The daughter of a wealthy real estate broker falls in love with a younger man, who introduces her to B&D and S&M. Using her newly awakened sexual prowess, she finally takes charge of her own life.
A HALLOWEEN-style slasher for the digital age, it follows a beautiful young college student who, needing money for tuition, moves into a house that streams content to an X-rated website. ... See full summary »
When a bachelor party and a bachelorette party cross paths in Vegas, only the best man and the maid of honor can save their friends from a night of epic "mistakes."
Directors:
Maximilian Elfeldt,
Jeff Newman
Stars:
Andrew Bongiorno,
Skyler Yeast,
Phillip Andre Botello
A wealthy real estate developer takes a young woman from an everyday mundane life and shows her a world of decadence and debauchery that pushes her sexual limits to the brink.
Director:
Zalman King
Stars:
Malena Morgan,
Christos Vasilopoulos,
Kayla Jane
A series of cryptic phone messages and visions haunt a writer while he struggles to finish a novel. As they increase in intensity, he loses his grip on reality, eventually obsessing over an... See full summary »
After a tragic accident Grace is lost and alone in the Smoky Mountains. Grace's struggle for survival is made more complicated by her troubled past. Battling the demons in her mind may be the only way to come out alive.
Director:
Jeremy Benson
Stars:
Charisma Carpenter,
Juliet Reeves London,
Jeremy London
Bruce Willis stars in this Sci-Fi thriller about ultimate resort: VICE, where customers can play out their wildest fantasies with artificial inhabitants who look like humans.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack... See full summary »
A stranger breaks into the house of a couple, ties up the husband and, having a whole weekend at his hand, plays a slow game with the woman, a game of threats, fear, obedience - and intimacy.
It is 2020 and the apocalypse is inevitable. 12 of 13 Crystal skulls are united causing catastrophic events. Only the 13th Skull can theoretically restore order before the Earth is destroyed from within by their power.
When Gretel falls under a dark spell and organizes a coven of witches, Hansel must find the courage to fight his twin sister and the sinister forces controlling her.
A neo-noir revenge thriller centering on Julia Shames, who after suffering a brutal trauma, falls prey to an unorthodox form of therapy to restore herself.
Director:
Matthew A. Brown
Stars:
Ashley C. Williams,
Tahyna Tozzi,
Jack Noseworthy
The daughter of a wealthy real estate broker falls in love with a younger man, who introduces her to B&D and S&M. Using her newly awakened sexual prowess, she finally takes charge of her own life.
IMDb readers of the present and future may well look at the low rating --2 -- and think that this reviewer is perhaps being harsh...? However, in fairness, I will note that, if you take the time to research the IMDb reviews of other productions where Jared Cohn has acted as both writer and director, you will discover even lower ratings than that number associated with his work.
The story deals with the "older" daughter of a successful businessman who gets involved with a sexual partner who attempts to bring out aspects of her sexuality (BDSM) with which she, presumably, was not already familiar.
Brought to you by the same team that gave you BIKINI SPRING BREAK (among others) and starring the irrepressible Daniel Baldwin (whom, one reviewer noted, seemed to be reading his lines off cue cards he had never seen before), the most interesting thing about the film is the casting of Charisma Carpenter in the lead.
For those visiting from another planet, TV is the 90s was dominated by the emergence of a young auteur named Joss Whedon (yes, the same Joss Whedon who gave new life to the Marvel library in his Avengers I script).
Whedon, by the end of that decade, had not one but two breakout hits on his hands, each handled by a different network -- (Buffy and Angel)-- and each prominently featured Capenter.
In other words, you could not miss her even if you wanted to. And no one wanted to. She was perky, fun, gorgeous, and memorable.
The prevailing view is that Carpenter's career since those days has been somewhat problematic, and an argument can be made that this effort is yet another attempt to recapture her glory days and reconnect with former fans.
As for the production itself, it features the standard levels of quality that Cohn and his company, Asylum, are known for -- perfectly lit sets starring exceptionally good looking people in static (low movement) environments with lots of head and shoulders framing.
Where the director wants the audience to really "get" that something important is happening on-screen, he will attempt to do this via a change in the lighting, as opposed to the more traditional ways (such as through the dialog or the acting).
That technique, in real life, is just as effective as it sounds.
Really and truly, for Carpenter fans only.
40 of 52 people found this review helpful.
Was this review helpful to you?
IMDb readers of the present and future may well look at the low rating --2 -- and think that this reviewer is perhaps being harsh...? However, in fairness, I will note that, if you take the time to research the IMDb reviews of other productions where Jared Cohn has acted as both writer and director, you will discover even lower ratings than that number associated with his work.
The story deals with the "older" daughter of a successful businessman who gets involved with a sexual partner who attempts to bring out aspects of her sexuality (BDSM) with which she, presumably, was not already familiar.
Brought to you by the same team that gave you BIKINI SPRING BREAK (among others) and starring the irrepressible Daniel Baldwin (whom, one reviewer noted, seemed to be reading his lines off cue cards he had never seen before), the most interesting thing about the film is the casting of Charisma Carpenter in the lead.
For those visiting from another planet, TV is the 90s was dominated by the emergence of a young auteur named Joss Whedon (yes, the same Joss Whedon who gave new life to the Marvel library in his Avengers I script).
Whedon, by the end of that decade, had not one but two breakout hits on his hands, each handled by a different network -- (Buffy and Angel)-- and each prominently featured Capenter.
In other words, you could not miss her even if you wanted to. And no one wanted to. She was perky, fun, gorgeous, and memorable.
The prevailing view is that Carpenter's career since those days has been somewhat problematic, and an argument can be made that this effort is yet another attempt to recapture her glory days and reconnect with former fans.
As for the production itself, it features the standard levels of quality that Cohn and his company, Asylum, are known for -- perfectly lit sets starring exceptionally good looking people in static (low movement) environments with lots of head and shoulders framing.
Where the director wants the audience to really "get" that something important is happening on-screen, he will attempt to do this via a change in the lighting, as opposed to the more traditional ways (such as through the dialog or the acting).
That technique, in real life, is just as effective as it sounds.
Really and truly, for Carpenter fans only.