Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his ... See full summary »
We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
JR has broken up with her professor. She enlists her nervous and obnoxious younger brother Colin to take a short road trip in order to help move out her belongings. They bicker and fight, ... See full summary »
Director:
Alex Ross Perry
Stars:
Carlen Altman,
Bob Byington,
Kate Lyn Sheil
In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
Director:
Patrick Brice
Stars:
Adam Scott,
Taylor Schilling,
Jason Schwartzman
A young Scottish man travels across America in pursuit of the woman he loves, attracting the attention of an outlaw who is willing to serve as a guide.
Director:
John Maclean
Stars:
Kodi Smit-McPhee,
Michael Fassbender,
Ben Mendelsohn
A jaded Japanese woman discovers a hidden copy of Fargo (1996) on VHS, believing it to be a treasure map indicating the location of a large case of money.
Director:
David Zellner
Stars:
Rinko Kikuchi,
Nobuyuki Katsube,
Shirley Venard
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
Director:
Olivier Assayas
Stars:
Juliette Binoche,
Kristen Stewart,
Chloë Grace Moretz
A cattle herder and his family who reside in the dunes of Timbuktu find their quiet lives -- which are typically free of the Jihadists determined to control their faith -- abruptly disturbed.
Sam and Jonathan, a pair of hapless novelty salesman, embark on a tour of the human condition in reality and fantasy that unfold in a series of absurdist episodes.
Director:
Roy Andersson
Stars:
Holger Andersson,
Nils Westblom,
Viktor Gyllenberg
Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his own indifference to promoting the novel. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject: himself. Written by
Production
Electronically speaking, consider this film as a faulty, analogous low pass filter which should ideally pass all lower frequencies in a system and attenuate everything above a specific cut-off point, but in actuality doesn't attenuate any. The filter here is the central character Philip (Jason Schwartzman), the low frequencies are the witty dialogs, humor, Elisabeth Moss, & creative writing niceties, while the higher frequencies (which should have been done away with) are the blown-off storyline, shaky camera work, pretentious drama, & half-baked supporting characters.
Telling a story of a two-book old grim writer, the film takes you on an incessant expedition with him while he follows his path to find wisdom & peace, yet produces ounces of snobbery wherever he goes. He is then mentored by another snob (played well by Pryce) who is a pretentious writer reminding us of Shaw or Hemingway, in ways. In the end, they advice each other so abundantly that without having pressed the button, they self-destruct. Amateur director Alex Perry uses cliché to perhaps celebrate his rookieness. It is evident from the first scene that he is a good writer of dialogs, which remains the best compared to any of the films I have seen in months. But, it is in the second half that you realize that the story doesn't move an inch forward with only dialogs as its fuel. It requires substance, and that is what the film lacks.
BOTTOM LINE: Alex Perry's fourth feature is a cloudy attempt at a story that fictionalizes the last thing that should be fictionalized, which is "writerhood." (for lack of a better word). Pleasure yourself with those conversations, for they are amazingly quotable.
Can be watched with a typical Indian family? YES
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Electronically speaking, consider this film as a faulty, analogous low pass filter which should ideally pass all lower frequencies in a system and attenuate everything above a specific cut-off point, but in actuality doesn't attenuate any. The filter here is the central character Philip (Jason Schwartzman), the low frequencies are the witty dialogs, humor, Elisabeth Moss, & creative writing niceties, while the higher frequencies (which should have been done away with) are the blown-off storyline, shaky camera work, pretentious drama, & half-baked supporting characters.
Telling a story of a two-book old grim writer, the film takes you on an incessant expedition with him while he follows his path to find wisdom & peace, yet produces ounces of snobbery wherever he goes. He is then mentored by another snob (played well by Pryce) who is a pretentious writer reminding us of Shaw or Hemingway, in ways. In the end, they advice each other so abundantly that without having pressed the button, they self-destruct. Amateur director Alex Perry uses cliché to perhaps celebrate his rookieness. It is evident from the first scene that he is a good writer of dialogs, which remains the best compared to any of the films I have seen in months. But, it is in the second half that you realize that the story doesn't move an inch forward with only dialogs as its fuel. It requires substance, and that is what the film lacks.
BOTTOM LINE: Alex Perry's fourth feature is a cloudy attempt at a story that fictionalizes the last thing that should be fictionalized, which is "writerhood." (for lack of a better word). Pleasure yourself with those conversations, for they are amazingly quotable.
Can be watched with a typical Indian family? YES