Beyond the Valley of the Dolls (1970) 6.2
Three girls come to Hollywood to make it big, but find only sex, drugs and sleaze. Director:Russ Meyer |
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Beyond the Valley of the Dolls (1970) 6.2
Three girls come to Hollywood to make it big, but find only sex, drugs and sleaze. Director:Russ Meyer |
|
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Cast overview, first billed only: | |||
Dolly Read | ... | ||
Cynthia Myers | ... | ||
Marcia McBroom | ... | ||
John Lazar | ... |
Ronnie 'Z-Man' Barzell
(as John LaZar)
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Michael Blodgett | ... | ||
David Gurian | ... | ||
Edy Williams | ... | ||
Erica Gavin | ... | ||
Phyllis Davis | ... | ||
Harrison Page | ... | ||
Duncan McLeod | ... | ||
James Iglehart | ... |
Randy Black
(as Jim Iglehart)
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Charles Napier | ... | ||
Henry Rowland | ... | ||
Princess Livingston | ... |
Matron
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This film is a sequel in name only to Valley of the Dolls (1967). An all-girl rock band goes to Hollywood to make it big. There they find success, but luckily for us, they sink into a cesspool of decadence. This film has a sleeping woman performing on a gun which is in her mouth. It has women posing as men. It has lesbian sex scenes. It is also written by Roger Ebert, who had become friends with Russ Meyer after writing favorable reviews of several of his films. Written by Mark Logan <marklo@west.sun.com>
Russ Meyer's most lavish production is still jaw dropping, and still beyond comparison. BTVOTD is the ultimate camp film that, unlike Valley of the Dolls, is knowingly campy, deliberately absurd, never comes down to earth, and achieves a non stop contact high. Beyond description, it must be seen to be believed. A rapid fire, mind-rending parody of virtually every genre and cliché squeezed into a 2 hour film which hasn't aged a bit and has seen its reputation grow since its initial release in 1970. The songs, dialog, direction, editing, music, and acting all provide endless amazement every time I see it. In the 30 plus years since its release nothing else comes close to the experience of this film. Even more than The Rocky Horror Picture Show, BEYOND is a true audience film with so many lines and scenes that viewers have memorized. BEYOND is and was ahead of its time, and remains essential viewing.