Baaria is Sicilian slang for Bagheria where Tornatore was born and this is an autobiographic epic of three generations in the Sicilian village where he was born.
Director:
Giuseppe Tornatore
Stars:
Francesco Scianna,
Margareth Madè,
Lina Sastri
Onoff is a famous writer who hasn't published any new books for quite some time and has become a recluse. When he is picked up by the police one stormy night, without any identification, ... See full summary »
Director:
Giuseppe Tornatore
Stars:
Gérard Depardieu,
Roman Polanski,
Sergio Rubini
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Director:
Giuseppe Tornatore
Stars:
Philippe Noiret,
Enzo Cannavale,
Antonella Attili
Matteo Scuro is a retired Sicilian bureaucrat (responsible mainly for the writing of birth certificates), a widower with five children, all of whom live on the mainland and hold responsible... See full summary »
Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. ... Written by
GMBaxter
Tim Roth can not, in fact, play the piano. He trained for six months to be able to "fake it" for the film. See more »
Goofs
When the passengers first see the Statue of Liberty, it is shown reflected in the sea. However, the reflection appears to be an image of the statue laid flat on the surface of the water, whereas a real reflection should appear to extend straight down below the surface. See more »
Quotes
[first lines]
Max:
I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. ...
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The Finger Breaker
(aka "Finger Buster")
Written by Ferdinand 'Jelly Roll' Morton (uncredited)
Performed by Ferdinand 'Jelly Roll' Morton (as 'Jelly Roll' Morton)
Edwin H. Morris & Co., a division of MPL Communications Inc.
Tempo-Music Publishing Company See more »
"The Legend of 1900" is not the most attractive title for a film and the Italian original, "The Legend of the Oceanic Pianist", is no better. in retrospect there is no title worthy of this film. The marquee should read simply "See This Film, Your Life Will Be Better for It."
The story, music, cinematography, direction and, I hazard to say, a near perfect performance by Tim Roth combine to make for a compelling film. The story is told with a poetic lyricism that is immediately captivating and that is more than enhanced by Lajos Koltai's well stated cinematography. Clarance Williams III's controlled overstatement as an unexpectedly nasty Jelly Roll Morton is the perfect contrast to Roth's underplayed and unworldly 1900.
The American release of the film is 125 minutes. The Italian release was 160 minutes. What are we missing. Maybe this shorter cut is better but I cannot forget the devastation that was wrought on "Once Upon A Time In America" for its 139 minute US theatrical release. I certainly would not be not adverse to being subjected to an additional 35 minutes of the film and judging for myself if it was too long.
Aside from its title the films only flaw is the exit song. After two hours of enthralling instrumentals the vocal on the exit song undercuts rather than underscores a masterful filmic experience.
...rmk
61 of 72 people found this review helpful.
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"The Legend of 1900" is not the most attractive title for a film and the Italian original, "The Legend of the Oceanic Pianist", is no better. in retrospect there is no title worthy of this film. The marquee should read simply "See This Film, Your Life Will Be Better for It."
The story, music, cinematography, direction and, I hazard to say, a near perfect performance by Tim Roth combine to make for a compelling film. The story is told with a poetic lyricism that is immediately captivating and that is more than enhanced by Lajos Koltai's well stated cinematography. Clarance Williams III's controlled overstatement as an unexpectedly nasty Jelly Roll Morton is the perfect contrast to Roth's underplayed and unworldly 1900.
The American release of the film is 125 minutes. The Italian release was 160 minutes. What are we missing. Maybe this shorter cut is better but I cannot forget the devastation that was wrought on "Once Upon A Time In America" for its 139 minute US theatrical release. I certainly would not be not adverse to being subjected to an additional 35 minutes of the film and judging for myself if it was too long.
Aside from its title the films only flaw is the exit song. After two hours of enthralling instrumentals the vocal on the exit song undercuts rather than underscores a masterful filmic experience.
...rmk