A dramatization of the real-life Johnson County War in 1890 Wyoming, in which a sheriff born into wealth attempts to protect immigrant farmers from rich cattle interests.
Michael Reynolds is a rich oncologist who has a $175,000 sports car, a multi-million dollar home, and a new boost in his career. Brandon 'Blue' Monroe is a dying patient who kidnaps ... See full summary »
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.
Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
An inside look at the hectic production of Heaven's Gate, the media circus that turned it into a synonym for movie flop and how it added to the tectonic change that occurred in Hollywood film studios after it infamously flopped.
In Michael Cimino's bleak anti-western based on events in 1890s Wyoming, Sheriff James Averill attempts to protect immigrant farmers from wealthy cattle interests, and also clashes with a hired gun, Nathan Champion, over the woman they both love. Both men find themselves questioning their roles in the furious conflict between wealthy landowners and European immigrants attempting to build new lives on the American frontier, which culminates in a brutal pitched battle. Written by
Bernard Keane <BKeane2@email.dot.gov.au>
John Hurt recalled filming one scene where he walks into town and observes a cockfight. He arrived onset and was told that the cockfight had been filmed two weeks prior. See more »
Goofs
After hours lying outdoors in temperate weather, Nathan's corpse is miraculously free of flies. See more »
Quotes
Captain Minardi:
Do you know what I really dislike about you, Jim? You're a rich man with a good name. You only pretend to be poor.
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An der schönen, blauen Donau (On the Beautiful Blue Danube), Op. 314
(as "The Blue Danube Waltz")
Music by Johann Strauß
Performed by Leonard Bernstein and the New York Philharmonic (as The New York Philharmonic Orchestra)
Waltz danced on the lawn and heard as a theme See more »
Until today, I thought there only three people, including me, who considered Heaven's Gate (1980)to be a masterpiece and perhaps the last great western, (since the 1970), after, Little Big Man (1970), Jeremiah Johnson (1972), The Outlaw Josey Wales (1976) and The Long Riders (1980).
I was stunned and pleased to see that 22.5% of those voting at IMDB rate this movie a 10, as do I. A recent book, the Worst Movies of All Time, includes Heaven's Gate. Through it's production and release it was vilified, as no movie since Cleopatra, almost twenty years before. At one time it was considered the most expensive over-budget movie of all time, surpassing even Cleopatra. It was blamed for the downfall of its studio, United Artists, until everyone finally saw all the studios were falling. Michael Cimino, fresh from his glory with the Deer Hunter was hated and despised for his success and movie making excess, but clearly, that was petty jealousy at its worst.
Cimino ended up fashioning one of the great expositions of the American experience. This film is not to be missed but any serious student of American filmmaking.
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Until today, I thought there only three people, including me, who considered Heaven's Gate (1980)to be a masterpiece and perhaps the last great western, (since the 1970), after, Little Big Man (1970), Jeremiah Johnson (1972), The Outlaw Josey Wales (1976) and The Long Riders (1980).
I was stunned and pleased to see that 22.5% of those voting at IMDB rate this movie a 10, as do I. A recent book, the Worst Movies of All Time, includes Heaven's Gate. Through it's production and release it was vilified, as no movie since Cleopatra, almost twenty years before. At one time it was considered the most expensive over-budget movie of all time, surpassing even Cleopatra. It was blamed for the downfall of its studio, United Artists, until everyone finally saw all the studios were falling. Michael Cimino, fresh from his glory with the Deer Hunter was hated and despised for his success and movie making excess, but clearly, that was petty jealousy at its worst.
Cimino ended up fashioning one of the great expositions of the American experience. This film is not to be missed but any serious student of American filmmaking.