An unconventional single mother relocates with her two daughters to a small Massachusetts town in 1963, where a number of events and relationships both challenge and strengthen their familial bonds.
Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
In order to get out of the snobby clique that is destroying her good-girl reputation, an intelligent teen teams up with a dark sociopath in a plot to kill the cool kids.
Director:
Michael Lehmann
Stars:
Winona Ryder,
Christian Slater,
Shannen Doherty
A depressed housewife whose husband is having an affair contemplates suicide, but changes her mind when she faces death by a killer hired to do her in.
After yet another failed relationship, Mrs. Flax (Cher) ups her family to the east coast to start all over again. Reluctantly dragged along with her is her daughter Charlotte - going through a very confusing time of her life - who wants to become a nun, and instead falls in love with a quiet, mild-mannered church employee, to the mixed response of her mother. Set at around the time of the Kennedy Assassination. Written by
Paul Skerry <pauls@miles33.co.uk>
If You Wanna Be Happy
Written by Frank Guida (as Frank J. Guida), Carmela Guida & Joseph Royster
Performed by Jimmy Soul
Courtesy of Frank Guida Productions/Legrande-SPQR Records See more »
Every shot, every nuance in this film is just right. That's mostly Richard Benjamin's doing, but the great cast got inspired -- maybe by the glowing fall colours, maybe by the nostalgic fashions of 1963 -- to really outdo themselves.
Richard Benjamin's direction deserves extra credit because he was not filming his own autobiography, the way François Truffaut was in 1959. Similarities in the two storylines encompass more than just the awkwardness of adolescence. (Charlotte watches the Singing Nun on television, while Antoine lights a candle before a holy image of Balzac.)
Cher is as good as she was earlier in "Moonstruck", while Winona exceeds her performance in "Welcome Home, Roxy Carmichael". And they both prove they can be pretty in pink.
Bob Hoskins and Cher have a genuine chemistry. Who ever would have predicted that they would make the ideal romantic couple?
If there's a better, truer, or funnier story of a girl's coming of age, I haven't been lucky enough to see it.
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(Small-town Massachusetts fills in for Paris.)
Every shot, every nuance in this film is just right. That's mostly Richard Benjamin's doing, but the great cast got inspired -- maybe by the glowing fall colours, maybe by the nostalgic fashions of 1963 -- to really outdo themselves.
Richard Benjamin's direction deserves extra credit because he was not filming his own autobiography, the way François Truffaut was in 1959. Similarities in the two storylines encompass more than just the awkwardness of adolescence. (Charlotte watches the Singing Nun on television, while Antoine lights a candle before a holy image of Balzac.)
Cher is as good as she was earlier in "Moonstruck", while Winona exceeds her performance in "Welcome Home, Roxy Carmichael". And they both prove they can be pretty in pink.
Bob Hoskins and Cher have a genuine chemistry. Who ever would have predicted that they would make the ideal romantic couple?
If there's a better, truer, or funnier story of a girl's coming of age, I haven't been lucky enough to see it.