Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to ... See full summary »
A young war reenactor makes a friend on the battlefield who helps him use strategy to take on his high school enemy. Driven by newfound confidence, he seduces the friend's fetching older ... See full summary »
Bobby, the youngest boy in an Irish Catholic family, is gay and his coming out to his brothers and the family's way of dealing with the news is the basis of this film.
Director:
Pete Jones
Stars:
Pete Jones,
Nathan Fillion,
Stoney Westmoreland
The story of Irena Sendler, a social worker who was part of the Polish underground during World War II and was arrested by the Nazis for saving the lives of nearly 2,500 Jewish children by smuggling them out of the Warsaw ghetto.
Director:
John Kent Harrison
Stars:
Anna Paquin,
Marcia Gay Harden,
Goran Visnjic
The story is about a man, Bruce Hickman, and his relationship with another man, Frank, the thing that they have in common is the relation with a deaf person. With this relation the ... See full summary »
Director:
Brendan Murphy
Stars:
David Strathairn,
Nicky Katt,
Stacy Edwards
The second season of Matt Damon and Ben Affleck's movie making reality series goes a different route when it's two professionals realizing their vision on screen instead of just one: writer and director.
The true story of Paul Potts, a shy, bullied shop assistant by day and an amateur opera singer by night who became a phenomenon after being chosen for -- and ultimately winning -- Britain's Got Talent (2007).
Director:
David Frankel
Stars:
James Corden,
Alexandra Roach,
Julie Walters
Pete, an eight-year-old Catholic boy growing up in the suburbs of Chicago in the mid-1970s, attends Catholic school, where as classes let out for the summer, he's admonished by a nun to follow the path of the Lord, and not that of the Devil. Perhaps taking this message a bit too seriously, Pete decides it's his goal for the summer to help someone get into heaven; having been told that Catholicism is the only sure path to the kingdom of the Lord, Pete decides to convert a Jew to Catholicism in order to improve their standing in the afterlife. Hoping to find a likely candidate, Pete begins visiting a nearby synagogue, where he gets to know Rabbi Jacobson, who responds to Pete's barrage of questions with good humor. Pete also makes friends with the Rabbi's son, Danny, who is about the same age; when he learns that Danny is seriously ill, he decides Danny would be an excellent choice for conversion. When the priest at Pete's church informs Pete that all will be tested before they pass the... Written by
Anonymous
SMILE
Performed by The Jayhawkers
Written by Gary Louris
Published by Warner-Tamerlane Publishing Corp. (BMI) and Absinthe Music (BMI)
Courtesy of American by arrangement with Sony Music Licensing See more »
Having finally seen `Stolen Summer' I was more surprised than anyone to find the film extremely fetching. I thought it was well made and well acted. It was written and directed by a total novice, Pete Jones, who won a contest- as silly as that sounds. There are scenes that can be called schmaltzy but they seem to fit in with the mood of the picture and feel deserved; they're not simply tacked on as emotional buttons like in lesser screenplays. I hate watching kids in movies because they usually go hand and hand with loud noises and special effects. However, this screenplay gives these kids some heavy-duty subject matter to explore and their performances are intriguing. One might complain the film doesn't have any visual flair or creative camera angles and such. I think the film captures the austere sluggishness of the 1970's rather well.
After reading the external reviews for this movie I had to write a comment. One would think all the nation's critics united against this film. One reviewer said `There are probably at least nine people who will sit all the way through the well-meaning but inert `Stolen Summer'. What's that mean? Did the guy watch twenty minutes of it and split? Are professional critics allowed to do that? I find that incredibly aggravating. I think all people involved in the film business are eventually driven to this kind of cynicism and contempt. I myself was rather turned off watching `Project Greenlight' on HBO. I realize making movies is an expensive enterprise but there's got to be a better way next time than what Jones went through. They had his you-know-what's in a vice the entire time and treated him like he was just touring Universal Studios for the day. I guess Hollywood is finally letting us in on their secret that any schmuck off the street can make a movie because in the end it's the executives who really make all the decisions. The director might as well devote his time to the catering concerns.
14 of 18 people found this review helpful.
Was this review helpful to you?
Having finally seen `Stolen Summer' I was more surprised than anyone to find the film extremely fetching. I thought it was well made and well acted. It was written and directed by a total novice, Pete Jones, who won a contest- as silly as that sounds. There are scenes that can be called schmaltzy but they seem to fit in with the mood of the picture and feel deserved; they're not simply tacked on as emotional buttons like in lesser screenplays. I hate watching kids in movies because they usually go hand and hand with loud noises and special effects. However, this screenplay gives these kids some heavy-duty subject matter to explore and their performances are intriguing. One might complain the film doesn't have any visual flair or creative camera angles and such. I think the film captures the austere sluggishness of the 1970's rather well.
After reading the external reviews for this movie I had to write a comment. One would think all the nation's critics united against this film. One reviewer said `There are probably at least nine people who will sit all the way through the well-meaning but inert `Stolen Summer'. What's that mean? Did the guy watch twenty minutes of it and split? Are professional critics allowed to do that? I find that incredibly aggravating. I think all people involved in the film business are eventually driven to this kind of cynicism and contempt. I myself was rather turned off watching `Project Greenlight' on HBO. I realize making movies is an expensive enterprise but there's got to be a better way next time than what Jones went through. They had his you-know-what's in a vice the entire time and treated him like he was just touring Universal Studios for the day. I guess Hollywood is finally letting us in on their secret that any schmuck off the street can make a movie because in the end it's the executives who really make all the decisions. The director might as well devote his time to the catering concerns.