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Storyline
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of reviewing the play or cause the breakup of his marriage. Based on the Broadway play by Ira Levin. Written by
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Warner Bros. happily brings Broadway's 'choice' comedy to the screen!
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Did You Know?
Trivia
While talking about Broadway hits, Bob Hope's character mentions Mary, Mary, the film version of which Warner Bros. had turned into a Debbie Reynolds vehicle released later that same year.
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Quotes
Angela Ballantine:
Listen to this: Opening night report by Parker Ballentine. I think it's time for all us Transylvanian peasants to pick up our torches and march menacingly up to that castle on the hill because Dr. Frankenstein is making monsters again.
Charlotte Orr aka Charlie:
Marge, get me a drink.
Angela Ballantine:
This time, he's attached the arms and legs of 'Agamemnon' to the torso of 'Rebecca of Sunnybrook Farm.' S.P. Champlain has lead the creature over to the 46th Street Theater where it stumbled around for a few minutes and fell over dead.
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Crazy Credits
Ending: "The absolute End"
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BOB HOPE and LUCILLE BALL do okay in this mild comedy about a woman (Lucy) who decides to show her theater critic hubby (Hope) that she can create a play based on her family relatives.
RIP TORN is amusing as the director of Lucy's play, working on it night and day to put it into shape while Hope seethes with jealousy. Meanwhile, his ex-wife, MARILYN MAXWELL, is around often enough to keep Lucy irate enough.
The friction between theater critic and playwright comes to life whenever they trade barbs. The comedy aspects fall flat once in awhile with the more serious moments given more emphasis than usual in a Bob Hope/Lucille Ball comedy.
JESSIE ROYCE LANDIS does nicely as Hope's mother. This isn't the typical fare expected of Hope or Ball, but it has its moments where the plot elements have more dimension than usual in a caper of this sort.
Hope has his usual one-liners.
"What are you trying to do--drown your troubles?" a bartender asks him.
"No, I'm just teaching them how to swim."