Death Becomes Her (1992) 6.4
When a woman learns of an immortality treatment, she sees it as a way to outdo her long-time rival. Director:Robert Zemeckis |
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Death Becomes Her (1992) 6.4
When a woman learns of an immortality treatment, she sees it as a way to outdo her long-time rival. Director:Robert Zemeckis |
|
0Share... |
Cast overview, first billed only: | |||
Meryl Streep | ... | ||
Bruce Willis | ... | ||
Goldie Hawn | ... | ||
Isabella Rossellini | ... | ||
Ian Ogilvy | ... |
Chagall
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Adam Storke | ... |
Dakota
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Nancy Fish | ... |
Rose
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Alaina Reed-Hall | ... |
Psychologist
(as Alaina Reed Hall)
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Michelle Johnson | ... |
Anna
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Mary Ellen Trainor | ... |
Vivian Adams
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William Frankfather | ... |
Mr. Franklin
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John Ingle | ... |
Eulogist
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Clement von Franckenstein | ... |
Opening Man
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Petrea Burchard | ... |
Opening Woman
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Jim Jansen | ... |
Second Man
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In 1978, in Broadway, the decadent and narcissist actress Madeline Ashton is performing Songbird, based on Tennessee Williams' Sweet Bird of Youth. Then she receives her rival Helen Sharp, who is an aspiring writer, and her fiancé Ernest Menville, who is a plastic surgeon, in her dressing-room. Soon Menville calls off his commitment with Helen and marries Madeline. Seven years later, Helen is obese in a psychiatric hospital and obsessed in seeking revenge on Madeline. In 1992, the marriage of Madeline and Menville is finished and he is no longer a surgeon but an alcoholic caretaker. Out of the blue, they are invited to a party where Helen will release her novel Forever Young and Madeline goes to a beauty shop. The owner gives a business card of the specialist in rejuvenation Lisle Von Rhuman to her. When the envious Madeline sees Helen thin in a perfect shape, she decides to seek out Lisle and buys a potion to become young again. Further, she advises that Madeline must take care of ... Written by Claudio Carvalho, Rio de Janeiro, Brazil
This was way fun. One of my favorite guilty pleasures. All the actors are in top form here and I loved Bruce, Goldie, and Meryl. This is truly a classic in the black comedies. The score was terrific, set design fantastic, and all around excellent.