Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Director:
Patricia Rozema
Stars:
Pascale Bussières,
Rachael Crawford,
Henry Czerny
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly... See full summary »
Director:
Donna Deitch
Stars:
Helen Shaver,
Patricia Charbonneau,
Audra Lindley
Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
An adventurous love story between two young women of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance.
Director:
Maria Maggenti
Stars:
Laurel Holloman,
Nicole Ari Parker,
Maggie Moore
Corky, a lesbian ex con hired to work in an apartment as a plumber, meets neighbors Caesar, who launders money for the Mafia, and his girlfriend Violet. The two women have a love affair and decide to steal $2,000,000 that Caesar has in custody before he gives them back to Mafia boss Gino Marzone. Caesar is set up by the two scheming women as a scapegoat but things start to go wrong when he reacts in an unexpected way... Written by
Giancarlo Cairella <vertigo@imdb.com>
This was the film that convinced the studio of the Wachowski's talent as directors so that they could make the The Matrix (1999), a screenplay/story they had come up with during the filming of their first screenplay, Assassins (1995). See more »
Goofs
When Corky drinks coffee there is one tattooed triangle on her right hand. When she is opening the case there is two. When she dumps the money in the paint there is one again. See more »
Quotes
Violet:
I'm not apologizing for what I did. I'm apologizing for what I didn't do.
See more »
Let's get one thing straight at the start - the Brits aren't very good at sex. Obviously we're good enough to procreate and what have you, but when it comes to movies, we don't have a clue. What's more, we still have a strong streak of the Victorian puritan ethic running through us. This accounts for the fact that, in the period running up to Bound's cinema release, certain British newspapers hyped up the explicit lesbian content with a kind of outraged glee.
And, of course, when someone says "Disgusting - it ought to be banned!" then you want to see it all the more, don't you? So there I am, looking forward to a little girl on girl action (and it's there alright, filmed in tasteful arty stark contrast), and what do I get? A bloody good crime thriller, that's what.
There are many comments here, so I'll just say two things.
One, this is not the outrageous lesbian free-for-all which it was made out to be by certain elements of the British press. The relationship between the two women is absolutely essential to the credibility of what follows.
And, two, this is a film which you watch for the first time in a state of almost unbearable stress. I do not recall ever seeing another film in which extreme tension is maintained so well for such a sustained period.
23 of 27 people found this review helpful.
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Let's get one thing straight at the start - the Brits aren't very good at sex. Obviously we're good enough to procreate and what have you, but when it comes to movies, we don't have a clue. What's more, we still have a strong streak of the Victorian puritan ethic running through us. This accounts for the fact that, in the period running up to Bound's cinema release, certain British newspapers hyped up the explicit lesbian content with a kind of outraged glee.
And, of course, when someone says "Disgusting - it ought to be banned!" then you want to see it all the more, don't you? So there I am, looking forward to a little girl on girl action (and it's there alright, filmed in tasteful arty stark contrast), and what do I get? A bloody good crime thriller, that's what.
There are many comments here, so I'll just say two things.
One, this is not the outrageous lesbian free-for-all which it was made out to be by certain elements of the British press. The relationship between the two women is absolutely essential to the credibility of what follows.
And, two, this is a film which you watch for the first time in a state of almost unbearable stress. I do not recall ever seeing another film in which extreme tension is maintained so well for such a sustained period.