Picking up directly from the previous film, vampire warrior Selene and the half werewolf Michael hunt for clues to reveal the history of their races and the war between them.
Director:
Len Wiseman
Stars:
Kate Beckinsale,
Scott Speedman,
Bill Nighy
Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Director:
Len Wiseman
Stars:
Kate Beckinsale,
Scott Speedman,
Shane Brolly
When human forces discover the existence of the Vampire and Lycan clans, a war to eradicate both species commences. The vampire warrior Selene leads the battle against humankind.
Directors:
Måns Mårlind,
Björn Stein
Stars:
Kate Beckinsale,
Michael Ealy,
India Eisley
The mythical world starts a rebellion against humanity in order to rule the Earth, so Hellboy and his team must save the world from the rebellious creatures.
The notorious monster hunter is sent to Transylvania to stop Count Dracula who is using Dr. Frankenstein's research and a werewolf for some sinister purpose.
Director:
Stephen Sommers
Stars:
Hugh Jackman,
Kate Beckinsale,
Richard Roxburgh
Survivors of the Raccoon City catastrophe travel across the Nevada desert, hoping to make it to Alaska. Alice joins the caravan and their fight against the evil Umbrella Corp.
Blade finds himself alone surrounded by enemies, fighting an up hill battle with the vampire nation and now humans. He joins forces with a group of vampire hunters whom call themselves the Nightstalkers. The vampire nation awakens the king of vampires Dracula from his slumber with intentions of using his primitive blood to become day-walkers. On the other side is Blade and his team manifesting a virus that could wipe out the vampire race once and for all. In the end the two sides will collide and only one will come out victorious, a battle between the ultimate vampire whom never knew defeat, facing off against the greatest vampire slayer. Written by
jay
EASTER EGG: On the special features disc, click up and when the vampire hieroglyphics is highlighted click it to access a hidden movie. See more »
Goofs
When Blade and Abigail walk up on the Chief and Virago, you can hear Abigail's pistol cock when she pulls it out but the hammer is not drawn nor does she release it. See more »
Quotes
[first lines]
Hannibal King:
In the movies, Dracula wears a cape, and some old English guy always manages to save the day at the last minute with crosses and holy water. But everybody knows the movies are full of shit. The truth is, it started with Blade, and it ended with him. The rest of us were just along for the ride.
See more »
Crazy Credits
There's a quick scene at the end of the credits of Blade speeding off to the next battle. See more »
Hard Wax
Written by Max Odell, Brett Parker, Big Daddy Kane (as Antonio Hardy) and Marley Marl (as Marlon Williams)
Performed by Manchild
Courtesy of One Little Indian Records
By Arrangement with Music For The Masses
Contains a sample of "Set It Off"
Performed by Big Daddy Kane
Courtesy of Rhino Entertainment
By Arrangement with Warner Strategic Marketing
Contains a sample of "Soul Power"
Performed by James Brown
Courtesy of Motown Records
Under license from Universal Music Enterprises See more »
Whether it be intentionally or incidentally writer/director David S. Goyer succeeds in amalgamating the visual style of the two previous Blade films by making Blade: Trinity a sleek but raw actioner.
The problem is Blade is not an action franchise. It's a vampire franchise. Both Guillermo del Toro and Stephen Norrington understood this. Vampires can be sexy, scary, enticing, and downright brutal, all at the same time. But the vampires in Blade: Trinity are sissies. They're pissy, corny, spent, and essentially useless. They're not sexy, scary, or smart. They're just boring. And thus, there is no sense of horror, or danger, or urgency, or mystery. You never wonder if Blade will come out on top. You know he will and you can pretty much guess how before it happens.
Snipes' kung-fu-movieesque silent hero routine has grown tired. His character in this film lacks any real depth or complexity. Snipes is utterly boring unless he's kicking the crap out of someone, or at least threatening to.
Instead of developing the characters he already has Goyer keeps introducing new ones. Much like in the previous film, Blade soon finds himself surrounded by a new group of allies to whom his disdains. But instead of vampires, this time around it's a bunch of wise cracking teenagers. Each one more clichéd and uninteresting than the next.
And what should have been the highlight of the film, Goyer also manages to ruin. Through some broad stroke of banality Goyer even succeeds in making Dracula, the most favored and well known vampire in the history of literature and cinema, completely dull.
Goyer implements too many different and contradictory ideas into a single film. And the result is a film that's visually impressive but narratively clunky.
Many of Goyer's ideas, while contrived, aren't that bad. I mean. A group of wise cracking teenage vampire hunters isn't a bad idea. It might work as it's own film but it simply doesn't work in the context of the Blade universe.
Despite enthusiastic performances by much of the cast and Wesley Snipes' strong presence Blade: Trinity fails due to underdeveloped characters and an unfocused plot.
Lackluster writing and directing aside, this film still looks really, really good. Apparently the only people who really brought their A-game are cinematographer Gabriel Beristain, the entire art department, and visual effects team. Kudos to them all.
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Whether it be intentionally or incidentally writer/director David S. Goyer succeeds in amalgamating the visual style of the two previous Blade films by making Blade: Trinity a sleek but raw actioner.
The problem is Blade is not an action franchise. It's a vampire franchise. Both Guillermo del Toro and Stephen Norrington understood this. Vampires can be sexy, scary, enticing, and downright brutal, all at the same time. But the vampires in Blade: Trinity are sissies. They're pissy, corny, spent, and essentially useless. They're not sexy, scary, or smart. They're just boring. And thus, there is no sense of horror, or danger, or urgency, or mystery. You never wonder if Blade will come out on top. You know he will and you can pretty much guess how before it happens.
Snipes' kung-fu-movieesque silent hero routine has grown tired. His character in this film lacks any real depth or complexity. Snipes is utterly boring unless he's kicking the crap out of someone, or at least threatening to.
Instead of developing the characters he already has Goyer keeps introducing new ones. Much like in the previous film, Blade soon finds himself surrounded by a new group of allies to whom his disdains. But instead of vampires, this time around it's a bunch of wise cracking teenagers. Each one more clichéd and uninteresting than the next.
And what should have been the highlight of the film, Goyer also manages to ruin. Through some broad stroke of banality Goyer even succeeds in making Dracula, the most favored and well known vampire in the history of literature and cinema, completely dull.
Goyer implements too many different and contradictory ideas into a single film. And the result is a film that's visually impressive but narratively clunky.
Many of Goyer's ideas, while contrived, aren't that bad. I mean. A group of wise cracking teenage vampire hunters isn't a bad idea. It might work as it's own film but it simply doesn't work in the context of the Blade universe.
Despite enthusiastic performances by much of the cast and Wesley Snipes' strong presence Blade: Trinity fails due to underdeveloped characters and an unfocused plot.
Lackluster writing and directing aside, this film still looks really, really good. Apparently the only people who really brought their A-game are cinematographer Gabriel Beristain, the entire art department, and visual effects team. Kudos to them all.