A Real Young Girl
(1976)
|
|
0Share... |
A Real Young Girl
(1976)
|
|
0Share... |
Credited cast: | |||
Charlotte Alexandra | ... |
Alice Bonnard
|
|
Hiram Keller | ... |
Pierre-Evariste Renard /
'Jim' /
'Earthworm Jim'
|
|
Rita Maiden | ... |
Mrs. Bonnard
(as Rita Meiden)
|
|
Bruno Balp | ... |
Mr. Bonnard
|
|
Georges Guéret | ... |
Martial
(as Georges Gueret)
|
|
Shirley Stoler | ... |
Grocer in Aupom
|
|
Rest of cast listed alphabetically: | |||
Thierry Roland | ... |
TV commentator
(voice) (archive footage)
|
August, 1963; Alice, 14, an only child, and physically well developed, is home for vacation. She's moody, silent, keeps a diary, and explores tactile sensations with broken eggs, candle wax, ear wax, vomit, urine, blood, and, perhaps, if the summer goes in one very possible direction, semen. Without her underpants, she walks about, rides her bike, and sits on the shore as the tide comes in. She drifts to her father's sawmill and makes eyes at Jim, a 20-something hand with a lean body and a model's face. What will Jim do, and does Alice want to do more than stare and fantasize? Meanwhile, pop music fills the air and the TV screen, and Alice's parents have their own drama. Written by <jhailey@hotmail.com>
This is Catherine Breillat's directorial debut. She also wrote the screenplay from her novel published the year before.
One may be initially confused about the fact that it was made in 1976, but not released until over 20 years later. No, it is not a video nasty, but it was banned in France and only when films like Salo or Boise Moi got released, were we able to see this film.
Breillat is not for everybody. The sex in her films is in-your-face. You have to look at them with an open mind. They have an artistic value and should be seen for that.
The film, about a 14-year-old's self discovery stars voluptuous Charlotte Alexandra, who would later appear in Emmanuelle 3. She explores her body with the boredom and recklessness of a teen, and wonders about the studs that she comes into contact with. She fantasizes at times, even about her own father. It was just too frank for the censors at the time.
This is not for the trench-coat crowd, as there is no sex, although her father (Bruno Balp) sure acts as if he would be willing. His smiles and touches are most unfatherly.
The ending was both funny and sad.