With the aid of a wealthy erratic tippler, a dewy-eyed tramp who has fallen in love with a sightless flower girl accumulates money to be able to help her medically.
Director:
Charles Chaplin
Stars:
Charles Chaplin,
Virginia Cherrill,
Florence Lee
A Phoenix secretary steals $40,000 from her employer's client, goes on the run and checks into a remote motel run by a young man under the domination of his mother.
Epic story of a mysterious stranger with a harmonica who joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad.
Director:
Sergio Leone
Stars:
Henry Fonda,
Charles Bronson,
Claudia Cardinale
Chaplins last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital... When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out. Written by
Colin Tinto <cst@imdb.com>
You'll never laugh as long and as loud again as long as you live! The laughs come so fast and so furious you'll wish it would end before you collapse! See more »
This was always intended to be Charles Chaplin's first talkie. He even went as far as writing a dialogue script and experimenting with sound. However, because Chaplin intended the film to feature his Little Tramp character, sound seemed inappropriate. Consequently the film was made using silent techniques, shot at 18 frames per second and then projected at 24 frames per second, which gave the slapstick sequences a more frenetic feel. See more »
Goofs
When Charlie tries to get the roasted duck dinner to the table, the items on his tray are fixed in place. The wine cradle barely moves when he swings the tray overhead, yet when the tray is on the table seconds later, it does. See more »
Chaplin's "Modern Times" has influenced the 20th century as much as any other film could have. His portrayal of man vs. machine, individual vs. group, love vs. industry...is the framework of classic modern American "anti-progressive" thinking. Gilliam's "Brazil" is the late century equivalent. But Chaplin hit it right first, insuring generations would have the chance to relate to the challenges of their own modern times.
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Chaplin's "Modern Times" has influenced the 20th century as much as any other film could have. His portrayal of man vs. machine, individual vs. group, love vs. industry...is the framework of classic modern American "anti-progressive" thinking. Gilliam's "Brazil" is the late century equivalent. But Chaplin hit it right first, insuring generations would have the chance to relate to the challenges of their own modern times.