A Phoenix secretary steals $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Director:
Alfred Hitchcock
Stars:
Rod Taylor,
Tippi Hedren,
Suzanne Pleshette
Author P.L. Travers reflects on her childhood after reluctantly meeting with Walt Disney, who seeks to adapt her Mary Poppins books for the big screen.
Director:
John Lee Hancock
Stars:
Emma Thompson,
Tom Hanks,
Annie Rose Buckley
Living in exile, Hannibal Lecter tries to reconnect with now disgraced FBI agent Clarice Starling and finds himself a target for revenge from a powerful victim.
Director:
Ridley Scott
Stars:
Anthony Hopkins,
Julianne Moore,
Gary Oldman
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Director:
Alfred Hitchcock
Stars:
James Stewart,
Kim Novak,
Barbara Bel Geddes
A New Jersey guy dedicated to his family, friends, and church, develops unrealistic expectations from watching porn and works to find happiness and intimacy with his potential true love.
Director:
Joseph Gordon-Levitt
Stars:
Joseph Gordon-Levitt,
Scarlett Johansson,
Julianne Moore
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer; aiding him is imprisoned criminal genius Hannibal "The Cannibal" Lecter.
Director:
Brett Ratner
Stars:
Anthony Hopkins,
Edward Norton,
Ralph Fiennes
In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by
Kenneth Chisholm (kchishol@rogers.com)
Coincidentally, in this film Helen Mirren portrays the wife of a famous film director when, in reality, she's married to a famous film director, namely, Taylor Hackford. See more »
Goofs
When Alma and Whit are driving up the Pacific Coast Highway, the double centerline is yellow. In 1960, it would have been white. See more »
Quotes
[first lines]
Henry Gein:
It's lucky it didn't reach the house.
Ed Gein:
Yeah.
Henry Gein:
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
Ed Gein:
You can't leave us, Henry. She needs us both.
Henry Gein:
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Alfred Hitchcock:
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
Crazy Credits
As Hitch addresses his audience at the end of the picture, he tells us that he is bereft of ideas for his next picture... then a large, black bird lands on his shoulder. See more »
Symphony No. 3 in E Flat Major 'Eroica' Op. 55: Scherzo Allegro Vivace
Written by Ludwig van Beethoven
Courtesy of Crucial Music Corporation & Point Classics
Arranged by Jim Long See more »
A snapshot of Hitchcock's life and the lead up, shooting and release of Psycho.
A perfect blend of entertainment, surprisingly emotional and a delight to watch. No doubt artistic licence is used but John J. McLaughlin's script based on Stephen Rebello's book manages to mix and balance the story elements perfectly without becoming the 'making of Psycho' which remains as a backdrop. It ultimately focuses on Hitchcock's intriguing relationships with his wife, cast and crew. There's some genuine laugh-out moments and heartfelt scenes. The surreal moments including Ed Gein subtly played by Michael Wincott injects an edginess to the proceedings and gives an insight into his psyche.
Any reservations of Anthony Hopkins' casting are dispelled within a few minutes, he is absolutely superb with the make up equally as effective. Helen Mirren as Alma is on fine form giving both a powerful and touching performance. Without nitpicking on Scarlett Johansson's facial indifference to Leigh and James D'Arcy's to Anthony Perkins they capture the persona wonderfully as too does Jessica Biel as Vera Miles respectively. Notable is Toni Collette as Peggy Robertson and from Danny Huston as Whitfield Cook to Kurtwood Smith Geoffrey Shurlock there is a fine supporting cast.
Fittingly book-ended with Hopkins as Hitch breaking the fourth wall in 'Alfred Hitchcock Presents' style you can't help but smile. As satisfying as Hitchcock is it still leaves you wanting more.
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A snapshot of Hitchcock's life and the lead up, shooting and release of Psycho.
A perfect blend of entertainment, surprisingly emotional and a delight to watch. No doubt artistic licence is used but John J. McLaughlin's script based on Stephen Rebello's book manages to mix and balance the story elements perfectly without becoming the 'making of Psycho' which remains as a backdrop. It ultimately focuses on Hitchcock's intriguing relationships with his wife, cast and crew. There's some genuine laugh-out moments and heartfelt scenes. The surreal moments including Ed Gein subtly played by Michael Wincott injects an edginess to the proceedings and gives an insight into his psyche.
Any reservations of Anthony Hopkins' casting are dispelled within a few minutes, he is absolutely superb with the make up equally as effective. Helen Mirren as Alma is on fine form giving both a powerful and touching performance. Without nitpicking on Scarlett Johansson's facial indifference to Leigh and James D'Arcy's to Anthony Perkins they capture the persona wonderfully as too does Jessica Biel as Vera Miles respectively. Notable is Toni Collette as Peggy Robertson and from Danny Huston as Whitfield Cook to Kurtwood Smith Geoffrey Shurlock there is a fine supporting cast.
Fittingly book-ended with Hopkins as Hitch breaking the fourth wall in 'Alfred Hitchcock Presents' style you can't help but smile. As satisfying as Hitchcock is it still leaves you wanting more.