An English king comes to terms with his affection for his close friend and confidant, who finds his true honor by observing God's divine will rather than the king's.
Director:
Peter Glenville
Stars:
Richard Burton,
Peter O'Toole,
John Gielgud
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
When a naively innocent, aspiring actress arrives on the Broadway scene, she is taken under the wing of several theater veterans who mentor her to ultimate success.
Director:
Lowell Sherman
Stars:
Katharine Hepburn,
Douglas Fairbanks Jr.,
Adolphe Menjou
King Henry II (Patrick Stewart) keeps his wife, Eleanor (Glenn Close) locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have ... See full summary »
While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard "Baby."
Director:
Howard Hawks
Stars:
Katharine Hepburn,
Cary Grant,
Charles Ruggles
Christmas 1183--an aging and conniving King Henry II plans a reunion where he hopes to name his successor. He summons the following people for the holiday: his scheming but imprisoned wife, Queen Eleanor of Aquitaine; his mistress, Princess Alais, whom he wishes to marry; his three sons (Richard, Geoffrey, and John), all of whom desire the throne; and the young but crafty King Philip of France (who is also Alais' brother). With the fate of Henry's empire at stake, everybody engages in their own brand of deception and treachery to stake their claim. Written by
<jgp3553@excite.com>
On the first day of rehearsal, Katharine Hepburn slammed her thumb in a heavy iron door at the theatre, crushing the nail and causing a deep cut down the length of her hand. But she refused to go to the hospital and insisted on continuing with rehearsal. She also refused stitches, saying the wound would take too long to heal before shooting began. See more »
Goofs
After Henry asks for an annulment from Eleanor, he gets up from his chair, crosses the room, and leans forward against a stone pillar. When Eleanor follows him in the next shot, as she draws closer to him, he is standing in the middle of the room, nowhere near a pillar. See more »
I love this film. I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.
The essential plot is that it is 1183 and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine (played by Katherine Hepburn), who is in exile, and his sons to along with king of France, to Christmas dinner. Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful.
The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm. While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.
It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again.
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I love this film. I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.
The essential plot is that it is 1183 and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine (played by Katherine Hepburn), who is in exile, and his sons to along with king of France, to Christmas dinner. Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful.
The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm. While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.
It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again.