We consulted IMDb's Highest-Rated Action-Family Films to came up with 10 scene-stealing action figures your kids can relate to, look up to, and be inspired by.
A spaceship from another world crashes in the Arizona desert, and only an amateur stargazer and a schoolteacher suspect alien influence when the local townsfolk begin to act strange.
Director:
Jack Arnold
Stars:
Richard Carlson,
Barbara Rush,
Charles Drake
Scientists at an Arctic research station discover a spacecraft buried in the ice. Upon closer examination, they discover the frozen pilot. All hell breaks loose when they take him back to their station and he is accidentally thawed out! Written by
KC Hunt <khunt@eng.morgan.edu>
When one character is asked if he knows how to use a Very pistol his response is, "I saw Gary Cooper in Sergeant York". Sergeant York was also directed by Howard Hawks. See more »
Goofs
During the poker game in the officer's club, MacPherson starts to lay some money on the table, then seconds later, does it again. See more »
Quotes
Dr. Arthur Carrington:
[Addressing Captain Hendry, arguing against the plan to destroy the alien creature]
You're doing more than breaking Army orders, you're robbing science of the greatest secret that's ever come to it. Knowledge is more important than life, captain. We've only one excuse for existence: to think, to find out, to learn! It doesn't matter what happens to us. Nothing matters except our thinking. We've fought our way into Nature, we've split the atom... We owe it to the brain of our species to stay here...
[...] See more »
Crazy Credits
George Fenneman, who has a speaking part in the film, is not credited or mentioned on this web page. See more »
One of the best science fiction pictures from the fifties, and one that helped define the genre, The Thing holds up remarkably well today. There's still considerable debate over whether producer Howard Hawks actually directed the film or credited director(and former editor) Christian Nyby. It's a Hawks production either way, and one of his best. The story of an alien invasion near the arctic circle, it builds slowly, relying heavily on the excellent, slangy dialogue of Charles Lederer, and the casual, jokey relationships between the various characters. This is lean, solid, old-fashioned moviemaking. There's not a wasted moment in this one. Hollywood in the studio era was especially good with stories of isolation, and this one's about as isolated as it gets. The monster is rarely seen, as we catch him only in horrifying glimpses, as the characters in the movie do. There's a standard brains versus brawn subtext in the film, but it's not emphasized to the movie's detriment. That the cast consists mostly of relative unknowns give the picture an almost documentary feeling at times, as if one were watching an actual event. Dimitri Tiomkin's spooky score helps spur the action on. This is a fine piece of commercial film-making, with everyone doing his job, and no "star turns". Nobody gets the upper hand here, not the actors, director, writer, cinematographer or alien. Everything comes together in the end. This is a perfect movie of its kind.
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One of the best science fiction pictures from the fifties, and one that helped define the genre, The Thing holds up remarkably well today. There's still considerable debate over whether producer Howard Hawks actually directed the film or credited director(and former editor) Christian Nyby. It's a Hawks production either way, and one of his best. The story of an alien invasion near the arctic circle, it builds slowly, relying heavily on the excellent, slangy dialogue of Charles Lederer, and the casual, jokey relationships between the various characters. This is lean, solid, old-fashioned moviemaking. There's not a wasted moment in this one. Hollywood in the studio era was especially good with stories of isolation, and this one's about as isolated as it gets. The monster is rarely seen, as we catch him only in horrifying glimpses, as the characters in the movie do. There's a standard brains versus brawn subtext in the film, but it's not emphasized to the movie's detriment. That the cast consists mostly of relative unknowns give the picture an almost documentary feeling at times, as if one were watching an actual event. Dimitri Tiomkin's spooky score helps spur the action on. This is a fine piece of commercial film-making, with everyone doing his job, and no "star turns". Nobody gets the upper hand here, not the actors, director, writer, cinematographer or alien. Everything comes together in the end. This is a perfect movie of its kind.