At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.
Director:
Anthony Minghella
Stars:
Ralph Fiennes,
Juliette Binoche,
Willem Dafoe
Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Director:
Robert Benton
Stars:
Dustin Hoffman,
Meryl Streep,
Jane Alexander
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Director:
Rob Marshall
Stars:
Renée Zellweger,
Catherine Zeta-Jones,
Richard Gere
An elderly Jewish widow living in Atlanta can no longer drive. Her son insists she allow him to hire a driver, which in the 1950s meant a black man. She resists any change in her life but, Hoke, the driver is hired by her son. She refuses to allow him to drive her anywhere at first, but Hoke slowly wins her over with his native good graces. The movie is directly taken from a stage play and does show it. It covers over twenty years of the pair's life together as they slowly build a relationship that transcends their differences. Written by
John Vogel <jlvogel@comcast.net>
Last Best Picture Oscar winner with a PG rating. See more »
Goofs
Hoke drives past the same house with the same truck in front of it twice in in fifteen seconds when going home from the temple. See more »
Quotes
[Hoke and Boolie are walking thru Daisy's vacated home discussing how Hoke and Daisy have been since Daisy had to be put in the nursing home]
Boolie Werthan:
I suppose you don't get out to see her very much.
Hoke Colburn:
No, sir... it's hard not drivin'. Every now and then I takes a taxi cab, but don't too many taxis go out yonder.
Boolie Werthan:
I'm sure she appreciates it.
Hoke Colburn:
Yes, sir.
[pauses]
Hoke Colburn:
Some days, she better than others... but then, who ain't?
[Hoke and Boolie both laugh]
See more »
AFTER THE BALL
(1892)
Words and Music by Charles Harris (as Charles K. Harris)
Sung a cappella by Jessica Tandy (uncredited)
Published by Charles K. Harris Publishing Company, Inc. See more »
Why spend millions of dollars on special effects and scenes, when the actors still are most important? This movie proves all that. This movie gives a strong feeling of being back in a time I`ve never experienced myself. It is somewhere in my consciousness. This is a cozy comedy for the whole family. This film is much about how our daily life meets new inputs, and how we deal with it. Time doesn`t change, it is our daily lifes inputs. This serious comedy is as deep as it is easy, because it is more about ourselves than we sometimes think. Enjoy the art, the music, the lovely seasons.. 10 out of 10.
21 of 32 people found this review helpful.
Was this review helpful to you?
Why spend millions of dollars on special effects and scenes, when the actors still are most important? This movie proves all that. This movie gives a strong feeling of being back in a time I`ve never experienced myself. It is somewhere in my consciousness. This is a cozy comedy for the whole family. This film is much about how our daily life meets new inputs, and how we deal with it. Time doesn`t change, it is our daily lifes inputs. This serious comedy is as deep as it is easy, because it is more about ourselves than we sometimes think. Enjoy the art, the music, the lovely seasons.. 10 out of 10.