A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.
During a rural picnic, a few students and a teacher from an Australian girls' school vanish without a trace. Their absence frustrates and haunts the people left behind.
The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British ... See full summary »
Director:
Roger Donaldson
Stars:
Mel Gibson,
Anthony Hopkins,
Laurence Olivier
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.
The story of a group of young Australian men who leave their various backgrounds behind and sign up to join the ANZACs in World War I. They are sent to Gallipoli, where they encounter the resolute Turkish army whose ally Germany had organized the defenses along the peninsula, Kemal Ataturk comes to the fore during this campaign. Written by
Murray Chapman <muzzle@cs.uq.oz.au>
The music Major Barton is playing the night before the attack is the famous duet from The Pearl Fishers by Georges Bizet, in which two men swear to remain friends and be united until death. See more »
Goofs
The Battle of the Nek was not a diversion for the British landing at Suvla, it was a diversion for an attack by New Zealand attack on Sari Bair. See more »
Quotes
[first lines]
Jack:
What are your legs?
Archy Hamilton:
Springs. Steel springs.
Jack:
What are they going to do?
Archy Hamilton:
Hurl me down the track.
Jack:
How fast can you run?
Archy Hamilton:
As fast as a leopard.
Jack:
How fast are you going to run?
Archy Hamilton:
As fast as a leopard!
Jack:
Then let's see you do it!
See more »
All of our characters spend the entire first half of this movie developing their personalities, and letting the audience get to know them. The cast signs up for war, considering it to be just the sport that it had been in past days. Instead, all of them, with their individual phrases, look, and persona, join a cannon-fodder army which could indeed be compared to hell itself.
One of the particular themes that shows in this movie is the replacement of conventional weapons. No longer are the glory days when a man could be shot, shake hands with his foe, and call it a day. Instead, we watch many of our innocent, sporty youths run up to "fight the turks," and barely take one step before the loud rattling of a machine gun renders him mutilated beyond all recognition. Indeed, the heroes barely comprehend the concept of death, as one of the most harrowing lines states: "Barney. He's dead. He was standin' right beside me, and I- and I though' he jus' tripped and fell. Y'know, B-barney's like that. He's- He...Was always clumsy."
Another is the use of your allies and soldiers as cannon fodder. To supposedly "let the British advance into the peninsula," the Australian troops, including our youths, are forced to run directly into the no-mans' land, being shredded into kindling while their superiors question their ability as soldiers. "Why aren't we advancing?" "But sir, all of our men, they barely get out of the holes and they die!" "I don't care. We won't win until we advance. The fight must go on."
A movie that easily sheds tears (well, I cried), Gallipoli is not necessarily a film to enjoy, but instead to reveal the dark side of the "modernized" Western World.
29 of 33 people found this review helpful.
Was this review helpful to you?
All of our characters spend the entire first half of this movie developing their personalities, and letting the audience get to know them. The cast signs up for war, considering it to be just the sport that it had been in past days. Instead, all of them, with their individual phrases, look, and persona, join a cannon-fodder army which could indeed be compared to hell itself.
One of the particular themes that shows in this movie is the replacement of conventional weapons. No longer are the glory days when a man could be shot, shake hands with his foe, and call it a day. Instead, we watch many of our innocent, sporty youths run up to "fight the turks," and barely take one step before the loud rattling of a machine gun renders him mutilated beyond all recognition. Indeed, the heroes barely comprehend the concept of death, as one of the most harrowing lines states: "Barney. He's dead. He was standin' right beside me, and I- and I though' he jus' tripped and fell. Y'know, B-barney's like that. He's- He...Was always clumsy."
Another is the use of your allies and soldiers as cannon fodder. To supposedly "let the British advance into the peninsula," the Australian troops, including our youths, are forced to run directly into the no-mans' land, being shredded into kindling while their superiors question their ability as soldiers. "Why aren't we advancing?" "But sir, all of our men, they barely get out of the holes and they die!" "I don't care. We won't win until we advance. The fight must go on."
A movie that easily sheds tears (well, I cried), Gallipoli is not necessarily a film to enjoy, but instead to reveal the dark side of the "modernized" Western World.