A down-on-his-luck inventor turns a broken-down Grand Prix car into a fancy vehicle for his children, and then they go off on a magical fantasy adventure to save their grandfather in a far-off land.
We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement.
An eccentric professor invents wacky machinery but can't seem to make ends meet. When he invents a revolutionary car, a foreign government becomes interested in it and resorts to skulduggery to get their hands on it. Written by
Murray Chapman <muzzle@cs.uq.oz.au>
Has the distinction of being the only (and final) non-James Bond film produced by Albert R. Broccoli after the Bond series began. This is because the novel on which the movie is based was written by Ian Fleming, creator of James Bond. See more »
Goofs
After "the tide comes in" and we see water around the car, there is one more brief close-up shot where the car is sitting far from the water. See more »
Well it's been 2 years since I last posted a review for this movie... I have just purchased the "Special Edition" version mainly because at last there is a wide-screen DVD version now available! This was one movie that suffered very greatly from a standard T.V format transfer ..... Now in wide-screen,it is possible to see the cinematography as it was intended to be viewed from the original Super Panavision format,even though there is still some "enhanced" format alteration to bring it into line with 16:9 ratio and luckily it was shot in Technicolor,which was easily the best analogue colour system around. Perspectives can now be seen as intended and the beautiful sets and the dance routines look vastly better... you can actually see all the dancers ! Take for instance one scene in Caractacus Potts windmill laboratory,where he shows Truly Scrumptious one of his inventions with which he intends to transmit "pictures and sound".....in the standard format half of the shot is missing so the machine cannot be fully seen and it makes no sense.. however in wide-screen you can see the "picture" and also the whole machine; so now you can enjoy one of Emmet Rolands fantasy machine creations in full. All through the movie the scenery and sets are set up framed with objects in the foreground and back ground which lend to perspective and depth of the image. The sound track seems also to have been worked on .. in previous releases the children's voices seemed to "squeak" but now they sound much more natural. You can see how much we have been missing with previous releases and it is a lot. The Special Edition also has some featurettes on the making of the movie and other related information plus a lovely booklet as well.
As to the movie itself .... it has never lost it's magic for me. I see reviews which pan the musical numbers or say it's too long or that
after seeing it as an adult they were disappointed from what they remember as a child ... but is that not the point ? It is a movie for children and/or those adults who can still view it remembering the child in themselves. It has no coarse language , no mindless violence (except the pantomime variety).. no cynicism ...just fun. In short it is a type of movie that Hollywood can no longer make because they no longer know how ... so it should be treasured more for it. People criticize Dick Van Dykes "American" accent but I find it not intrusive at all ... in fact he would probably have been better off using his normal voice in "Mary Poppins" than attempting the cockney accent which he obviously had some difficulty with.
Kids love this movie .. let them be the judges.
Thank-you Cubby Broccoli ..we miss you. Thank-you Ian Fleming / Roald Dahl / Richard Maibaum and Ken Hughes. Thank-you Ken Adam ... a genius in design for Chitty.
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Well it's been 2 years since I last posted a review for this movie... I have just purchased the "Special Edition" version mainly because at last there is a wide-screen DVD version now available! This was one movie that suffered very greatly from a standard T.V format transfer ..... Now in wide-screen,it is possible to see the cinematography as it was intended to be viewed from the original Super Panavision format,even though there is still some "enhanced" format alteration to bring it into line with 16:9 ratio and luckily it was shot in Technicolor,which was easily the best analogue colour system around. Perspectives can now be seen as intended and the beautiful sets and the dance routines look vastly better... you can actually see all the dancers ! Take for instance one scene in Caractacus Potts windmill laboratory,where he shows Truly Scrumptious one of his inventions with which he intends to transmit "pictures and sound".....in the standard format half of the shot is missing so the machine cannot be fully seen and it makes no sense.. however in wide-screen you can see the "picture" and also the whole machine; so now you can enjoy one of Emmet Rolands fantasy machine creations in full. All through the movie the scenery and sets are set up framed with objects in the foreground and back ground which lend to perspective and depth of the image. The sound track seems also to have been worked on .. in previous releases the children's voices seemed to "squeak" but now they sound much more natural. You can see how much we have been missing with previous releases and it is a lot. The Special Edition also has some featurettes on the making of the movie and other related information plus a lovely booklet as well.
As to the movie itself .... it has never lost it's magic for me. I see reviews which pan the musical numbers or say it's too long or that
after seeing it as an adult they were disappointed from what they remember as a child ... but is that not the point ? It is a movie for children and/or those adults who can still view it remembering the child in themselves. It has no coarse language , no mindless violence (except the pantomime variety).. no cynicism ...just fun. In short it is a type of movie that Hollywood can no longer make because they no longer know how ... so it should be treasured more for it. People criticize Dick Van Dykes "American" accent but I find it not intrusive at all ... in fact he would probably have been better off using his normal voice in "Mary Poppins" than attempting the cockney accent which he obviously had some difficulty with.
Kids love this movie .. let them be the judges.
Thank-you Cubby Broccoli ..we miss you. Thank-you Ian Fleming / Roald Dahl / Richard Maibaum and Ken Hughes. Thank-you Ken Adam ... a genius in design for Chitty.