Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a film director, is still working. They ... See full summary »
The film serves as Garrone's English-language debut and will interweave three separate story strands bookended by brief bits in which Italians Alba Rohrwacher and Massimo Ceccherini will ... See full summary »
Nanni Moretti takes a comic look at the ebbs and flows of his life as he becomes a father for the first time. He struggles with distractions while trying to make a documentary of the Italian national elections.
Nanni Moretti directs himself playing himself in this wry look at life. Presented in three chapters, Moretti uses the experiences of traveling on his motor-scooter, cruising with his friend... See full summary »
Tony is admitted to a rehabilitation center after a serious skiing accident. Dependent of medical staff and painkillers, she takes the time to remember the tumultuous love story she lived with Georgio.
Director:
Maïwenn
Stars:
Vincent Cassel,
Emmanuelle Bercot,
Louis Garrel
Because of an accident, Michele (a leader of P.C.I. and a water-polo player) loses his memory. During one water-polo match, strange guys torment him; they want him to remember his past. As ... See full summary »
Michele is a mathematics professor who just started a new job in a school with some peculiar teaching methods. After a woman in his neighborhood is murdered, Michele meets beautiful ... See full summary »
Director:
Nanni Moretti
Stars:
Nanni Moretti,
Laura Morante,
Roberto Vezzosi
Don Giulio, giovane prete romano, ritorna a casa dopo essere stato parroco in un'isola del Mar Tirreno ed è destinato ad una chiesa di periferia. A Roma egli ritrova i genitori, la sorella ... See full summary »
Director:
Nanni Moretti
Stars:
Nanni Moretti,
Marco Messeri,
Ferruccio De Ceresa
Quick disclaimer before getting into the review: despite being Italian I have absolutely zero familiarity with the work of Nanni Moretti, this was the first of his films I saw and my judgment is based solely on the movie itself, I don't know anything about Moretti's style, his filmography nor the types of movie he makes.
So, to the movie. "Mia Madre" is best defined by myself as a nice movie. I know it sounds cheap, but that is what I really thought of it. It has many problems, that when added up surprisingly leave you with a movie that is much better than you expected while watching it. This is thanks to a very human story, that, as every element in the film has its flaws, but ultimately succeeds because of its intimacy to every human being. I really find it hard to describe why this film worked, mainly because I myself have yet to understand why having many reservations about it, but it simply was engaging and never ever boring, it struck an emotional chord and touched something. Absolutely brilliant is Giulia Lazzarini and probably the main reason for which the film succeeds, and her moments with Beatrice Mancini were no doubt the most engaging parts to watch. Practically, on the positive side I just can say that there there is some very under toned filmaking going on behind the camera that works pretty well, it left me with a pleasant experience despite the fact that time and time again I found something wrong with movie.
On the point I have some very big negatives to get out. Firstly, Margherita Buy is slightly uneven in her performance, it's not a bad one, just an underwhelming one. Now, as I said before I have no familiarity with Nanni Moretti, but I hope this is not the way he always acts because it was pretty bad. He may be a good director/writer, but as an actor he didn't quite work here and that may e due to the fact that his character is pretty bland. Some other minor negatives before I get to the big ones: photography isn't exactly the best, I really do believe that with a better cinematography this film could have been miles ahead. Editing too isn't really solid, but it never reaches the level of being sloppy. But, the biggest reservation I had was just how much this filmed copied, yes copied not borrowed, from Fellini's 8 1/2 and to an extent even to Sorrentino's "La Grande Bellezza". There were scenes where I felt like I was watching those movies, not a new one. The music choice, the editing style, the tone, the content, everything seemed to be taken out from them, stirred a bit and then put back in. The thing is, they do it pretty shamelessly too, they even put a scene that is screaming "La Dolce Vita". Some of the borrowed pieces of these films work, but when added to the entire movie they just stick out. All of the negative elements above essentially lead to an uneven film, way too many times a scene passes under your head or you question why you are watching it.
Thankfully all of those negatives don't add up in the final product, looked as a whole, not scene by scene, to a simply pleasant journey, I had a good time with the film, but I am very angry at some of the things it did.
On a totally silly side note: that poster is probably the worst poster I have ever seen. Doesn't make someone want to watch the film at all!
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Quick disclaimer before getting into the review: despite being Italian I have absolutely zero familiarity with the work of Nanni Moretti, this was the first of his films I saw and my judgment is based solely on the movie itself, I don't know anything about Moretti's style, his filmography nor the types of movie he makes.
So, to the movie. "Mia Madre" is best defined by myself as a nice movie. I know it sounds cheap, but that is what I really thought of it. It has many problems, that when added up surprisingly leave you with a movie that is much better than you expected while watching it. This is thanks to a very human story, that, as every element in the film has its flaws, but ultimately succeeds because of its intimacy to every human being. I really find it hard to describe why this film worked, mainly because I myself have yet to understand why having many reservations about it, but it simply was engaging and never ever boring, it struck an emotional chord and touched something. Absolutely brilliant is Giulia Lazzarini and probably the main reason for which the film succeeds, and her moments with Beatrice Mancini were no doubt the most engaging parts to watch. Practically, on the positive side I just can say that there there is some very under toned filmaking going on behind the camera that works pretty well, it left me with a pleasant experience despite the fact that time and time again I found something wrong with movie.
On the point I have some very big negatives to get out. Firstly, Margherita Buy is slightly uneven in her performance, it's not a bad one, just an underwhelming one. Now, as I said before I have no familiarity with Nanni Moretti, but I hope this is not the way he always acts because it was pretty bad. He may be a good director/writer, but as an actor he didn't quite work here and that may e due to the fact that his character is pretty bland. Some other minor negatives before I get to the big ones: photography isn't exactly the best, I really do believe that with a better cinematography this film could have been miles ahead. Editing too isn't really solid, but it never reaches the level of being sloppy. But, the biggest reservation I had was just how much this filmed copied, yes copied not borrowed, from Fellini's 8 1/2 and to an extent even to Sorrentino's "La Grande Bellezza". There were scenes where I felt like I was watching those movies, not a new one. The music choice, the editing style, the tone, the content, everything seemed to be taken out from them, stirred a bit and then put back in. The thing is, they do it pretty shamelessly too, they even put a scene that is screaming "La Dolce Vita". Some of the borrowed pieces of these films work, but when added to the entire movie they just stick out. All of the negative elements above essentially lead to an uneven film, way too many times a scene passes under your head or you question why you are watching it.
Thankfully all of those negatives don't add up in the final product, looked as a whole, not scene by scene, to a simply pleasant journey, I had a good time with the film, but I am very angry at some of the things it did.
On a totally silly side note: that poster is probably the worst poster I have ever seen. Doesn't make someone want to watch the film at all!