Young Danny Flynn is released from prison after 14 years after "taking the rap" for the IRA and tries to rebuild his life in his old Belfast neighborhood.
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A man's coerced confession to an IRA bombing he did not commit results in the imprisonment of his father as well. An English lawyer fights to free them.
Director:
Jim Sheridan
Stars:
Daniel Day-Lewis,
Pete Postlethwaite,
Alison Crosbie
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Director:
Carlos Sorin
Stars:
Daniel Day-Lewis,
Mirjana Jokovic,
Gabriela Acher
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Director:
Rob Marshall
Stars:
Daniel Day-Lewis,
Marion Cotillard,
Penélope Cruz
A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.
Director:
Martin Scorsese
Stars:
Daniel Day-Lewis,
Michelle Pfeiffer,
Winona Ryder
"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land. And when the widow who owns the field decides to sell the field in a public ... See full summary »
A British art expert travels across America in order to purchase a rare Renoir painting in the South but comes across some crazy characters in the process.
Director:
Pat O'Connor
Stars:
Daniel Day-Lewis,
Harry Dean Stanton,
Kent Broadhurst
Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer, fighting and opening a boxing club training aspiring boxers. Maggie has since married Danny's best friend, who is also imprisoned for his I.R.A. activities. Although he has not denounced the I.R.A. or denigrated his I.R.A. colleagues, Danny has decided to live a life free of political violence. His boxing club is nonsectarian, open to both Catholics and Protestants. This move irks some of his old I.R.A. colleagues since they feel working with the Protestants will not resolve their David versus Goliath struggle. Danny's old I.R.A. colleagues, especially their unofficial leader Harry, resort to traditional tactics of violence to stop Danny. Maggie's father, Joe, also an I.R.A. activist, ... Written by
Artemis-9
Jim Sheridan's films are always powerful. Shakespearian in their intensity of character conflict, they bristle with grit, are masterfully acted, and propel themselves the way John Ford's best films do. I consider him, even with his limited output, one of the great A list directors. No, his camera work isn't stunning crane and rail ballet, it's old school - but GREAT old school - Zinneman, Ford. And if you're a filmgoer who likes to care deeply about characters, Sheridan makes your kind of film.
Acting doesn't get better or more truthful than Daniel Day Lewis and Emily Watson working together. They're absolutely believable - inspiring actually
as a couple struggling through forbidden love after 14 years apart. The
dialogue they work with is A plus and written by Sheridan; thus it's probably tuned collaboratively during rehearsal. Very organic. Great (!) work by Gerard McSorley, Brian Cox (L.I.E.) and David Stott as Ike.
Yep, Northern Ireland as Sheridan portrays it can be dreary, as commented here. But it's also full of humanity, drunkeness, hope, cruelty, love, loyalty, oppression, and a desperate longing for change - all the stuff of true drama. The action commences at the moment Ireland is on the cusp of real but fragile peace. Boxing and the IRA? A one two punch.
I love this film and I'd watch it again with any friend who wanted to see an excellently written and played picture. If you want your blood to boil from some fine performers playing strongly written characters, check this out. Not quite "Elizabeth", but powerful. Good enough dramatically (albeit not quite visually) to sit on the same shelf with Raging Bull.
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Jim Sheridan's films are always powerful. Shakespearian in their intensity of character conflict, they bristle with grit, are masterfully acted, and propel themselves the way John Ford's best films do. I consider him, even with his limited output, one of the great A list directors. No, his camera work isn't stunning crane and rail ballet, it's old school - but GREAT old school - Zinneman, Ford. And if you're a filmgoer who likes to care deeply about characters, Sheridan makes your kind of film.
Acting doesn't get better or more truthful than Daniel Day Lewis and Emily Watson working together. They're absolutely believable - inspiring actually
- as a couple struggling through forbidden love after 14 years apart. The
dialogue they work with is A plus and written by Sheridan; thus it's probably tuned collaboratively during rehearsal. Very organic. Great (!) work by Gerard McSorley, Brian Cox (L.I.E.) and David Stott as Ike.Yep, Northern Ireland as Sheridan portrays it can be dreary, as commented here. But it's also full of humanity, drunkeness, hope, cruelty, love, loyalty, oppression, and a desperate longing for change - all the stuff of true drama. The action commences at the moment Ireland is on the cusp of real but fragile peace. Boxing and the IRA? A one two punch.
I love this film and I'd watch it again with any friend who wanted to see an excellently written and played picture. If you want your blood to boil from some fine performers playing strongly written characters, check this out. Not quite "Elizabeth", but powerful. Good enough dramatically (albeit not quite visually) to sit on the same shelf with Raging Bull.