Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences.
Directors:
Chris Kentis,
Laura Lau
Stars:
Elizabeth Olsen,
Adam Trese,
Eric Sheffer Stevens
When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.
Director:
Naomi Foner
Stars:
Dakota Fanning,
Elizabeth Olsen,
Sterling Jones
An unflinching Ozark Mountain girl hacks through dangerous social terrain as she hunts down her drug-dealing father while trying to keep her family intact.
Director:
Debra Granik
Stars:
Jennifer Lawrence,
John Hawkes,
Garret Dillahunt
In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
Director:
Steve McQueen
Stars:
Michael Fassbender,
Carey Mulligan,
James Badge Dale
Three teenagers live isolated, without leaving their house, because their over-protective parents say they can only leave when their dogtooth falls out.
Director:
Yorgos Lanthimos
Stars:
Christos Stergioglou,
Michele Valley,
Angeliki Papoulia
A young woman embarks on a road trip with her boyfriend to a place he promises will be beautiful and peaceful. But a series of strange events occur on their journey, and it becomes clear ... See full summary »
Martha has run away from an abusive hippie-like cult where she was living as Marcy May for two years. She turns to her sister and brother-in-law who take her in and want to help her. The problem is Martha is having a hard time separating dreams from reality and when haunting memories of her past keep resurfacing, she may need more help than anyone is able to give her. Written by
napierslogs
There are several references to the work of singer-songwriter, Jackson C. Frank. John Hawkes plays "Marcy's song" in the film, while "Marlene" is played over the credits. It can be assumed that John Hawkes' character, Patrick, fabricated the names Marcy May and Marlene from these songs. See more »
Goofs
During Martha's breakdown in the party scene, the bow on her white dress is hanging loose when she is being corralled into the bedroom by Lucy and Ted. In the next shot, the bow is done up again. See more »
Quotes
[first lines]
Watts:
[as Martha runs away]
Marcy! Marcy May! Where ya goin'?
See more »
I went, interested in how a cinematographer does flash backs...well, nothing to learn from this cinematography. Cuts. Period. Boring. But, it is more, a dangerous movie for nothing is rooted out to make one's connection to a cult understandable; the "normal" family is self-serving and shallow: their interest in helping the sister is for their own egos. They have no understanding and little redeeming grace. The sister wavers from being goodie two shoes to yelling at and judging her sister. Her sister takes it as she took the cultists at the farm. If this was to be the point, then, her madness was sorely acted. None of the acting is very good. I cannot believe people gave the film best ensemble awards---why? because they were a group of people together who played back to the earth though were zombie like and you never saw any connection really....that is partly the point, but....yuck....they may have shown some kind of tension, dissonance, craziness...plus, they had not a clue of how to garden.....(so annoying that the faux planting scene with flowers that seemed like they came from Walmart stock from folks who claimed they were learning how to grow their own food on little money)..... All of the kudos going to Olsen are not understandable to me. I did not see her inner struggle with her demons-- little was revealed in her face, or body of her confused emotions....her struggle for meaning and sanity was not believable. Neither the clichéd script nor director gave her any help but she might have tried to find something to redeem the movie beyond a piece that felt like it was made by a kid to jiggle some Halloween frights. Recently I have seen movies that seem to give kudos to actresses who strip to show their big breasts. This seems to be another in that trend. I felt that this movie was culturally unredeeming if not dangerous given all of the cultural wars on the right against hippies; this played into every one of their misinterpreted prejudices and turned it into pure evil while the professional saviors were hardly any better.
I am warning my friends not to waste their time.
11 of 17 people found this review helpful.
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I went, interested in how a cinematographer does flash backs...well, nothing to learn from this cinematography. Cuts. Period. Boring. But, it is more, a dangerous movie for nothing is rooted out to make one's connection to a cult understandable; the "normal" family is self-serving and shallow: their interest in helping the sister is for their own egos. They have no understanding and little redeeming grace. The sister wavers from being goodie two shoes to yelling at and judging her sister. Her sister takes it as she took the cultists at the farm. If this was to be the point, then, her madness was sorely acted. None of the acting is very good. I cannot believe people gave the film best ensemble awards---why? because they were a group of people together who played back to the earth though were zombie like and you never saw any connection really....that is partly the point, but....yuck....they may have shown some kind of tension, dissonance, craziness...plus, they had not a clue of how to garden.....(so annoying that the faux planting scene with flowers that seemed like they came from Walmart stock from folks who claimed they were learning how to grow their own food on little money)..... All of the kudos going to Olsen are not understandable to me. I did not see her inner struggle with her demons-- little was revealed in her face, or body of her confused emotions....her struggle for meaning and sanity was not believable. Neither the clichéd script nor director gave her any help but she might have tried to find something to redeem the movie beyond a piece that felt like it was made by a kid to jiggle some Halloween frights. Recently I have seen movies that seem to give kudos to actresses who strip to show their big breasts. This seems to be another in that trend. I felt that this movie was culturally unredeeming if not dangerous given all of the cultural wars on the right against hippies; this played into every one of their misinterpreted prejudices and turned it into pure evil while the professional saviors were hardly any better.
I am warning my friends not to waste their time.