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Storyline
Lane Meyer is a depressed teen who loses his girlfriend Beth. Her given reason for breaking up is: "Lane, I think it'd be in my best interest if I dated somebody more popular. Better looking. Drives a nicer car." Anyway, poor Lane is left alone and thinks up treacherous ways of killing himself. He finally meets a French beauty called Monique and falls for her. Simultaneously, he must endure his mother's terrible cooking which literally slides off the table and his disgusting next door neighbour Ricky (and his mum) while he prepares for the skiing race of his life - to get his old girlfriend back! Written by
Michael Feller <reb@magna.com.au>
Plot Summary
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Plot Synopsis
Taglines:
You've blown up your neighbor's mom. Your seven-year-old brother has better luck with women than you do. Your girlfriend has a new boyfriend. Relax, you're never...
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Did You Know?
Trivia
According to
Savage Steve Holland, the film is mostly autobiographical. Holland really was suicidal when his high school girlfriend left him for captain of the ski team. Also, he really did have a paperboy named Johnny Gasparini who would harass him for two dollars. According to Holland, when the film came out, the ex-girlfriend contacted him to apologize.
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Goofs
When Lane is contemplating jumping off the bridge, you can see
the shadow of a safety cord attached to his waist. At certain points you can actually see the cord.
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Quotes
Lane Myer:
I have great fear of tools. I once made a birdhouse in woodshop and the fair housing committee condemned it. I can't.
Monique Junot:
"I cannot do it" is your middle name.
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Crazy Credits
The opening credits feature a cartoon - the animation style is the same that Lane draws in the cafeteria later on. John Cusack's character in Savage Steve Holland's One Crazy Summer is also an aspiring cartoonist who draws in the same style.
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Soundtracks
She's Gone
Written by
Daryl Hall and
John Oates
Performed by
Hall & Oates
Produced by
Arif Mardin
Courtesy of RCA Records
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Eighties teen films, I love 'em. I never tire of this brand of entertainment that's a true product of it pop-culture times. There's something about this wonderful era. Everything about the humour had a natural build up, and even during the hits or misses it stayed consistently amusing without resorting to gross-outs. 'Better off Dead' fits that buck. Here's another cherished coming of age story through the eyes of a troubled teenager dealing with a dumped relationship and the embarrassments that seem to follow through the painful years of high school and everyday life. Wallowing in self-pity, eventually it comes to identifying self-confidence over what isn't the impossible. What am I going to type that someone hasn't already. Nothing. The plot is secondary to the oddball episodic set-pieces and comic characters, where the flow is unpredictable and original like out of some daydreaming teenager's imagination. John Cusack (a pin-up boy for these roles) has that likable, down-to-earth awe which fits. Surrounding him is a fantastically hearty support cast in David Ogden Stiers, Kim Darby, Diane Franklin, Demian Slade, Amanda Wyss, Curtis Armstrong, Dan Schneider and Laura Waterbury. Director Savage Steve Holland throws caution to the wind with his animatedly interesting style, but manages to make sure everything still comes together without really trying. Well it looks so. Visual gags also have a powerful note like the night-time chase sequence involving a persistent paperboy after his 2 dollars and the drag racing scenes with a pair of Asians. Even the ski scenes are well shot. An upbeat soundtrack pounds out the catchy, nostalgic tunes and cements an provocatively charming sincereness. It's hard to pass up this self-knowing, off-kilter teenage comedy/romance winner.