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Storyline
Revolving around Truvy's Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the picture opens, we find Drum Eatenton shooting birds in the trees of his back yard in preparation for his daughter's wedding reception that afternoon. Shortly thereafter, M'Lynn and Shelby (Drum's wife and daughter) depart for Truvy's to get their hair done for the wedding. "Just the sweetest thing," Annelle Depuy Desoto (who may or may not be married because her marriage may not be legal) is introduced to Truvy's customers as her new "glamour technician." While in the chairs, the sour-tempered Ouiser Boudreaux shows up and entertains the assemblage with her barbs. It seems that the only one of the group who truly understands Ouiser is Clairee who is recently widowed and looking for a diversion. As she says, later in the picture, "If you can't find anything good to say about anybody, come sit by me." ... Written by
Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>
Plot Summary
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Plot Synopsis
Taglines:
The funniest movie ever to make you cry.
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Did You Know?
Trivia
On the DVD's commentary track,
Herbert Ross describes how
Georges Delerue was not his first choice as a composer for this film. Another "well known" composer's music was rejected but he fails to say who.
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Goofs
When Truvy asks Annelle about her car, Annelle pulls the magazines in her hands close to her chest and does it again in the next shot.
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Quotes
Ouiser Boudreaux:
You know you would be a much more contended pleasant person if you would find ways to occupy your time.
Ouiser Boudreaux:
I am pleasant! Dammit! I just saw Drum Eatenton this mornin at the Piggly Wiggly and I smiled at the son of a bitch for I couldn't help myself!
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Soundtracks
WINTER WONDERLAND
(1934)
Music by
Felix Bernard
Lyrics by
Richard B. Smith (as Dick Smith)
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An extremely episodic story of several smalltown southern women whose social lives revolve around meetings in the local beauty parlor, STEEL MAGNOLIAS' script and performances are dogged by an aura of artificiality--but it scarcely matters, for the film is a tremendous amount of fun.
Some of the performances are more successful than others, with Shirley MacLaine, Olympia Dukakis, Julia Roberts, and Darryl Hannah coming out on top (I am greatly surprised that so many other reviewers dislike Hannah's performance, which seems to me considerably less artificial than many others--but perhaps since I'm actually Southern I have a different perspective). Sally Fields and Dolly Parton are less successful, but not in any sense that actually distracts from the fun. Perhaps most surprising in a film which focuses on women are the brief but impressive performances from the male supporting cast, which includes effective performances by Tom Skerrit, Sam Shepherd, and Dylan McDermott, and which serve to ground the film with a sense of the broader community in which the women live.
The script abounds in zinging one-liners ("If you can't say something nice, come sit by me!") and often hilarious situations (imagine Olympia Dukakis surrounded by naked men in the highschool football team's locker room); it also contains some very touching segments sure to choke up all but the most heartless viewer. And although the story is extremely manipulative and rather predictable, those factors don't actually get in the way of its effectiveness. While probably not a "great film" by any serious standard, it is tremendously good-natured, well-intended, and extremely entertaining, and most people will find that it lingers pleasantly in mind and holds up well under repeated viewings.
Gary F. Taylor, aka GFT, Amazon Reviewer