Dumbo (1941) 7.3
Ridiculed because of his enormous ears, a young circus elephant is assisted by a mouse to achieve his full potential. |
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Dumbo (1941) 7.3
Ridiculed because of his enormous ears, a young circus elephant is assisted by a mouse to achieve his full potential. |
|
Watch Trailer 0Share... |
Uncredited cast: | |||
James Baskett | ... |
Crow
(voice) (uncredited) (unconfirmed)
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Herman Bing | ... |
The Ringmaster
(voice) (uncredited)
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Billy Bletcher | ... |
Clown
(voice) (uncredited)
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Edward Brophy | ... |
Timothy Q. Mouse
(voice) (uncredited)
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Jim Carmichael | ... |
Crow
(voice) (uncredited)
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Hall Johnson Choir | ... |
Choral Sounds
(uncredited)
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Cliff Edwards | ... |
Jim Crow
(voice) (uncredited)
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Verna Felton | ... |
The Elephant Matriarch /
Mrs. Jumbo
(voice) (uncredited)
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Noreen Gammill | ... |
Catty the Elephant
(voice) (uncredited)
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Eddie Holden | ... |
Clown
(voice) (uncredited)
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Sterling Holloway | ... |
Mr. Stork
(voice) (uncredited)
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Malcolm Hutton | ... |
Skinny
(voice) (uncredited)
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The King's Men | ... |
Choral Effects
(uncredited)
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Harold Manley | ... |
Boy
(voice) (uncredited)
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John McLeish | ... |
Narrator
(voice) (uncredited)
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The stork delivers a baby elephant to Mrs. Jumbo, veteran of the circus, but the newborn is ridiculed because of his truly enormous ears and dubbed "Dumbo". After being separated from his mother, Dumbo is relegated to the circus' clown acts; it is up to his only friend, a mouse, to assist Dumbo to achieve his full potential. Written by Tim Pickett <quetzal@yoyo.cc.monash.edu.au>
Disney had spent vastly more money than he'd planned on "Pinnochio" and "Fantasia", and got little of it back. "Dumbo", next off the rank, was made cheaply, quickly, without fuss. The result is simple but handsome. However handsome "Dumbo" looks, the animation is not very detailed, character design is hardly adventurous, the colours are few but bright, and in an hour it's over. It needn't be more than this, though: the story is far from complicated. It is, I'll admit, a story that has made me cry more than once; and in this instance I don't feel that I've been cheated into crying, because there really is something poignant and heartbreaking about this ugly duckling variant.
Like Hans Andersen, Disney has to pad the outfit a bit to make it fill the space available; yet, with the exception of the introductory bit with the storks, it doesn't feel like padding. In fact the most gratuitous piece of padding is the most necessary. I refer to the pink elephants sequence: a masterpiece of extended unreality (caused by such a tiny quantity of champagne!) which dazzles and sizzles and all but soars out of the screen. It's the sting in Dumbo's tail, and nothing produced since can match its verve.