In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what ... See full summary »
The sudden reappearance of his best friend Toni, after ten years absence, causes Chris to remember his past, to question some of his lifestyle decisions and to re-evaluate his life and marriage to Marion.
Bobby Platt is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange old man who ... See full summary »
A transsexual punk-rock girl from East Berlin tours the U.S. with her band as she tells her life story and follows the former lover/band-mate who stole her songs.
Director:
John Cameron Mitchell
Stars:
John Cameron Mitchell,
Miriam Shor,
Stephen Trask
A believable telling of the life of Mary, the chosen by God, mother of Christ. The story follows Mary before conception, at the revealing of the impending birth by the angel Gabrie, and ... See full summary »
Director:
Kevin Connor
Stars:
Christian Bale,
Pernilla August,
Melinda Kinnaman
1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the role he created for himself, he plots his own murder. When his fans discover that the murder is not real, his star falls and he is forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glamrock hero. Written by
Jack Fairy
When Jerry Devine (Eddie Izzard) is proposing a project to Curt Wild, Curt says "Heroin was my main man, but now I'm on the methadone and I'm getting my act together and you come here and say you wanna help, and I say hey, far out. You could be my Main Man." This is a clever hint to the name of David Bowie's manager Tony Defries' management company, MainMan, which signed Iggy Pop and later Lou Reed on Bowie's insistence. See more »
Goofs
During the circus interview (1:05:14), a reporter asks "Is it your belief that all dandies are homosexual?" to which Brian Slade replies, "Nothing makes one so vain as being told one is a sinner." When the next day's newspaper is shown (1:07:42), Slade is quoted as saying "Nothing makes one so bold as being told one is a sinner." See more »
Avenging Annie
Written by Andy Pratt
Used by permission of EMI/April Music Inc.
Performed by Andy Pratt
Courtesy of Columbia Records by arrangement with Sony Music Licensing See more »
It is quite an extraordinary experience to sit through this film years after its controversial outing back in the distant 1998. Like many of the great pieces of art, or wine for that matter, time gives it that extra something that evolves its taste into something that you crave. The erotic innocence of the story is very much Oscar Wilde territory. Innocence, yes. - I've been arguing about it with some people about the inclusion of the word, if not the feeling, innocence in this context. I insist the word is perfectly fitting because at the end of this rainbow there is the longing for love. Ewan McGregor's cock is already famous the world over - and with reason - here it dangles across his frame like a child, unaware of his own nakedness. Jonathan Rhys Mayer is a delight. Strange to see him in feathers after "Match Point" and yet it makes a lot of sense. Christian Bale one day, will leave behind the pouting arrogance that is rapidly becoming his trademark - even as Batman - and come back to the glorious promise he insinuated here. All in all a triumph, Todd Haynes style.
75 of 91 people found this review helpful.
Was this review helpful to you?
It is quite an extraordinary experience to sit through this film years after its controversial outing back in the distant 1998. Like many of the great pieces of art, or wine for that matter, time gives it that extra something that evolves its taste into something that you crave. The erotic innocence of the story is very much Oscar Wilde territory. Innocence, yes. - I've been arguing about it with some people about the inclusion of the word, if not the feeling, innocence in this context. I insist the word is perfectly fitting because at the end of this rainbow there is the longing for love. Ewan McGregor's cock is already famous the world over - and with reason - here it dangles across his frame like a child, unaware of his own nakedness. Jonathan Rhys Mayer is a delight. Strange to see him in feathers after "Match Point" and yet it makes a lot of sense. Christian Bale one day, will leave behind the pouting arrogance that is rapidly becoming his trademark - even as Batman - and come back to the glorious promise he insinuated here. All in all a triumph, Todd Haynes style.