Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others -- risking his sanity all the while.
Duke, a crooked and music-mad cop, patrols in Los Angeles' streets, music blasting and meets a young techno lover, David Dolores Frank. Appalled by the musical tastes of the young adolescent, Duke decides to give him a good music lesson.
Director:
Quentin Dupieux
Stars:
Mark Burnham,
Marilyn Manson,
Grace Zabriskie
A U.S. drug dealer living in Tokyo is betrayed by his best friend and killed in a drug deal. His soul, observing the repercussions of his death, seeks resurrection.
Director:
Gaspar Noé
Stars:
Nathaniel Brown,
Paz de la Huerta,
Cyril Roy
A new street drug that sends its users across time and dimensions has one drawback: some people return as no longer human. Can two college dropouts save humankind from this silent, otherworldly invasion?
A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. They start to follow a mysterious hunter, learning that he is actually a troll hunter.
Director:
André Øvredal
Stars:
Otto Jespersen,
Robert Stoltenberg,
Knut Nærum
George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At ... See full summary »
A young actor suddenly wakes up in the middle of the shooting of a movie he doesn't understand. After shooting a few scenes, the main character accidentally shoots and kills the technical ... See full summary »
Director:
Quentin Dupieux
Stars:
Bernard Amsellem,
Thomas Belorgey,
Vincent Belorgey
As film spectators watch, a killer car tire comes to life in a desert dump site. Flexing its... rubber... and ready to roll, it soon discovers its telekinetic ability to make small animals and people's heads explode. Lt. Chad hopes to end this movie by fatally poisoning every last spectators, but failing that, the show must go on, and the tire goes on a three-day rampage. With few left alive, a lure is constructed to draw the tire from its motel room, where hopes are to end it and this movie once and for all. Written by
statmanjeff
The director, writer, cinematographer, editor and composer, Quentin Dupieux, is also known as Mr. Oizo. See more »
Goofs
When the boy rides his bike, he is wearing long socks at first, but in a later scene those change to short socks. See more »
Quotes
[first lines]
Lieutenant Chad:
In the Steven Spielberg movie "E.T.," why is the alien brown? No reason. In "Love Story," why do the two characters fall madly in love with each other? No reason. In Oliver Stone's "JFK," why is the President suddenly assassinated by some stranger? No reason. In the excellent "Chain Saw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands like people do in real life? Absolutely no reason. Worse, in "The Pianist" by Polanski, how come...
[...] See more »
Crazy Credits
During the closing credits, the opening monologue by Lt. Chad is shown from a different angle that shows the speech is for the "in-film" audience, and not the "theater" film audience. See more »
I wanted to like this movie. I really did. It is, after all, about a killer tire called Robert who discovers he has destructive telepathic powers and so goes on a killing rampage. What's not to like there? Unfortunately, the director is the most pretentious man on the planet and overloads the film with postmodern flourishes that don't work and serve merely to remind you of the far superior directors he is ripping off - e.g. David Lynch and Tobe Hooper. What could have been a fun low budget horror comedy ends up a tedious mish mash of genres and ideas. For instance, the audience is a part of the film, represented by a group of people watching the events unfold and commenting upon them. An interesting idea but the director doesn't know where to go with it and it ends up sidetracking the film. Rubber should have been fun but it's far from that - slow, not remotely amusing or nearly as clever as it thinks it is, badly acted and written, bog standard direction. When the best thing in your movie is Wings Hauser, you know you're in trouble. To (sort of) quote Homer Simpson, this movie was more boring than church.
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I wanted to like this movie. I really did. It is, after all, about a killer tire called Robert who discovers he has destructive telepathic powers and so goes on a killing rampage. What's not to like there? Unfortunately, the director is the most pretentious man on the planet and overloads the film with postmodern flourishes that don't work and serve merely to remind you of the far superior directors he is ripping off - e.g. David Lynch and Tobe Hooper. What could have been a fun low budget horror comedy ends up a tedious mish mash of genres and ideas. For instance, the audience is a part of the film, represented by a group of people watching the events unfold and commenting upon them. An interesting idea but the director doesn't know where to go with it and it ends up sidetracking the film. Rubber should have been fun but it's far from that - slow, not remotely amusing or nearly as clever as it thinks it is, badly acted and written, bog standard direction. When the best thing in your movie is Wings Hauser, you know you're in trouble. To (sort of) quote Homer Simpson, this movie was more boring than church.