1900 (1976)
"Novecento" (original title)

The cast list alone is fabulous:Burt Lancaster, Sterling Hayden, Robert De Niro, Donald Sutherland, Gerard Depardieu, the best of Italian artists, the incandescent Dominque Sanda, at her prime. The production team: Bertolucci as director, the DOP is Storaro, the music by Ennio Morricone. How much would such a production cost today? $100 million? $200 million? How could you fail with such a line up? Well the film was long, and there were several versions around. It played at art houses in two parts. It was a co-production, (always an ominous sign) still there isn't a DVD available. (Although I saw a laser disc version in Jakarta some 7 years ago which I taped). Is the film beautiful? Yes. Does it sound wonderful? Yes. Does it deal with large important themes across generations? Yes. So how come it doesn't knock everybody's socks off? It should, that much I believe. Its themes of socialism/communism versus fascism across 50 years or so of Italian history don't sit well with American audiences. The two political systems are personified by two sons of the estate, one rich, one poor.Such a subtle (Or not if you are from North Zanesville)device is difficult to reconcile if you are used to a hamburger menu. Many audiences want a such a simple menu- a guy falls in love, gets married, the mob kill her, he takes revenge and kills the mob. Life is a hamburger. But we in Europe know that Life is not like that, it comes with grey areas, imperfections, flaws,nuances.

So the first disagreement is about politics. The second is the length of the movie; what actually are you watching, and where can you get the real longest possible version? That again nobody seems to know. The third is the lack of a DVD. That would make money and re-establish the film as a classic among the video stores to all the believers and make a new audience fall in love with this flawed masterpiece. Flawed, but still a masterpiece. So many people have not heard about it, so they don't know any better. There are some staggeringly beautiful shots that have lingered in my mind for 28 years- pure Storaro, many shot in golden hour- the boy with frogs in his hat, the countryside estate,the hunchback jester moaning about the death of Verdi,all accompanied by a typical Morricone oboe-driven melody with great intelligence and pride. Bravissimo!