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Tinto Brass - The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief - FALLO! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
Director:
Tinto Brass
Stars:
Sara Cosmi,
Massimiliano Caroletti,
William De Vito
A husband and wife lock their diaries in a drawer and also know that they read each other's entries, a device which takes them from one sexual encounter to another.
Director:
Tinto Brass
Stars:
Frank Finlay,
Stefania Sandrelli,
Franco Branciaroli
A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. "Paprika" is the name given to her by the madam.
Dario is a little publisher from Milano. He is joining the Mantova Festival Letteratura (Book fair) 2004. Marta, his unsatisfied wife, accompanies him. Leon is a French ... See full summary »
While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment that overlooks the Thames. There she meet the lesbian hyper-horny real estate agent Moira.
This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to ... See full summary »
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official, who plans to use the information to blackmail Hitler and gain power himself.
Director:
Tinto Brass
Stars:
Helmut Berger,
Ingrid Thulin,
Teresa Ann Savoy
Diana is happily married to Paolo, but due to her wild passion for sex, she regularly winds up in short lived erotic adventures. She doesn't hide from Paolo, in contrast, she tells him, in order to add fresh impulses in their own sex life.
Director:
Tinto Brass
Stars:
Claudia Koll,
Paolo Lanza,
Franco Branciaroli
Miranda is a beautiful woman who runs a local tavern. After the loss of her husband in WWII, she tries out a variety of men. Over the course of four seasons she meets four men: in Winter the rich old council; in Spring there is the young chauffeur; in Summer the American G.I.; and in Autumn, the servant of the Tavern. Now she has to make a decision, who would be the best lover as well husband. Written by
Ørnås
Ah, the mature Tinto Brass! After twenty odd years of trying to make difficult, compelling and erotic films, of seeing his work cut to shreds by clumsier, less artistic hands, of working on huge sets with vast unweildy international casts and of the insufferable dictation of linear narrative and intelligible dialogue enough was enough. From now on it would be back to basics, back to his first love. From now on all of his films would be about women with fat arses. Like Walerian Boroczyk or Russ Meyer ( albeit a Russ Meyer who is a foot shorter and facing the wrong way ) Brass' chief concern is the capture of the female form, as often as possible and from suprisingly intrusive angles. To this end he has established a series of erotic props, his own sexual shorthand. There will always be an oval mirror over any bed, there will invariably be a camp dancing sequence during which the heroine will feel compelled to flash her baggy french knickers. There will be a dream sequence, usually on a beach and usually as a tribute to Fellini, and every time a character goes to the cinema it will be to see another Tinto Brass film. And finally, and perhaps most importantly for Tinto, any woman, no matter what the circumstances and appropos of nothing must be allowed to urinate as and when she pleases, preferably backlit and preferably in public. This is the plot of Miranda. Not in essence, this is not a thumbnail sketch or a five word pitch. THIS IS ALL THAT HAPPENS:Miranda ( Serena Grandi ) the landlady of an Italian taverna has to choose between three men: a rich pensioner, an aggressive GI or the lowly waiter who carries a torch for her. Guess which one she goes for!
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Ah, the mature Tinto Brass! After twenty odd years of trying to make difficult, compelling and erotic films, of seeing his work cut to shreds by clumsier, less artistic hands, of working on huge sets with vast unweildy international casts and of the insufferable dictation of linear narrative and intelligible dialogue enough was enough. From now on it would be back to basics, back to his first love. From now on all of his films would be about women with fat arses. Like Walerian Boroczyk or Russ Meyer ( albeit a Russ Meyer who is a foot shorter and facing the wrong way ) Brass' chief concern is the capture of the female form, as often as possible and from suprisingly intrusive angles. To this end he has established a series of erotic props, his own sexual shorthand. There will always be an oval mirror over any bed, there will invariably be a camp dancing sequence during which the heroine will feel compelled to flash her baggy french knickers. There will be a dream sequence, usually on a beach and usually as a tribute to Fellini, and every time a character goes to the cinema it will be to see another Tinto Brass film. And finally, and perhaps most importantly for Tinto, any woman, no matter what the circumstances and appropos of nothing must be allowed to urinate as and when she pleases, preferably backlit and preferably in public. This is the plot of Miranda. Not in essence, this is not a thumbnail sketch or a five word pitch. THIS IS ALL THAT HAPPENS:Miranda ( Serena Grandi ) the landlady of an Italian taverna has to choose between three men: a rich pensioner, an aggressive GI or the lowly waiter who carries a torch for her. Guess which one she goes for!