A New York City architect becomes a one-man vigilante squad after his wife is murdered by street punks in which he randomly goes out and kills would-be muggers on the mean streets after dark.
We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.
Director:
Michael Winner
Stars:
Charles Bronson,
Jill Ireland,
Vincent Gardenia
Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police detective to fight street crime caused by a large gang terrorizing the neighborhoods.
Architect/vigilante Paul Kersey takes on the members of a vicious Los Angeles drug cartel to stop the flow of drugs after his girlfriend's daughter dies from an overdose.
An action-packed thriller starring Charles Bronson as Jack Murphy, a cop who is running to stay alive long enough to even the score with his wife's killer.
Director:
J. Lee Thompson
Stars:
Charles Bronson,
Kathleen Wilhoite,
Carrie Snodgress
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up ... See full summary »
Director:
Walter Hill
Stars:
Charles Bronson,
James Coburn,
Jill Ireland
Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and... See full summary »
Director:
Peter R. Hunt
Stars:
Charles Bronson,
Lee Marvin,
Andrew Stevens
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
Director:
Michael Winner
Stars:
Charles Bronson,
Jack Palance,
James Whitmore
Open-minded architect Paul Kersey returns to New York City from vacationing with his wife, feeling on top of the world. At the office, his cynical coworker gives him the welcome-back with a warning on the rising crime rate. But Paul, a bleeding-heart liberal, thinks of crime as being caused by poverty. However his coworker's ranting proves to be more than true when Paul's wife is killed and his daughter is raped in his own apartment. The police have no reliable leads and his overly sensitive son-in-law only exacerbates Paul's feeling of hopelessness. He is now facing the reality that the police can't be everywhere at once. Out of sympathy his boss gives him an assignment in sunny Arizona where Paul gets a taste of the Old West ideals. He returns to New York with a compromised view on muggers... Written by
Don Hoffman
The bloody rag Ochoa gets out of Kersey's trash can is not the same one Kersey used on his wound. Kersey's back was stained with blood from the stabbing, and that rag got soaked with blood. Yet the rag Ochoa pulls out of the garbage is not stained with blood, there's just a small spot of it. See more »
Actresses Olympia Dukakis ('Cop at the Precinct') and Marcia Jean Kurtz as Marcia Jean-Kurtz ('Woman at Airport') get credited in opening credits only. There's no mention of them in the closing credits. See more »
"What do you call people who when they're faced with a condition of fear do nothing about it they just run and hide?" Paul Kersey.
This is one of my favorite films made from one of my favorite books. I lived in New York during the 1970's and can attest that crime was out of control then, the subways, parks and many streets were no man's land at night where you only went if you really had to or else you wanted to score dope, get a cheap hooker (or be one), or just for the thrill and danger. Police corruption had been so rampantly widespread for so long that there was no law and order and the thugs had taken over the night. If you question this just see Serprico and read that book which details how one honest cop almost died and was nearly buried by the massive tide of corrupt cops he was trying to expose, which was practically all the other cops. The majority of the people lived in fear of being in the streets at night and even many places during the day. Even if you packed heat that was no guarantee of anything, it wasn't uncommon to come across a gang of muggers all carrying guns, knives, baseball bats, etc. Most people in New York then were as Paul Kersey described only worse, not only did they run and hide from fear and danger but they ignored the suffering of others. New Yorkers had developed a reputation as cold and indifferent, which was fairly accurate. I remember a concert in Central Park where a girl was gang banged by a group of guys and hundreds of people just watched it, too afraid, too apathetic, or too vicariously sadistic to get involved. Someone even stole her clothes and she staggered around naked and bleeding in the rain. Things were not good and just about everybody in New York felt angry, alienated and helpless. People were sick of it all, the terrible Vietnam war, corrupt Richard Nixon, corrupt cops, corrupt everything, but they mostly were sick of being afraid and tired of living in fear.
Then the movie "Death Wish" came out. The theater was packed when I went, which surprised me, as I had already read the book and knew what it was about but how did these other people know, besides it was a matinée. I discovered why everyone was there when Paul Kersey shot his first mugger: the whole place exploded in screaming cheers and the cheers got more powerful and louder with each subsequent vigilante act. I had been to Yankees games and concerts where you hear screaming and cheers but nothing had the power of the cheers on that day. There was something wonderfully cathartic taking place, everyone in that audience who had ever been mugged or had been afraid of being mugged, which was virtually everyone, was delighting in having the tables turned. We felt safe, and were happy to see a somewhat soft spoken, average kind of a guy being played by Charles Bronson kick a*s for us, take out the bad guys. This was a new, radical concept back then, an open revenge film where an ordinary appearing guy beats the muggers at their own game. It was a great experience and we all felt like we too could be as tough as Charles Bronson, at least during that safe little reprieve within the theater.
Say what you will about the film, its technical shortcomings, you'd be hard pressed or less than honest to say that Charles Bronson didn't display his international appeal in this movie, the one that made him the world's biggest box office draw. He appears in this movie just like he was in real life, a quiet, unassuming kind of guy who really was tough, not the usual Hollywood tough guy who is so unconvincing because he can't fully hide his physical and character based qualities that are everything but a real, quiet, cool tough guy. Bronson was the real deal, just read about his earlier life if you want to know.
This film got a lot of negative reaction as being a crass and brutal revenge film, and other typical cavalier comments. The New Yorkers who lived it, all the ones I knew and the ones in the theater that day, loved it for what it was, a piece of cinematic magic to make us feel like we weren't afraid and would perhaps very soon never have to feel afraid again. If you've never been mugged or been afraid of being mugged it's very easy to tell others how they're suppose to react, what they're suppose to like, think, do, etc. But until you've lived in a real urban jungle, you'll never know the great release that a movie like "Death Wish" can bring you. It's strictly vicarious entertainment but what marvelous entertainment it is!
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"What do you call people who when they're faced with a condition of fear do nothing about it they just run and hide?" Paul Kersey.
This is one of my favorite films made from one of my favorite books. I lived in New York during the 1970's and can attest that crime was out of control then, the subways, parks and many streets were no man's land at night where you only went if you really had to or else you wanted to score dope, get a cheap hooker (or be one), or just for the thrill and danger. Police corruption had been so rampantly widespread for so long that there was no law and order and the thugs had taken over the night. If you question this just see Serprico and read that book which details how one honest cop almost died and was nearly buried by the massive tide of corrupt cops he was trying to expose, which was practically all the other cops. The majority of the people lived in fear of being in the streets at night and even many places during the day. Even if you packed heat that was no guarantee of anything, it wasn't uncommon to come across a gang of muggers all carrying guns, knives, baseball bats, etc. Most people in New York then were as Paul Kersey described only worse, not only did they run and hide from fear and danger but they ignored the suffering of others. New Yorkers had developed a reputation as cold and indifferent, which was fairly accurate. I remember a concert in Central Park where a girl was gang banged by a group of guys and hundreds of people just watched it, too afraid, too apathetic, or too vicariously sadistic to get involved. Someone even stole her clothes and she staggered around naked and bleeding in the rain. Things were not good and just about everybody in New York felt angry, alienated and helpless. People were sick of it all, the terrible Vietnam war, corrupt Richard Nixon, corrupt cops, corrupt everything, but they mostly were sick of being afraid and tired of living in fear.
Then the movie "Death Wish" came out. The theater was packed when I went, which surprised me, as I had already read the book and knew what it was about but how did these other people know, besides it was a matinée. I discovered why everyone was there when Paul Kersey shot his first mugger: the whole place exploded in screaming cheers and the cheers got more powerful and louder with each subsequent vigilante act. I had been to Yankees games and concerts where you hear screaming and cheers but nothing had the power of the cheers on that day. There was something wonderfully cathartic taking place, everyone in that audience who had ever been mugged or had been afraid of being mugged, which was virtually everyone, was delighting in having the tables turned. We felt safe, and were happy to see a somewhat soft spoken, average kind of a guy being played by Charles Bronson kick a*s for us, take out the bad guys. This was a new, radical concept back then, an open revenge film where an ordinary appearing guy beats the muggers at their own game. It was a great experience and we all felt like we too could be as tough as Charles Bronson, at least during that safe little reprieve within the theater.
Say what you will about the film, its technical shortcomings, you'd be hard pressed or less than honest to say that Charles Bronson didn't display his international appeal in this movie, the one that made him the world's biggest box office draw. He appears in this movie just like he was in real life, a quiet, unassuming kind of guy who really was tough, not the usual Hollywood tough guy who is so unconvincing because he can't fully hide his physical and character based qualities that are everything but a real, quiet, cool tough guy. Bronson was the real deal, just read about his earlier life if you want to know.
This film got a lot of negative reaction as being a crass and brutal revenge film, and other typical cavalier comments. The New Yorkers who lived it, all the ones I knew and the ones in the theater that day, loved it for what it was, a piece of cinematic magic to make us feel like we weren't afraid and would perhaps very soon never have to feel afraid again. If you've never been mugged or been afraid of being mugged it's very easy to tell others how they're suppose to react, what they're suppose to like, think, do, etc. But until you've lived in a real urban jungle, you'll never know the great release that a movie like "Death Wish" can bring you. It's strictly vicarious entertainment but what marvelous entertainment it is!