Neil Jordan's historical biopic of Irish revolutionary Michael Collins, the man who led a guerrilla war against the British and who negotiated Ireland's independence in the 1920s.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. ... See full summary »
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Director:
Neil Jordan
Stars:
Cillian Murphy,
Morgan Jones,
Eva Birthistle
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
A butler who sacrificed body and soul to service in the years leading up to World War II realizes too late how misguided his loyalty was to his lordly employer.
Director:
James Ivory
Stars:
Anthony Hopkins,
Emma Thompson,
John Haycraft
An unlikely kind of friendship develops between Fergus, an Irish Republican Army volunteer, and Jody, a kidnapped British soldier lured into an IRA trap by Jude, another IRA member. When the hostage-taking ends up going horribly wrong, Fergus escapes and heads to London, where he seeks out Jody's lover, a hairdresser named Dil. Fergus adopts the name "Jimmy" and gets a job as a day laborer. He also starts seeing Dil, who knows nothing about Fergus' IRA background. But there are some things about Dil that Fergus doesn't know, either... Written by
Eugene Kim <genekim@concentric.net>
Producer Stephen Woolley owned a repertory cinema in London called the "Scala", when there were funding issues with the film Woolley ended up borrowing money from the Scala to keep the production afloat. See more »
Goofs
Dil's hair during the first scene taking place in the Metro. See more »
Quotes
[first lines]
Jody:
[playing ring toss at a carnival]
Right.
[tosses a ring]
Jody:
That.
[tosses a ring]
Jody:
And that. And that is cricket, hon.
Jody:
[wins a large teddy bear]
Do you want it?
Jude:
Sure!
Jody:
[hands her the teddy bear]
Doesn't matter if you don't. You know I won't be offended. Jody's never offended. What'd you say your name was?
Jude:
Jude.
[...] See more »
Let The Music Play
Composed by Chris Barbarosa and Ed Chisolm
By Kind Permission of Shapiro Bernstein & Co Ltd./Emergency Music Ltd.
Performed by Carol Thompson
Produced by Pet Shop Boys
Recording Courtesy of Spaghetti Recordings Ltd. See more »
Here is a really deep & touching movie. Dil sings (& moves her hands about like a classical Indian dancer rather distractingly) "I know all about the crying game" we know that she knows. It drips out of her voice, it rolls down her cheek, it stares out of her eyes. She knows she has lost her best chance in life - the only man to love her was killed in Ireland. Yet when she meets Stephen Rea the man who, unknown to her, was responsible for her lover's (Forest Whitaker) death in Ireland, hope again rises in her. She will hold on to Rea for her life for in him she sees a 'gentleman' very like Whitaker. But Rea is not the only one with a secret. Dil has one too & that gives the movie the tension, irony & ultimately the tragedy which sets it apart from any IRA/ star-crossed lovers/ hostage drama that I have seen. When Dil tells Rea that she knows he is lying but all the same she likes to hear him say that he loves her it moves everyone in the audience.
The performances (Adrian Dunbar as the ruthless leader, Miranda Richardson as the cold, teasing assassin & Jim Broadbent as the bartender, not to mention Rea, Dil & Whitaker) are brilliant, the atmosphere is electric & the score is haunting. The only points that rankle are Whitaker's dream-sequence appearances looking like a model in a detergent ad & Dil's suddenly-acquired shooting skills which brings the movie to its horrific climax.
A brilliant movie with layers & layers of depth, & comparable to Jordan's earlier 'Mona Lisa'. That is saying a lot because Mona Lisa walks into my Top 50 movies without even knocking!
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Here is a really deep & touching movie. Dil sings (& moves her hands about like a classical Indian dancer rather distractingly) "I know all about the crying game" we know that she knows. It drips out of her voice, it rolls down her cheek, it stares out of her eyes. She knows she has lost her best chance in life - the only man to love her was killed in Ireland. Yet when she meets Stephen Rea the man who, unknown to her, was responsible for her lover's (Forest Whitaker) death in Ireland, hope again rises in her. She will hold on to Rea for her life for in him she sees a 'gentleman' very like Whitaker. But Rea is not the only one with a secret. Dil has one too & that gives the movie the tension, irony & ultimately the tragedy which sets it apart from any IRA/ star-crossed lovers/ hostage drama that I have seen. When Dil tells Rea that she knows he is lying but all the same she likes to hear him say that he loves her it moves everyone in the audience.
The performances (Adrian Dunbar as the ruthless leader, Miranda Richardson as the cold, teasing assassin & Jim Broadbent as the bartender, not to mention Rea, Dil & Whitaker) are brilliant, the atmosphere is electric & the score is haunting. The only points that rankle are Whitaker's dream-sequence appearances looking like a model in a detergent ad & Dil's suddenly-acquired shooting skills which brings the movie to its horrific climax.
A brilliant movie with layers & layers of depth, & comparable to Jordan's earlier 'Mona Lisa'. That is saying a lot because Mona Lisa walks into my Top 50 movies without even knocking!