarah (Macdonald) and Juno (Mendoza) in particular emerge as forces to be reckoned with. Mendoza's Juno warrior spirit is consistent and engagingshe is the brash leader. MacDonald is powerful and believable in Sarah's emergence as a heroic presence. All the performances are strong throughout.
Marshall maintains a claustrophobic feel and keeps us on edge. The unveiled details involving the cave creatures regarding their possible evolution is a nice touch. "The Descent" has to be one of the most gory horror movies with realistic violenceand I am not a big horror fan. However, I am a big hero fan. "The Descent" has great women heroes. Shauna Macdonald and Natalie Mendoza are awesome. "The Descent" is a wild tension filled ride. At the very end one wonders, "What next?"