In a corrupt, greed-fueled world, a powerful alchemist leads a Christ-like character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.
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A young man is confined in a mental hospital. Through a flashback we see that he was traumatized as a child, when he and his family were circus performers: he saw his father cut off the ... See full summary »
Director:
Alejandro Jodorowsky
Stars:
Axel Jodorowsky,
Blanca Guerra,
Guy Stockwell
Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on the edge of the Chilean desert where this film was shot. It was there that Jodorowsky underwent an unhappy and ... See full summary »
Fando and his partially paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.
A theatre director struggles with his work, and the women in his life, as he creates a life-size replica of New York City inside a warehouse as part of his new play.
Director:
Charlie Kaufman
Stars:
Philip Seymour Hoffman,
Samantha Morton,
Michelle Williams
A U.S. drug dealer living in Tokyo is betrayed by his best friend and killed in a drug deal. His soul, observing the repercussions of his death, seeks resurrection.
Director:
Gaspar Noé
Stars:
Nathaniel Brown,
Paz de la Huerta,
Cyril Roy
A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
Director:
Lars von Trier
Stars:
Willem Dafoe,
Charlotte Gainsbourg,
Storm Acheche Sahlstrøm
A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.
A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal. Written by
Marty Cassady <martyc@vt.edu>
At a projected budget of $1,500,000 (in USA dollars), it was to have been the most expensive Mexican film production to date. The film reportedly cost only half that amount. See more »
Quotes
The Alchemist:
[final lines]
We began in a fairytale and we came to life, but is this life reality? No. It is a film. Zoom back camera.
[camera zooms out, revealing equipment and crew]
The Alchemist:
We are images, dreams, photographs. We must not stay here. Prisoners! We shall break the illusion. This is magic! Goodbye to the Holy Mountain. Real life awaits us.
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A few months ago, I finally got to see El Topo, Jodorowsky's legendary western-on-acid. Quite simply, it blew me away. It was just so strange, so weird, so utterly crazy...I don't know, seeing El Topo on one viewing doesn't mean you'll be able to comprehend it well enough to describe it properly. I'll give it a second view some other time.
Anyway....why I mentioned El Topo was because it raised the bar for what I could expect from The Holy Mountain, which promised to be even more of a mind-bending surrealist work than El Topo. For this is how, on the basis of a single viewing, I was prepared to judge The Holy Mountain - on just how bizarre it would get.
This may sound a little shallow, but The Holy Mountain is one of those films that requires several viewings to properly comprehend pretty much everything that goes on. On one viewing, all you can do is try and keep your eyes on screen and try to take in as much of the film as possible. Even if you don't fully understand what's going on, take in the experience. That's what I did when I watched The Holy Mountain.
The Holy Mountain begins by following a man who's best described as Christlike as he engages in his own journey from dying in the desert to a tall tower, where he meets a mysterious figure known as the Alchemist. The Alchemist recruits the man for his own plan, which involves bringing together several "thieves" from around the world so that they can embark on a quest for immortality atop the eponymous mountain.
All this is a loose framework for Jodorowsky's trademark elaborate set-pieces - they're big and they're utterly loony. I don't think I'll bother spoiling any of them, but take any scene from the movie and it'll likely have a large, weird-looking set and at least one or two freaky-looking people drawing your attention. One thing that kept preying on my mind the whole time was just how unbelievable the whole idea of The Holy Mountain was. Like El Topo, it was an epic without a wider appeal, and that jarred me for some reason. It just keeps getting stranger and stranger until the end, which I will have to say was utterly unpredictable.
The Holy Mountain is truly one-of-a-kind. It'd be pretty easy to say this film isn't for everyone, but it isn't. If you're into movies that don't make sense on the first time (or even the 10th time), I'd recommend this. Or if you're just looking for one intense filmic experience, it doesn't get much more intense than the imagery of The Holy Mountain.
I'll end this review now - I've run out of synonyms for crazy.
8/10 - this is after one viewing, it'll probably go up after about 7.
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A few months ago, I finally got to see El Topo, Jodorowsky's legendary western-on-acid. Quite simply, it blew me away. It was just so strange, so weird, so utterly crazy...I don't know, seeing El Topo on one viewing doesn't mean you'll be able to comprehend it well enough to describe it properly. I'll give it a second view some other time.
Anyway....why I mentioned El Topo was because it raised the bar for what I could expect from The Holy Mountain, which promised to be even more of a mind-bending surrealist work than El Topo. For this is how, on the basis of a single viewing, I was prepared to judge The Holy Mountain - on just how bizarre it would get.
This may sound a little shallow, but The Holy Mountain is one of those films that requires several viewings to properly comprehend pretty much everything that goes on. On one viewing, all you can do is try and keep your eyes on screen and try to take in as much of the film as possible. Even if you don't fully understand what's going on, take in the experience. That's what I did when I watched The Holy Mountain.
The Holy Mountain begins by following a man who's best described as Christlike as he engages in his own journey from dying in the desert to a tall tower, where he meets a mysterious figure known as the Alchemist. The Alchemist recruits the man for his own plan, which involves bringing together several "thieves" from around the world so that they can embark on a quest for immortality atop the eponymous mountain.
All this is a loose framework for Jodorowsky's trademark elaborate set-pieces - they're big and they're utterly loony. I don't think I'll bother spoiling any of them, but take any scene from the movie and it'll likely have a large, weird-looking set and at least one or two freaky-looking people drawing your attention. One thing that kept preying on my mind the whole time was just how unbelievable the whole idea of The Holy Mountain was. Like El Topo, it was an epic without a wider appeal, and that jarred me for some reason. It just keeps getting stranger and stranger until the end, which I will have to say was utterly unpredictable.
The Holy Mountain is truly one-of-a-kind. It'd be pretty easy to say this film isn't for everyone, but it isn't. If you're into movies that don't make sense on the first time (or even the 10th time), I'd recommend this. Or if you're just looking for one intense filmic experience, it doesn't get much more intense than the imagery of The Holy Mountain.
I'll end this review now - I've run out of synonyms for crazy.
8/10 - this is after one viewing, it'll probably go up after about 7.