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Storyline
WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately ... Written by
Huggo
Plot Summary
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Plot Synopsis
Taglines:
Privilege. Ambition. Desire. At Brideshead Everything Comes at a Price.
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Details
Release Date:
15 August 2008 (USA)
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Also Known As:
Regreso a Brideshead
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Box Office
Budget:
$20,000,000
(estimated)
Opening Weekend:
$339,616
(USA)
(25 July 2008)
Gross:
£874,658
(UK)
(10 October 2008)
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Company Credits
Technical Specs
Aspect Ratio:
2.35 : 1
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Did You Know?
Trivia
After Charles "betrays" Sebastian in Venice, there is a shot of an altarpiece in an Italian church, with a depiction of the "Martyrdom of St. Sebastian." You can identify him by the arrows protruding from his body.
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Goofs
After the dinner, at which Charles first meets Lady Marchmain, the family go to pray in the private chapel. The ladies, as Roman Catholics, would have covered their heads with a scarf or a veil.
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Quotes
[
First Lines]
Charles Ryder:
[
Internal monologue while walking out of Brideshead Castle]
If you asked me now who I am, the only answer I could give with any certainty would be my name: Charles Ryder. For the rest: my loves, my hates, down even to my deepest desires, I can no longer say whether these emotions are my own, or stolen from those I once so desperately wished to be. On second thought, one emotion remains my own. Alone among the borrowed and the second-hand, as pure as that faith from which I am still ...
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Connections
Version of
Brideshead Revisited (1981)
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Soundtracks
With the Rumba Playing
Music & Lyrics by
Terry Davies
Violin by
Chris Garrick
Guitar by
John Etheridge See more »
Here is the ultimate definition of cowardice. Mr. Jarrold apparently wanted to make a period piece but didn't have the courage to actually write his own stuff from scratch, so he stole character names and isolated scenes from Evelyn Waugh's classic, then superimposed his own much less interesting, much more banal story. The crime is that the Waugh estate allowed this piece of tripe to be released under the name "Brideshead Revisited."
How far does this thing go from the original? Well, let's see. Waugh wrote a profound meditation on the power of memory, the inevitable tragedies of life and love, and the mystery of faith. Jarrold gives us a not-very-titillating bisexual love triangle with a pasted on last reel reveal of the main character's shallow motivation. Waugh's characters were rich, multi-layered creations. Jarrold's are plasticine clichés with no depth, no recognizable motivation, and no growth . . . hell, they don't even age. In the 15 or so years in which Jarrold sets his story his characters look EXACTLY the same at the end as they did at the beginning.
One has to wonder what Jarrold was thinking If he didn't want to make something even remotely resembling Waugh's work, why use its title and steal a handful of its scenes? Was it just that he didn't think he could sell "Last Love Triangle in 1920s Venice?"