After falling in love in Paris, Marina and Neil come to Oklahoma, where problems arise. Their church's Spanish-born pastor struggles with his faith, while Neil encounters a woman from his childhood.
Robert Ford, who's idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.
A Westerner finds refuge with a group of women in a church during Japan's rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.
A small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma. A battle of wills ensues as the outlaw tries to psych out the rancher.
Captain Smith is spared his mutinous hanging sentence after captain Newport's ship arrives in 1607 to found Jamestown, an English colony in Virginia. The initially friendly natives, who have no personal property concept, turn hostile after a 'theft' is 'punished' violently on the spot. During an armed exploration, Smith is captured, but spared when the chief's favorite daughter Pocahontas pleads for the stranger who soon becomes her lover and learns to love their naive 'savage' way of harmonious life. Ultimately he returns to the grim fort, which would starve hadn't she arranged for Indian generosity. Alas, each side soon brands their own lover a traitor, so she is banished and he flogged as introduction to slavish toiling. Changes turn again, leading Smith to accept a northern-more mission and anglicized Pocahontas, believing him dead, becoming the mother of aristocratic new lover John Rolfe's son. They'll meet again for a finale in England. Written by
KGF Vissers
It was rumored that Hans Zimmer, who had previously worked with Malick on The Thin Red Line (1998), was contacted to write the music but, after he declined, the task went to James Horner. However, much of his music was not featured in the film as Malick preferred to use excerpts from classical pieces written by Mozart and Wagner. Horner even wrote an original song, "Listen to the Wind", to be played over the end credits, though it was not used as well. See more »
Goofs
When Smith first encounters Pocahontas, a nightingale is heard singing in the background. Nightingales are not native birds in America and, unless the settlers brought some with them, should not be heard there. See more »
Quotes
[first lines]
Pocahontas:
Come, spirit, help us sing the story of our land. You are our mother. We, your field of corn. We rise from out of the soul of you.
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This was incredible. I'm living at the moment in the awful urban sprawl of Dublin , Ireland and took myself right into the inner city to see this and, to my surprise, found myself being transported not only to another land but also to another time. When I came out, I was in a trance for the rest of the day, pining for a land and society that is no more and dreaming sweet dreams of angelic Pocahontas, gentle John Rolfe and ruggedly genuine John Smith. All three of course excellently played by Q'uiranka (is that right), Christian and even Colin who, though the accent may have been shaky, captured perfectly what it would have been to be in John Smith's situation. Mallick, of course, is a genius and when his films are this good they're well worth the decade or so of waiting. Also, I don't know who the director of photography was but what a job they did, possibly the most beautiful film ever put on screen. All in all, a masterpiece which I'll carry with me every step I take in this ofttimes sorry world.
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This was incredible. I'm living at the moment in the awful urban sprawl of Dublin , Ireland and took myself right into the inner city to see this and, to my surprise, found myself being transported not only to another land but also to another time. When I came out, I was in a trance for the rest of the day, pining for a land and society that is no more and dreaming sweet dreams of angelic Pocahontas, gentle John Rolfe and ruggedly genuine John Smith. All three of course excellently played by Q'uiranka (is that right), Christian and even Colin who, though the accent may have been shaky, captured perfectly what it would have been to be in John Smith's situation. Mallick, of course, is a genius and when his films are this good they're well worth the decade or so of waiting. Also, I don't know who the director of photography was but what a job they did, possibly the most beautiful film ever put on screen. All in all, a masterpiece which I'll carry with me every step I take in this ofttimes sorry world.