A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event that comes to redefine their relationship.
After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.
Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.
Director:
Naomi Foner
Stars:
Dakota Fanning,
Elizabeth Olsen,
Sterling Jones
Shy, sensitive April is the class virgin, torn between an illicit flirtation with her soccer coach Mr. B and an unrequited crush on sweet stoner Teddy. Emily, meanwhile, offers sexual ... See full summary »
In this film, Elle Fanning is a magical young girl existing outside of space and time. She inhabits an odd, timeless landscape that is both old and modern. She spends her days playing and ... See full summary »
London, 1962. Two teenage girls - Ginger and Rosa -- are inseparable; they play truant together, discuss religion, politics and hairstyles, and dream of lives bigger than their mothers' frustrated domesticity. But, as the Cold War meets the sexual revolution, and the threat of nuclear holocaust escalates, the lifelong friendship of the two girls is shattered - by the clash of desire and the determination to survive. Written by
Adventure Pictures
Elle Fanning was only 13 years old at the time of filming when she portrayed 17-year-old Ginger. See more »
Goofs
Ginger and Rosa supposedly ride upon a whirling children's roundabout, and yet their hair isn't blown about by the wind. See more »
Quotes
[first lines]
Natalie:
I think Rosa's a bad influence.
Roland:
Meaning what, exactly?
Natalie:
Anoushka worries about her. She says she's disturbed.
Ginger:
[interrupting]
So would you be if you'd been told you were a failure when you were 11 years old!
See more »
A small movie for perhaps an even smaller audience, Ginger & Rosa is a coming-of-age/sexual awakening tale of two close girlfriends growing up in London in 1962 at the height of the frantic and worrisome Cuban Missile Crisis.
Ginger (an exceptional Elle Fanning) has found her life turned upside down when her squabbling parents the put-upon, under-appreciated, one-time artist mother (Mad Men's Christina Hendricks) and the esteemed, bohemian, philandering professor father (Alessandro Nivola) decide to separate and her closest friend Rosa (Alice Englert) could care less as she is more interested in wearing eye shadow and nail polish to impress the random teenage boy.
To become more active and to distract herself from her own life's unraveling situation (thanks, Rosa!), Ginger takes on the cause of nuclear disarmament after being swayed by the conversations of her mother's political activist friends (O. Platt, T. Spall and A. Bening). No matter the bigger obstacles Ginger takes upon herself, the various actions of her family and friends are what ultimately threaten the young girl and her well-being.
Ginger & Rosa is a decent film that will not appeal to a mass audience. It is a slow-moving character-study of the film's strongest character, Ginger. Luckily Rosa -- a character who is very hard to like from the get-go (selfish) -- isn't really featured enough to merit her name in the title. Some will see the film as ponderous as the young Ginger strives to find reason and purpose; but she is a realistic character and Fanning is subtle in some scenes and fantastic in others. (THIS is the more-talented Fanning sister and I have felt this way since Somewhere).
I tried to explain the "feel" of the film to a friend the other day and I said it was much like placing a pot of water on the stove for it to boil. It is a pot of water sitting on a stove (exciting!) ... just sitting there as it simmers while we get a bubble here and a bubble there! When it finally hits the boiling point -- watch out! -- because it could boil over!
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A small movie for perhaps an even smaller audience, Ginger & Rosa is a coming-of-age/sexual awakening tale of two close girlfriends growing up in London in 1962 at the height of the frantic and worrisome Cuban Missile Crisis.
Ginger (an exceptional Elle Fanning) has found her life turned upside down when her squabbling parents the put-upon, under-appreciated, one-time artist mother (Mad Men's Christina Hendricks) and the esteemed, bohemian, philandering professor father (Alessandro Nivola) decide to separate and her closest friend Rosa (Alice Englert) could care less as she is more interested in wearing eye shadow and nail polish to impress the random teenage boy.
To become more active and to distract herself from her own life's unraveling situation (thanks, Rosa!), Ginger takes on the cause of nuclear disarmament after being swayed by the conversations of her mother's political activist friends (O. Platt, T. Spall and A. Bening). No matter the bigger obstacles Ginger takes upon herself, the various actions of her family and friends are what ultimately threaten the young girl and her well-being.
Ginger & Rosa is a decent film that will not appeal to a mass audience. It is a slow-moving character-study of the film's strongest character, Ginger. Luckily Rosa -- a character who is very hard to like from the get-go (selfish) -- isn't really featured enough to merit her name in the title. Some will see the film as ponderous as the young Ginger strives to find reason and purpose; but she is a realistic character and Fanning is subtle in some scenes and fantastic in others. (THIS is the more-talented Fanning sister and I have felt this way since Somewhere).
I tried to explain the "feel" of the film to a friend the other day and I said it was much like placing a pot of water on the stove for it to boil. It is a pot of water sitting on a stove (exciting!) ... just sitting there as it simmers while we get a bubble here and a bubble there! When it finally hits the boiling point -- watch out! -- because it could boil over!