A pair of lookalikes, one a former French aristocrat and the other an alcoholic English lawyer, fall in love with the same woman amongst the turmoil of the French Revolution.
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During the turbulent days of the French Revolution, Frenchwoman Lucie Manette falls in love with Englishman Charles Darnay who's hiding his true identity and purpose.
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Director:
George Cukor
Stars:
Freddie Bartholomew,
Frank Lawton,
Edna May Oliver
An ex-aristocrat from France and an alcoholic English lawyer find themselves crossing paths and in love with the same woman during the French Revolution.
Director:
Jim Goddard
Stars:
Chris Sarandon,
Peter Cushing,
Kenneth More
A young woman comes to Hollywood with dreams of stardom, but achieves them only with the help of an alcoholic leading man whose best days are behind him.
An elaborate adaptation of Dickens' classic tale of the French Revolution. Dissipated lawyer Sydney Carton defends emigre Charles Darnay from charges of spying against England. He becomes enamored of Darnay's fiancée, Lucie Manette, and agrees to help her save Darnay from the guillotine when he is captured by Revolutionaries in Paris. Written by
Marg Baskin <marg@asd.raytheon.ca>
Sydney Carton attends Christmas Eve services ca. 1780 during which "Hark, the Herald Angels Sing" is sung to music by Felix Mendelssohn (1809-1847), and John Francis Wade's Latin hymn, "Adeste fideles," is sung in Frederick Oakley's (1802-1880) translation as "O Come, All Ye Faithful." See more »
Quotes
[Madame DeFarge has come looking for Lucie and the child. Miss Pross bars her way out]
Miss Pross:
Oh no you don't!
Madame Defarge:
Let me pass.
Miss Pross:
Never! I know what you want. I know what you're after. And thank heaven I'm put here to stop you - for stop you I will!
Madame Defarge:
In the name of the Republic...
Miss Pross:
In the name of no one, you evil woman. You've killed many innocent people. No doubt you'll kill many more; but my ladybird you shall never touch.
Madame Defarge:
No? Do you know who I am?
Miss Pross:
You might - from your appearance - be the wife of Lucifer; ...
[...] See more »
A TALE OF TWO CITIES contains enough material for a four hour movie but amazingly David O. Selznick's production has managed to tell the epic tale in just a little over two hours. While there are many memorable characters, the ones that stay in the memory longest are Ronald Colman as Sydney Carton and the little seamstress (Isabel Jewell) who gets her courage from him before they go off to the guillotine and he utters those immortal words, "It's a far, far better thing I do..."
Edna May Oliver is just one of the pleasures among the supporting players. Donald Woods makes a handsome, if somewhat subdued, Charles Darnay and Blanche Yurka does an outstanding job as the bitter Madame Defarge. Basil Rathbone is excellent as the aristocratic Marquis St. Evremonde who is annoyed when his horse-driven carriage runs amok and kills a child, setting in motion the bitter Evremonde legacy of hate and mistrust among the French peasants.
The storming of the Bastille is awesome in its detail, as is all of the set decoration for interiors and exteriors which really captures the atmosphere of this turbulent time in history.
Probably Ronald Colman's finest hour--his world weary Sydney Carton becomes a highly sympathetic character by the time he is ready to assume another man's place. A memorable film.
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A TALE OF TWO CITIES contains enough material for a four hour movie but amazingly David O. Selznick's production has managed to tell the epic tale in just a little over two hours. While there are many memorable characters, the ones that stay in the memory longest are Ronald Colman as Sydney Carton and the little seamstress (Isabel Jewell) who gets her courage from him before they go off to the guillotine and he utters those immortal words, "It's a far, far better thing I do..."
Edna May Oliver is just one of the pleasures among the supporting players. Donald Woods makes a handsome, if somewhat subdued, Charles Darnay and Blanche Yurka does an outstanding job as the bitter Madame Defarge. Basil Rathbone is excellent as the aristocratic Marquis St. Evremonde who is annoyed when his horse-driven carriage runs amok and kills a child, setting in motion the bitter Evremonde legacy of hate and mistrust among the French peasants.
The storming of the Bastille is awesome in its detail, as is all of the set decoration for interiors and exteriors which really captures the atmosphere of this turbulent time in history.
Probably Ronald Colman's finest hour--his world weary Sydney Carton becomes a highly sympathetic character by the time he is ready to assume another man's place. A memorable film.